[ZT]英文BL学术贴
标签： bl Slash fiction——男男同人
A genre of fan fiction dealing with homosexual relationships or sexual encounters.
Original slash——原创
Properly termed Homoerotic Fiction but very often termed "original slash", perhaps in an effort to better relate to the vast slash fanfiction audience thriving on the Internet, or perhaps because several of the authors participating in the genre priorly participated in slash fanfiction.
Real person slash——真人同人
Real person slash (RPS) seems to have gained popularity with the rise of boy bands in the 1990s. These singing groups, like *NSYNC or The Backstreet Boys, had public personas that were carefully designed and marketed to their target audience of girls and young women. As these boy bands were famous for being 'packaged' rather than for the sincerity of their public image, many slash authors had few moral qualms about treating them much like fictional characters.
Slash artwork——像上海绝恋之类的。。。。
In addition to fiction, fans also create artwork depicting media characters in same-sex relationship contexts. In recent years, the widespread availability of imaging software, like Adobe Photoshop, has allowed slash artists to manipulate photographs of their subjects to produce romantic or erotic images, often referred to as manips, that imply a homosexual relationship, either as static pictures or animated GIFs. When the manipulated photos depict real people instead of media characters, the creation of these images can be as contentious as RPS, and for many of the same reasons.
Chanslash——恋童类
Chanslash is the controversial portrayal of underaged characters in sexual situations in slash fiction. The prefix chan most likely comes from the Japanese name suffix used as a term of endearment toward children or women.
顺便还有以下资料
Squick——不喜勿入
An element of fanfiction is squick, a word referring to the reader's negative reaction to offensive, often sexual, practices. This may include, but is not limited to, incest, BDSM, rape, torture, certain slash pairings, even slash itself. The term originated in the Usenet newsgroup alt.sex.bondage in 1991.[6] Squicks are often listed as a warning in the header of a slash story.
femslash——女女类
The strictest definition holds that only stories about relationships between two male partners ('M/M') are 'slash fiction', which has led to the evolution of the term femslash, or femmeslash.
shounen-ai or yaoi——少年爱或者H(多指影视类的同人）
Slash is also present in various Japanese anime or manga fandoms, but is referred to as shounen-ai or yaoi for relationships between male characters, and shoujo-ai or yuri between female characters respectively.
lemon——H。。。。又学到新词汇鸟……柠檬色|||||||
The term 'no lemon' is sometimes used to indicate slash stories without sexual content. Anything with explicit content may be labeled 'lemon'. The terms 'lemon' and 'lime' arose from the anime/yaoi fandoms. 'Lemon' refers to a hentai anime series, Cream Lemon. 'Lime' is sometimes used to indicate that the story contains only mild sexual content, similar to a PG-13 film.
Slash in academia——学术界对BL的研究
Slash fiction was the subject of several notable academic studies in the early 1990s, as part of the cultural studies movement within the humanities:
* Cicioni, Mirna (1998). "Male Pair Bonds and Female Desire in Fan Slash Writing." In C. Harris & A. Alexander (Eds.) Theorizing Fandom: Fans, Subculture and Identity. Cresskil, New Jersey: Hampton.
* Penley, Constance (1997). NASA/Trek: Popular Science and Sex in America. New York: Verso. ISBN 0-86091-617-0.
* Bacon-Smith, Camile (1991). Enterprising Women: Television Fandom and the Creation of Popular Myth. Philadelphia: University of Pennsylvania Press. ISBN 0-8122-1379-3.
* Jenkins, Henry (1992). Textual Poachers. London: Routledge. ISBN 0-415-90572-9.
Most of these, as is characteristic of cultural studies, approach slash fiction from an ethnographic perspective and talk primarily about the writers of slash fiction and the communities that form around slash fiction. However, some studies (such as Cicioni's) focus on textual analysis of slash fiction itself.
PWP -- Plot? What Plot? 顾名思义，纯h文
AU: Alternative Universe 所谓的架空或是不依原作故事来进行剧情安排.
Non con: 似乎是非你情我愿的H ?
Mpreg: 俗称的生子文
BDSM: 包括捆绑情节, 一方强势主宰一方绝对服从的(H)关系, 有伤害身体的行为和俗称的SM也能概括进这里.
Fluff/Fluffy: 好像是那种卿卿我我的甜文?
Het: BG文
OOC: Out of Character. 人物走型.关于这点每个人的标准都不太一样.
WIP: 指这篇文正Work in Progress.
YAOI/Slash: 不太知道是不是有细分, 不过写日本动漫同人的很多会用YAOI, 西洋电影, 小说等似乎还是用Slash比较多.
By the way, YAOI的数字代号是801.
转自：http://laoba0603.blog.sohu.com/59807640.html
A genre of fan fiction dealing with homosexual relationships or sexual encounters.
Original slash——原创
Properly termed Homoerotic Fiction but very often termed "original slash", perhaps in an effort to better relate to the vast slash fanfiction audience thriving on the Internet, or perhaps because several of the authors participating in the genre priorly participated in slash fanfiction.
Real person slash——真人同人
Real person slash (RPS) seems to have gained popularity with the rise of boy bands in the 1990s. These singing groups, like *NSYNC or The Backstreet Boys, had public personas that were carefully designed and marketed to their target audience of girls and young women. As these boy bands were famous for being 'packaged' rather than for the sincerity of their public image, many slash authors had few moral qualms about treating them much like fictional characters.
Slash artwork——像上海绝恋之类的。。。。
In addition to fiction, fans also create artwork depicting media characters in same-sex relationship contexts. In recent years, the widespread availability of imaging software, like Adobe Photoshop, has allowed slash artists to manipulate photographs of their subjects to produce romantic or erotic images, often referred to as manips, that imply a homosexual relationship, either as static pictures or animated GIFs. When the manipulated photos depict real people instead of media characters, the creation of these images can be as contentious as RPS, and for many of the same reasons.
Chanslash——恋童类
Chanslash is the controversial portrayal of underaged characters in sexual situations in slash fiction. The prefix chan most likely comes from the Japanese name suffix used as a term of endearment toward children or women.
顺便还有以下资料
Squick——不喜勿入
An element of fanfiction is squick, a word referring to the reader's negative reaction to offensive, often sexual, practices. This may include, but is not limited to, incest, BDSM, rape, torture, certain slash pairings, even slash itself. The term originated in the Usenet newsgroup alt.sex.bondage in 1991.[6] Squicks are often listed as a warning in the header of a slash story.
femslash——女女类
The strictest definition holds that only stories about relationships between two male partners ('M/M') are 'slash fiction', which has led to the evolution of the term femslash, or femmeslash.
shounen-ai or yaoi——少年爱或者H(多指影视类的同人）
Slash is also present in various Japanese anime or manga fandoms, but is referred to as shounen-ai or yaoi for relationships between male characters, and shoujo-ai or yuri between female characters respectively.
lemon——H。。。。又学到新词汇鸟……柠檬色|||||||
The term 'no lemon' is sometimes used to indicate slash stories without sexual content. Anything with explicit content may be labeled 'lemon'. The terms 'lemon' and 'lime' arose from the anime/yaoi fandoms. 'Lemon' refers to a hentai anime series, Cream Lemon. 'Lime' is sometimes used to indicate that the story contains only mild sexual content, similar to a PG-13 film.
Slash in academia——学术界对BL的研究
Slash fiction was the subject of several notable academic studies in the early 1990s, as part of the cultural studies movement within the humanities:
* Cicioni, Mirna (1998). "Male Pair Bonds and Female Desire in Fan Slash Writing." In C. Harris & A. Alexander (Eds.) Theorizing Fandom: Fans, Subculture and Identity. Cresskil, New Jersey: Hampton.
* Penley, Constance (1997). NASA/Trek: Popular Science and Sex in America. New York: Verso. ISBN 0-86091-617-0.
* Bacon-Smith, Camile (1991). Enterprising Women: Television Fandom and the Creation of Popular Myth. Philadelphia: University of Pennsylvania Press. ISBN 0-8122-1379-3.
* Jenkins, Henry (1992). Textual Poachers. London: Routledge. ISBN 0-415-90572-9.
Most of these, as is characteristic of cultural studies, approach slash fiction from an ethnographic perspective and talk primarily about the writers of slash fiction and the communities that form around slash fiction. However, some studies (such as Cicioni's) focus on textual analysis of slash fiction itself.
PWP -- Plot? What Plot? 顾名思义，纯h文
AU: Alternative Universe 所谓的架空或是不依原作故事来进行剧情安排.
Non con: 似乎是非你情我愿的H ?
Mpreg: 俗称的生子文
BDSM: 包括捆绑情节, 一方强势主宰一方绝对服从的(H)关系, 有伤害身体的行为和俗称的SM也能概括进这里.
Fluff/Fluffy: 好像是那种卿卿我我的甜文?
Het: BG文
OOC: Out of Character. 人物走型.关于这点每个人的标准都不太一样.
WIP: 指这篇文正Work in Progress.
YAOI/Slash: 不太知道是不是有细分, 不过写日本动漫同人的很多会用YAOI, 西洋电影, 小说等似乎还是用Slash比较多.
By the way, YAOI的数字代号是801.
转自：http://laoba0603.blog.sohu.com/59807640.html
