The Poetry of Sylvia Plath /JUVENILIA

Admonition
If you dissect a bird
To diagram the tongue
You'll cut the chord
Articulating song.
If you flay a beast
To marvel at the mane
You'll wreck the rest
From which the fur began.
If you pluck out the heart
To find what makes it move,
You'll halt the clock
That syncopates our love.
---------------
April 18
the slime of all my yesterdays
rots in the hollow of my skull
and if my stomach would contract
because of some explicable phenomenon
such as pregnancy or constipation
I would not remember you
or that because of sleep
infrequent as a moon of greencheese
that because of food
nourishing as violet leaves
that because of these
and in a few fatal yards of grass
in a few spaces of sky and treetops
a future was lost yesterday
as easily and irretrievably
as a tennis ball at twilight
---------------
April Aubade
Worship this world of watercolor mood
in glass pagodas hung with veils of green
where diamonds jangle hymns within the blood
and sap ascends the steeple of the vein.
A saintly sparrow jargons madrigals
to waken dreamers in the milky dawn,
while tulips bow like a college of cardinals
before that papal paragon, the sun.
Christened in a spindrift of snowdrop stars,
where on pink-fluted feet the pigeons pass
and jonquils sprout like solomon's metaphors,
my love and I go garlanded with grass.
Again we are deluded and infer
that somehow we are younger than we were.
--------------
Aquatic Nocturne
deep in liquid
turquoise slivers
of dilute light
quiver in thin streaks
of bright tinfoil
on mobile jet:
pale flounder
waver by
tilting silver:
in the shallows
agile minnows
flicker gilt:
grapeblue mussels
dilate lithe and
pliant valves:
dull lunar globes
of blubous jellyfish
glow milkgreen:
eels twirl
in wily spirals
on elusive tails:
adroir lobsters
amble darkly olive
on shrewd claws:
down where sound
comes blunt and wan
like the bronze tone
of a sunken gong.
--------------
Bitter Strawberries
All morning in the strawberry field
They talked about the Russians.
Squatted down between the rows
We listened.
We heard the head woman say,
'Bomb them off the map.'
Horseflies buzzed, paused and stung.
And the taste of strawberries
Turned thick and sour.
Mary said slowly, 'I've got a fella
Old enough to go.
If anything should happen...'
The sky was high and blue.
Two children laughed at tag
In the tall grass,
Leaping awkward and long-legged
Across the rutted road.
The fields were full of bronzed young men
Hoeing lettuce, weeding celery.
'The draft is passed,' the woman said.
'We ought to have bombed them long ago.'
'Don't,' pleaded the little girl
With blond braids.
Her blue eyes swam with vague terror.
She added petishly, 'I can't see why
You're always talking this way...'
'Oh, stop worrying, Nelda,'
Snapped the woman sharply.
She stood up, a thin commanding figure
In faded dungarees.
Businesslike she asked us, 'How many quarts?'
She recorded the total in her notebook,
And we all turned back to picking.
Kneeling over the rows,
We reached among the leaves
With quick practiced hands,
Cupping the berry protectively before
Snapping off the stem
Between thumb and forefinger.
---------------
Black Pine Tree in an Orange Light
Tell me what you see in it :
The pine tree like a Rorschach-blot
black against the orange light :
Plant an orange pumpkin patch
which at twelve will quaintly hatch
nine black mice with ebon coach,
or walk into the orange and make
a devil's cataract of black
obscure god's eye with corkscrew fleck;
put orange mistress half in sun,
half in shade, until her skin
tattoos black leaves on tangerine.
Read black magic or holy book
or lyric of love in the orange and black
till dark is conquered by orange cock,
but more pragmatic than all this,
say how crafty the painter was
to make orange and black ambiguous.
--------------
Bluebeard
I am sending back the key
that let me into bluebeard's study;
because he would make love to me
I am sending back the key;
in his eye's darkroom I can see
my X-rayed heart, dissected body :
I am sending back the key
that let me into bluebeard's study.
------------
Cinderella
The prince leans to the girl in scarlet heels,
Her green eyes slant, hair flaring in a fan
Of silver as the rondo slows; now reels
Begin on tilted violins to span
The whole revolving tall glass palace hall
Where guests slide gliding into light like wine;
Rose candles flicker on the lilac wall
Reflecting in a million flagons' shine,
And glided couples all in whirling trance
Follow holiday revel begun long since,
Until near twelve the strange girl all at once
Guilt-stricken halts, pales, clings to the prince
As amid the hectic music and cocktail talk
She hears the caustic ticking of the clock.
------------
The Dead
Revolving in oval loops of solar speed,
Couched in cauls of clay as in holy robes,
Dead men render love and war no heed,
Lulled in the ample womb of the full-tilt globe.
No spiritual Caesars are these dead;
They want no proud paternal kingdom come;
And when at last they blunder into bed
World-wrecked, they seek only oblivion.
Rolled round with goodly loam and cradled deep,
These bone shanks will not wake immaculate
To trumpet-toppling dawn of doomstruck day :
They loll forever in colossal sleep;
Nor can God's stern, shocked angels cry them up
From their fond, final, infamous decay.
---------------
Denouement
The telegram says you have gone away
And left our bankrupt circus on its town;
There is nothing more for me to say.
The maestro gives the singing birds their pay
And they buy tickets for the tropic zone;
The telegram says you have gone away.
The clever wolly dogs have had their day
They shoot the dice for one remaining bone;
There is nothing more for me to say.
The lion and the tigers turn to clay
And Jumbo sadly trumpets into stone;
The telegram says you have gone away.
The morbid cobra's wits have run astray;
He rents his poisons out by telegram;
There is nothing more for me to say.
The colored tenst all topple in the bay;
The magic sawdust writes: address unknown.
The telegram says you have gone away;
There is nothing more for me to say.
--------------
Dirge for a Joker
Always in the middle of a kiss
Came the profane stimulus to cough;
Always from teh pulpit during service
Leaned the devil prompting you to laugh.
Behind mock-ceremony of your grief
Lurked the burlesque instinct of the ham;
You never altered your amused belief
That life was a mere monumental sham.
From the comic accident of birth
To the final grotesque joke of death
Your malady of sacrilegious mirth
Spread gay contagion with each clever breath.
Now you must play the straight man for a term
And tolerate the humor of the worm.
------------------
Doom of Exiles
Now we, returning from the vaulted domes
Of our colossal sleep, come home to find
A tall metropolis of catacombs
Erected down the gangways of our mind.
Green alleys where we reveled have become
The infernal haunt of demon dangers;
Both seraph song and violins are dumb;
Each clock tick consecrates the death of strangers
Backward we traveled to reclaim the day
Before we fell, like Icarus, undone;
All we find are altars in decay
And profane words scrawled black across the sun.
Still, stubbornly we try to crack the nut
In which the riddle of our race is shut.
--------------
Doomsday
The idiot bird leaps out and drunken leans
Atop the broken universal clock:
The hour is crowed in lunatic thirteens.
Out painted stages fall apart by scenes
While all the actors halt in mortal shock:
The idiot bird leaps out and drunken leans.
Streets crack through in havoc-split ravines
As the doomstruck city crumbles block by block:
The hour is crowed in lunatic thirteens.
Fractured glass flies down in smithereens;
Our lucky relics have been put in hock:
The idiot bird leaps out and drunken leans.
The monkey's wrench has blasted all machines;
We never thought to hear the holy cock:
The hour is crowed in lunatic thirteens.
Too late to ask if end was worth the means,
Too late to calculate the toppling stock:
The idiot bird leaps out and drunken leans,
The hour is crowed in lunatic thirteens.
-----------------
To Eva Descending the Stair
Clocks cry: stillness is a lie, my dear;
The wheels revolve, the universe keeps running.
(Proud you halt upon the spiral stair.)
The asteroids turn traitor in the air,
And planets plot with old elliptic cunning;
Clocks cry: stillness is a lie, my dear.
Red the unraveled rose sings in your hair:
Blood springs eternal if the heart be burning.
(Proud you halt upon the spiral stair.)
Cryptic stars wind up the atmosphere,
In solar schemes the titled suns go turning;
Clocks cry: stillness is a lie, my dear.
Loud the immortal nightingales declare:
Love flames forever if the flesh be yearning.
(Proud you halt upon the spiral stair.)
Circling zodiac compels the year.
Intolerant beauty never will be learning.
Clocks cry: stillness is a lie, my dear.
(Proud you halt upon the spiral stair.)
-------------
Family Reunion
Outside in the street I hear
A car door slam; voices coming near;
Incoherent scraps of talk
And high heels clicking up the walk;
The doorbell rends the noonday heat
With copper claws;
A second's pause.
The dull drums of my pulses beat
Against a silence wearing thin.
The door now opens from within.
Oh, hear the clash of people meeting ---
The laughter and the screams of greeting :
Fat always, and out of breath,
A greasy smack on every cheek
From Aunt Elizabeth;
There, that's the pink, pleased squeak
Of Cousin Jane, out spinster with
The faded eyes
And hands like nervous butterflies;
While rough as splintered wood
Across them all
Rasps the jarring baritone of Uncle Paul;
The youngest nephew gives a fretful whine
And drools at the reception line.
Like a diver on a lofty spar of land
Atop the flight of stairs I stand.
A whirlpool leers at me,
I cast off my identity
And make the fatal plunge.
----------------
Female Author
All day she plays at chess with the bones of the world:
Favored (while suddenly the rains begin
Beyond the window) she lies on cushions curled
And nibbles an occasional bonbon of sin.
Prim, pink-breasted, feminine, she nurses
Chocolate fancies in rose-papered rooms
Where polished higboys whisper creaking curses
And hothouse roses shed immortal blooms.
The garnets on her fingers twinkle quick
And blood reflects across the manuscript;
She muses on the odor, sweet and sick,
Of festering gardenias in a crypt,
And lost in subtle metaphor, retreats
From gray child faces crying in the streets.
--------------
Gold mouths cry
Gold mouths cry with the green young
certainty of the bronze boy
remembering a thousand autumns
and how a hundred thousand leaves
came sliding down his shoulder blades
persuaded by his bronze heroic reason.
We ignore the coming doom of gold
and we are glad in this bright metal season.
Even the dead laugh among the goldenrod.
The bronze boy stands kneedeep in centuries,
and never grieves,
remembering a thousand autumns,
with sunlight of a thousand years upon his lips
and his eyes gone blind with leaves.
--------------
Jilted
My thoughts are crabbed and sallow,
My tears like vinegar,
Or the bitter blinking yellow
Of an acetic star.
Tonight the caustic wind, love,
Gossips late and soon,
And I wear the wry-faced pucker of
The sour lemon moon.
While like an early summer plum,
Puny, green, and tart,
Droops upon its wizened stem
My lean, unripened heart.
--------------
To a Jilted Lover
Cold on my narrow cot I lie
and in sorrow look
through my window-square of black:
figured in the midnight sky,
a mosaic of stars
diagrams the falling years,
while from the moon, my lover's eye
chills me to death
with radiance of his frozen faith.
Once I wounded him with so
small a thorn
I never thought his flesh would burn
or that the heat within would grow
until he stood
incandescent as a god;
now there is nowhere I can go
to hide from him:
moon and sun reflect his flame.
In the morning all shall be
the same again:
stars pale before the angry dawn;
the gilded cock will turn for me
the rack of time
until the peak of noon has come
and by that glare, my love will see
how I am still
blazing in my golden hell.
------------------
Lament
A Villanelle
The sting of bees took away my father
who walked in a swarming shroud of wings
and scorned the tick of the falling weather.
Lightning licked in a yellow lather
but missed the mark with snaking fangs:
the sting of bees too away my father.
Trouncing the sea like a ragin bather,
he rode the flood in a pride of prongs
and scorned the tick of the falling weather.
A scowl of sun struck down my mother,
tolling her grave with golden gongs,
but the sting of bees took away my father.
He counted the guns of god a bother,
laughed at the ambush of angels' tongues,
and scorned the tick of the falling weather.
O ransack the four winds and find another
man who can mangle the grin of kings:
the sting of bees took away my father
who scorned the tick of the falling weather.
----------------
Mad Girl's Love Song
"I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)
The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.
I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)
God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.
I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)
I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)"
--------------
Never try to trick me with a kiss
Never try to trick me with a kiss
Pretending that the birds are here to stay;
The dying man will scoff and scorn at this.
A stone can masquerade where no heart is
And virgins rise where lustful Venus lay:
Never try to trick me with a kiss.
Our noble doctor claims the pain is his,
While stricken patients let him have his say;
The dying man will scoff and scorn at this.
Each virile bachelor dreads paralysis,
The old maid in the gable cries all day:
Never try to trick me with a kiss.
The suave eternal serpents promise bliss
To mortal children longing to be gay;
The dying man will scoff and scorn at this.
Sooner or later something goes amiss;
The singing birds pack up and fly away;
So never try to trick me with a kiss:
The dying man will scoff and scorn at this.
-----------
Notes to a Neophyte
Take the general mumble,
blunt as the faceless gut
of an anonymous clam,
vernacular as the strut
of a slug or a small preamble
by snail under hump of home:
metamorphose the mollusk
of vague vocabulary
with the structural discipline:
stiffen the ordinary
malleable mask
to the granite grin of bone.
For such a tempering task,
heat furnace of paradox
in an artifice of ice;
make love and logic mix,
and remember, if tedious risk
seems to jeopardize this:
it was a solar turbine
gace molten earth a frame
and it took the diamond stone
a weight of world and time
being crystallized from carbon
to the hardest substance known.
--------------
On Looking into the Eyes of a Demon Lover
Here are two pupils
whose moons of black
transform to cripples
all who look:
each lovely lady
who peers inside
take on the body
of a toad.
Within these mirrors
the world inverts:
the fond admirer's
burning darts
turn back to injure
the thrusting hand
and inflame to danger
the scarlet wound.
I sought my image
in the scorching glass,
for what fire could damage
a witch's face?
So I stared in that furnace
where beauties char
but found radiant Venus
reflected there.
---------------
Prologue to Spring
The winter landscape hangs in balance now,
Transfixed by glare of blue from gorgon's eye;
The skaters freese within a stone tableau.
Air alters into glass and the whole sky
Grows brittle as a tilted china bowl;
Hill and valley stiffen row on row.
Each fallen leaf is trapped by spell of steel,
Crimped like fern in the quartz atmosphere;
Repose of scultpure holds the country still.
What coutermagic can undo the snare
Which has stopped the season in its tracks
And suspended all that might occur?
Locked in crystal caskets are the lakes,
Yet as we wonder what cam come of ice
Green-singing birds explore from all the rocks.
--------------------
Sonnet : To Eva
All right, let's say you could take a skull and break it
The way you'd crack a clock; you'd crush the bone
Between steel palms of inclination, take it,
Observing the wreck of metal and rare stone.
This was a woman : her loves and stratagems
Betrayed in mute geometry of broken
Cogs and disks, inane mechanic whims,
And idle coils of jargon yet unspoken.
Not man nor demigod could put together
The scraps of rusted reverie, the wheels
Of notched tin platitudes concerning weather,
Perfume, politics, and fixed ideals.
The idiot bird leaps up and drunken leans
To chirp the hour in lunatic thirteens.
--------------------
Sonnet to Satan
In darkroom of your eye the moonly mind
someraults to couterfeit eclipse;
bright angels black out over logic's land
under shutter of their handicaps.
Commanding that corkscrew comet jet forth ink
to pitch the white world down in swiveling flood,
you overcast all order's noonday rank
and turn god's radiant photograph to shade.
Steepling snake in that contrary light
invades the dilate lens of genesis
to print your flaming image in birthspot
with characters no cockcrow can deface.
O maker of proud planet's negative,
obscure the scalding sun till no clocks move.
-------------------------
A Sorcerer Bids Farewell to Seem
I'm through with this grand looking-glass hotel
where adjectives play croquet with flamingo nouns;
methinks I shall absent me for a while
from rhetoric of these rococo queens.
Item : chuck out royal rigmarole of props
and auction off each rare white-rabbit verb;
send my muse Alice packing with gaudy scraps
of mushroom simile and gryphon garb.
My native sleight-of-hand is wearing out :
mad hatter's hat yields no new metaphor,
and jabberwock will not translate his songs :
it's time to vanish like the cheshire cat
alone to that authentic island where
cabbages are cabbages; kings : kings.
--------------
Terminal
Riding home from credulous blue domes,
the dreamer reins his waking appetite
in panic at the crop of catacombs
sprung up like plague of toadstools overnight:
refectories where he reveled have become
the holstery of worms, rapacious blades
who weave within the skeleton's white womb
a caviare decay of rich brocades.
Turning the tables of this grave gourmet,
the fiendish butler saunters in and serves
for feast the sweetest meat of hell's chef d' uvres:
his own pale bride upon a flaming tray:
parsleyed with elegies, she lies in state
waiting for his grace to consecrate.
--------------
Touch-and-Go
Sing praise for statuary:
For those anchored attitudes
And staunch stone eyes that stare
Through lichen-lid and passing bird-foot
At some steadfast mark
Beyond the inconstant green
Gallop and flick of light
In this precarious park
Where vivid children twirl
Like colored tops through time
Nor stop to understand
How all their play is touch-and-go:
But, Go! they cry, and the swing
Arcs up to the tall tree tip;
Go! and the merry-go-round
Hauls them round with it.
And I, like the children, caught
In the mortal active verb,
Let my transient eye break a tear
For each quick, flaring game
Of child, leaf and cloud,
While on this same fugue, unmoved,
Those stonier eyes look,
Safe-socketed in rock.
--------------
The Trial of Man
The ordinary milkman brought that dawn
Of destiny, delivered to the door
In square hermetic bottles, while the sun
Ruled decree of doomsday on the floor.
The morning paper clocked the headline hour
You drank your coffee lke original sin,
And at the jet-plane anger of God's roar
Got up to let the suave blue policeman in.
Impaled upon a stern angelic stare
You were condemned to serve the legal limit
And burn to death within your neon hell.
Now, disciplined in the strict ancestral chair,
You sit, solemn-eyed, about to vomit,
The future an electrode in your skull.
------------
Two Lovers and a Beachcomber by the Real Sea
Cold and final, the imagination
Shuts down its fabled summer house;
Blue views are boarded up; our sweet vacation
Dwindles in the hour-glass.
Thoughts that found a maze of mermaid hair
Tangling in the tide's green fall
Now fold their wings like bats and disappear
Into the attic of the skull.
We are not what we might be; what we are
Outlaws all extrapolation
Beyond the interval of now and here:
White whales are gone with the white ocean.
A lone beachcomber squats among the wrack
Of kaleidoscope shells
Probing fractured Venus with a stick
Under a tent of taunting gulls.
No sea-change decks the sunken shank of bone
That chucks in backtrack of the wave;
Though the mind like an oyster labors on and on,
A grain of sand is all we have.
Water will run by; the actual sun
Will scrupulously rise and set;
No little man lives in the exacting moon
And that is that, is that, is that.