再一次引用他被采访的那段话：“By 2018, though, I'd become certain that I was a writer, because I was sitting in an apartment in Beijing, far away from my ancestors, making a living from writing and hunting down stories. "I'm an author, so let's write a book," I said to myself. A book about writing, about migrating, about starting a new life, about how it feels to love something or someone. After finishing "The Hunter," I felt unburdened. I no longer belonged to any city or era. I had become the person I am now. ”
为了不扩大话题。先回答国庆和东北。为什么不是常长三角，珠三角。
今年经济整体疲软，国内制造为了不扩大话题。先回答国庆和东北。为什么不是常长三角，珠三角。
今年经济整体疲软，国内制造业和出口都不要好，这还牵扯到外部环境。提出的振兴东北，新型工业化，有没有可能让经济恢复活力。东北曾是重工业基地，随着经济转型，人们的生存状态也随之改变。
我想这些都属于双雪涛的背景优势。
你可以理解为时代造就了一部分的他。不要过度强调这是我的个人离奇牵扯。
为什么反复说到这个背景。又回到心脏。
双雪涛说他妈妈在工厂流水线上拧螺丝，后来干漆工，他把这些经历给予了文中的父亲。
他让父亲打拳，是因为他想要父亲有属于自己的东西，真正的只属于那种。
他说父亲那一代有些人有容易放弃自己的倾向，时代的动荡摧毁了他们。文中可以看到父子之间关于父亲与儿子关系的探讨。
还有很多细节，都与时代背景有关。我想说，在历史背景下去看待他的作品，或许更能深入了解他的创作动机，理解他创造的人物对话。
再一次引用他被采访的那段话：“By 2018, though, I'd become certain that I was a writer, because I was sitting in an apartment in Beijing, far away from my ancestors, making a living from writing and hunting down stories. "I'm an author, so let's write a book," I said to myself. A book about writing, about migrating, about starting a new life, about how it feels to love something or someone. After finishing "The Hunter," I felt unburdened. I no longer belonged to any city or era. I had become the person I am now. ”
他不再属于任何城市或者地域。他已经成为他自己。...我的大宝宝妞
What’s happening in China isn’t equal to what’s happing in America. You may have a self-important illusion that the whole world is deeply concerned about the economic quagmire we the Chinese have got ourselves into. That may be the case to the policy-makers. But to the common people who just happen to the readers of the New Yorker, I don’t think the majority of them would give an iota of damn. Not to mention what was going on in the northern China two decades ago. They probably feel your sadness. But they surely feel sadder for their rising gas prices. And it’s quite absurd to misread the efforts of cultural diversity made by the liberal part of America as the respect towards China paid by that whole nation. It’s this typical type of egoism that has trapped the mind of the Chinese people at the corner of East Asia for such a long time. Long long before the Opium War started.
I guess it’s my fault to have engaged in this conversation and I shall say no more.
What’s happening in China isn’t equal to what’s happing in America. You may have a selfWhat’s happening in China isn’t equal to what’s happing in America. You may have a self-important illusion that the whole world is deeply concerned about the economic quagmire we the Chinese have got ourselves into. That may be the case to the policy-makers. But to the common people who just happen to the readers of the New Yorker, I don’t think the majority of them would give an iota of damn. Not to mention what was going on in the northern China two decades ago. They probably feel your sadness. But they surely feel sadder for their rising gas prices. And it’s quite absurd to misread the efforts of cultural diversity made by the liberal part of America as the respect towards China paid by that whole nation. It’s this typical type of egoism that has trapped the mind of the Chinese people at the corner of East Asia for such a long time. Long long before the Opium War started.
I guess it’s my fault to have engaged in this conversation and I shall say no more....杨乃忆
看了上面两位的观点，我也想谈谈我的看法。首先我觉得文学评论和欣赏是可以根据不同读者的族裔和文化背景有不同的观察角度的，我不觉得在这里面有一个或者应当有一个的主流的角度，标签式的类似东方vs西方，中国vs美国，都有些架空的嫌疑，话说回来，一篇文章和文艺作品即使在同一个文化圈层里也会因为每个人的不同看法会产生不一样的评论观点。其实我们只要做到我们只speak for ourselves就好，没有必要judge别人的分析角度，这不正是多样性的美的点吗？其次至于New Yorker为什么选这篇文章，为什么在这个时间点选这篇，我个人觉得有点偏离咱们文章评论的初衷，我觉得大可不必花再多篇幅去猜杂志社的动机。分享下我自己的主观看法，若有偏颇，欢迎指正。
看了上面两位的观点，我也想谈谈我的看法。首先我觉得文学评论和欣赏是可以根据不同读者的族裔和看了上面两位的观点，我也想谈谈我的看法。首先我觉得文学评论和欣赏是可以根据不同读者的族裔和文化背景有不同的观察角度的，我不觉得在这里面有一个或者应当有一个的主流的角度，标签式的类似东方vs西方，中国vs美国，都有些架空的嫌疑，话说回来，一篇文章和文艺作品即使在同一个文化圈层里也会因为每个人的不同看法会产生不一样的评论观点。其实我们只要做到我们只speak for ourselves就好，没有必要judge别人的分析角度，这不正是多样性的美的点吗？其次至于New Yorker为什么选这篇文章，为什么在这个时间点选这篇，我个人觉得有点偏离咱们文章评论的初衷，我觉得大可不必花再多篇幅去猜杂志社的动机。分享下我自己的主观看法，若有偏颇，欢迎指正。...星空向日葵
大仲马说过，Qu'est ce que l'Histoire ? Un clou auquel j'accroche mes romans.
历史不过是悬大仲马说过，Qu'est ce que l'Histoire ? Un clou auquel j'accroche mes romans.
历史不过是悬挂小说的图钉而已，我看有人现在看图钉都快看出斗鸡眼了，还要研究图钉的生辰八字星座血型，还要敝帚自珍倚老卖老，至于吗，百度百科小朋友？
双雪涛代表作也没看过几篇，看了一期杂志，感觉就要撸袖子给世界point the direction了。
Snobs should read the Economist. Have mercy and spare the New Yorker, please....杨乃忆
