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（题目 作者 毕业学校） 　　 Orthodoxy, controversy and the transformation of Chan Buddhism in seventeenth-century China. by Wu, Jiang.;,Ph.D. Harvard University. 2002 　　 Widows, monks, magistrates, and concubines: Social dimensions of sixth-century Buddhist art patronage. by Lingley, Kate Alexandra.;,Ph.D. The University of Chicago. 2004 　　 The art of the Sui Dynasty caves at Dunhuang. 敦煌隋代石窟艺术 by Baker, Janet.;,Ph.D. The University of Kansas. 1991 　　 Bodies of Buddhas and princes at the Xiangtangshan caves: Image, text, and stupa in Buddhist art of the Northern Qi dynasty, 550-577. 响堂山石窟的佛身和释迦王子：北齐佛教艺术中的图像、文本、佛塔 by Mino, Katherine R. Tsiang.;,Ph.D. The University of Chicago. 1996 　　 Visions of paradise: Sui and Tang Buddhist pure land representation at Dunhuang (China). 天堂幻像：隋唐时期敦煌对净土宗的表现 by McIntire, Jennifer Noering.;,Ph.D. Princeton University. 2000 　　 Inventing Eastern art in Japan and China, ca. 1890s to ca. 1930s. 1890-1930年间中国、日本东方艺术的再生 by Yuen, Aida Yuen.;,Ph.D. Columbia University. 1999 　　 The body and the family: Filial piety and Buddhist art in late medieval China. 身体与家庭：中国中古晚期的孝行与佛教艺术 by Kyan, Winston.;,Ph.D. The University of Chicago. 2006 　　 Art, religion and politics: Dunhuang Cave 220. 敦煌220窟的艺术、宗教与政治 by Ning, Qiang.;,Ph.D.宁强 Harvard University. 1997 　　 The triptych of "Daoist Deities of Heaven, Earth and Water" and the making of visual culture in the Southern Song period, (1127--1279) (China). 道教 南宋文化视觉化运作 by Huang, Shih-shan Susan.;,Ph.D. Yale University. 2002 　　 The meeting of Vimalakirti and Manjusri: Chinese innovation in Buddhist iconography. (Volumes I and II). by Heyrman, Laura Gardne; Ph.D. University of Minnesota. 1994 　　 Orthodoxy, controversy and the transformation of Chan Buddhism in seventeenth-century China. by Wu, Jiang.;,Ph.D. Harvard University. 2002 　　 Widows, monks, magistrates, and concubines: Social dimensions of sixth-century Buddhist art patronage. by Lingley, Kate Alexandra.;,Ph.D. The University of Chicago. 2004 　　 The art of the Sui Dynasty caves at Dunhuang. 敦煌隋代石窟艺术 by Baker, Janet.;,Ph.D. The University of Kansas. 1991 　　 Bodies of Buddhas and princes at the Xiangtangshan caves: Image, text, and stupa in Buddhist art of the Northern Qi dynasty, 550-577. 响堂山石窟的佛身和释迦王子：北齐佛教艺术中的图像、文本、佛塔 by Mino, Katherine R. Tsiang.;,Ph.D. The University of Chicago. 1996 　　 Visions of paradise: Sui and Tang Buddhist pure land representation at Dunhuang (China). by McIntire, Jennifer Noering.;,Ph.D. 天堂幻像：隋唐时期敦煌对净土宗的表现 Princeton University. 2000 　　 Inventing Eastern art in Japan and China, ca. 1890s to ca. 1930s. 1890-1930年间中国、日本东方艺术的再生 by Yuen, Aida Yuen.;,Ph.D. Columbia University. 1999 　　 The body and the family: Filial piety and Buddhist art in late medieval China. 身体与家庭：中国中古晚期的孝行与佛教艺术 by Kyan, Winston.;,Ph.D. The University of Chicago. 2006 　　 Art, religion and politics: Dunhuang Cave 220. 敦煌220窟的艺术、宗教与政治 by Ning, Qiang.;,Ph.D.宁强 Harvard University. 1997 　　 The triptych of "Daoist Deities of Heaven, Earth and Water" and the making of visual culture in the Southern Song period, (1127--1279) (China). 道教 南宋文化视觉化运作 by Huang, Shih-shan Susan.;,Ph.D. Yale University. 2002 　　 The meeting of Vimalakirti and Manjusri: Chinese innovation in Buddhist iconography. (Volumes I and II). by Heyrman, Laura Gardne; Ph.D. University of Minnesota. 1994 　　 http://www.douban.com/group/topic/3519710/