PINA——大师讲述大师

 PINA，这是文德斯为逝去编舞者PINA BAUSCH立传的电影。
大师讲述大师，却没有讲故事，只是一段一段再现PINA美妙的编舞。
一幕幕的舞蹈间隙之中，是那些曾经工作在Wuppertal实验剧场中的舞者的默白，以及主角PINA安静的抽着烟望着镜头的片段。他们真是一批有气质的舞蹈演员，只是沉默着看你，却力量惊人。
 
电影（或者说舞蹈）中处处充满了张力，在同一个舞者身上结合了动人的身姿与悲戚的表情，在同一幅画面里呈现着柔软的舞者与刚硬的建筑。
这荒诞中有一种强烈的美丽。印象最深的一幕：身着碎花裙子的女孩从画面一旁走出，穿上舞鞋，立起脚背在鲁尔区庞大而冷酷的机械前独舞，风吹裙摆的拂动与舞者脚下的点动节奏配合在一起，在巍然耸立的钢铁厂房前化作一片舞动的光点，惊艳得害我涌出泪来。
影片中的默白大多表达了这样一种“矛盾”的魅力，正如一位舞者所说：“Pina总跟我说，你的脆弱(Fragile)恰好是你的强健(strength)”。看有本书中讲到现代艺术对悲惨的描绘会令人获得某种典型的现代性领悟，即负面的呈现。大概荒诞与矛盾也可以归于这种“现代性”的一部分吧。
 
电影大师讲述舞蹈大师，却还悄悄的拉来很多建筑大师的作品作为衬托。
OMA Zollverein改造中的巨型电梯上，西装舞者一边逆向上行，一边转着圈舞蹈，似乎在描述西西弗斯式循环往复的终极悲剧。OMA惯用的橘红色渲染出这一场景虚幻的底色。
SANAA的Zollve管理学院里，一个男人不停扶起将要倾倒的女人，男人面无表情，女人眉头紧锁。设计师口中的透明性空间在摄像机镜头里却变为一个自闭而空荡的大房间，飘渺的窗洞，素墙和孱弱的身姿，不约而同地流露出困境中的虚无盼望。
最喜欢的是一幕玻璃盒子里，密斯式的玻璃盒子坐落在树林中，阳光透过枝叶的缝隙洒下，见证了两个男人的和解：其中之一高高跃起坠入对方怀中，静止。充满了力量。玻璃屋里，也有一个女人试图挽回自己的恋人，最后一抹红裙飞奔出玻璃屋。
Wuppertal漂浮在河流之上的吊缆式轻轨旁，总有一个男人揽着女人回旋着步入远方。看《爱丽丝漫游城市》时就被这个轻轨打动，却没想到这里原来就是Pina实验剧场的老巢。真希望有一天能去那里走走看看。
 
                
                
                
                
                
                
                
                
似乎，文德斯在为自己下一部关于建筑的3D电影热身。
“I have actually already started a long-term project, another documentary in 3D. It will take several years, but it’s going to be about architecture. I have always wanted to do a film about architecture, and I have a lot of architect friends. But that is another subject I never really knew how to approach with film. I realized through PINA that architecture is something that could have a real affinity to this medium. Most architects build this stuff and they already have 3D representation. They can enter a building before they even build it. But I think especially with modern architecture, to make a film that really deals with the sense of place and how it changes the way people use buildings and are shaped by cities and buildings, that could not really have been done before. To feel what the room does to you, that is something that you could describe almost better in words than in a two-dimensional film. It is really about a sense of place. That’s a feeling that many architects share with filmmakers and that’s a common thing the two professions have. I’m really excited to have this tool now that gives this sense of place, and so I am quite excited about my architecture project.”
盼望唉。
 
btw，26号MoMA要放Pina哦。