《回归》归宗 | 行为艺术现场——所见皆是所望
SNARTE SPACE

本篇介绍的是此次《回归》活动中五位艺术家一起合作的三次即兴行为,分别是麦田,镜子和空间。
《麦田》


许福辰:集体即兴最大的魅力在于可以把脑子扔一边,不去思考;把心灵丢一旁,不去感受。这时,“我是谁?我从哪里来?我到哪里去?”的问题已然被解决了,答案就消解在此时此刻此地。若你想问个究竟,那么来集体即兴,耍一下嘛。
The greatest attraction of collective impromptuis that you can throw your mind aside, not thinking; throwing your heart aside, not feeling. At this time, the question "Who am I? Where do I come from? Where do I go?" has been solved, and the answer is resolved at this moment. If you want to ask a question, then come to the collective improvisation and play it.




地点:庐山灿村
黎之阳:
麦田:开阔空间的天地让我只想回到渺小的自己
镜子:烟云明月
空间里:每一个创作者都如音符的图像在演奏
Wheat field: the open space of the world makes me only want to go back to my own small
Mirror: a bright moon in the smoke
In space: every creator plays an image like a note
《镜子》





地点:云里客栈
和丽斌的行为过程:
麦田:取红土涂于面部眼眸周围,取一把稻谷握于手中,匍匐前进至稻田中央空地,匍匐原地旋转并慢慢起身,高举稻谷面向天空祈祷,稻谷抛洒向四方。
捡拾稻田里的绳索,捆缚四周一切可捆缚的事物包括自己,形成聚心的力量。
取黑板旁的白毛巾,双手举白毛巾用力在空中抖动,划破空间,与空气摩擦产生声音,与空中飞翔的无人机声音对话。
空间:打开一瓶矿泉水,含一口水吐于地面,匍匐于地面尽力把水吹向四方直至水迹消失,头部紧贴地面顶剩下的矿泉水瓶匍匐前进,至墙边瓶子卡住,继续头顶墙面移动身体,身体如流水般上下翻滚运动,至翻滚出现场止。
重新进入现场,收纳空间四处堆放的椅子,把它们尽可能地堆叠高并搬运出现场,再把坐在椅子上的三位表演者连人带椅子依次搬运出现场,使现场表演终止。
Wheat field: Take red soil around the facial eyelids, take a handful of rice in your hand, and move forward to the central open space of the rice field. Rotate and slowly get up, pray for the rice to face the sky, and the rice is thrown to the square.
Pick up the ropes in the rice fields and bind all the things that can be bound around yourself, forming the power of concentration.
Take the white towel next to the blackboard, use your hands to lift a white towel, shake it in the air, cut through the space, rub the air to produce a sound, and talk to the flying drone.
Space: Open a bottle of mineral water, sprinkle a piece of water on the ground, squat on the ground and try to blow the water to the square until the water disappears. The remaining mineral water bottle on the top of the ground is moving forward, and the bottle is stuck at the wall. Continue to move the wall above the head, and the body will roll up and down like a running water until the rollover occurs.
Re-enter the scene, accommodate the four-stacked chairs in the space, stack them as high as possible and carry the scene, and then carry the three performers sitting in the chair and carry the chairs in order to stop the live performance.
《空间》






地点:諝空间
罗菲:即兴行为表演最迷人的地方恰好在于一群人在非常偶然的时空里相遇,借助身体、环境、物件彼此邀请,短暂相遇,共同生成一个迷人而又令人困惑的情境。表演者常常是在关系的迷雾中寻求触发诗意与秩序的瞬间,当无数个这样的瞬间得以实现的时候,观看这场表演就会像观看微观世界那样令人欣喜。
Luo Fei : The most fascinating place for impromptu performances happens to be a group of people who meet in very occasional time and space, invite each other with the body, the environment and the objects, and meet each other briefly to create a charming and confusing situation. Performers often seek to trigger poetic and orderly moments in the fog of relationships. When countless such moments are realized, watching this performance will be as gratifying as watching the microcosm.
艺术家:和丽斌、罗菲、黎之阳、许福辰、吕德生
策展人:王諝
执行策展人:潘奕霏
赞助单位:庐山归宗旅游度假区
摄影支持:芙蓉, 陈刚
展览时间:2018年9月27日——28日
地点:江西庐山归宗
Artists: He Libin\Luo Fei\Li Zhiyang\Xv Fuchen\Lyu Desheng
Curator: Wang Xv
Executive Curator: Pan Yifei
Sponsor:Lushan Guizong Tourism Resort
Photography support:Fu Rong\Chen Gang
Location:Guizong Lushan Jiangxi

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