紅色機器
Red One Epic Scarlet Red Ray
Red One :
# 4K (4096x2440) resolution
# Top frame rates: 30fps in 4K, 60fps in 3K, 120fps in 2K
# 12-bit sensor depth (36-bit color)
# 11-stop dynamic range
# Approximately ISO 320
# 35mm depth-of-field
# HD-SDI Video out: 4:2:2 720p (live), 4:4:4 1080p (playback)
# Compatible with 35mm accessories
# 35mm PL cine lens mount standard
1. 2.1M pixel sensors and record with 3:1:1 color sub-sampled video at up to 30fps.
2. Super 35mm cine sized (24.4×13.7mm) sensor
provides
4K (up to 30 fps),
3K (up to 60 fps)
2K (up to 120 fps) all this with wide dynamic range( 宽动态范围 超动态 ) and color space in
12 bit native RAW
The Red is showing about 8-stops of dynamic range？？？
Most 35 mm film outs that have gone through a scanning process have been scanned at 2K, or one quarter the resolution of 4K. Only extremely high content VFX work is generally scanned as high as 4K. Viewers that see RED footage for the first time either describe the quality as 65 mm film or “grainless 35”.
Beyond the obvious advantage of cost savings with the elimination of film and processing, both consumable products, it is the benefit of being able to watch dailies immediately, in real time, that make shooting digital such a superior experience.
http://www.red.com/cameras/tech_specs/
Operating range: 0C to +40C
Storage range: -20C to +50C
RED-EVF - Eye View Finder
A User Menus select ：
provide direct access Sensitivity, Shutter and Color Temperature menus
B Status Display C Record & Ready tallies
D Sensor menu E EXIT menu F UNDO / alternate action
G Record Start / Stop H Joystick I Audio / Video menu
J System menu
What resolution choices do I have with a RED ONE?
2K 2:1 2048×1024
2K 16:9 2048×1152
2K Anamorphic 1382×1152
3K 2:1 3072×1536
3K 16:9 3072×1728
3K Anamorphic 2074×1728
4K 2:1 4096×2048
4K 16:9 4096×2304
4K HD 3840×2160
4K Anamorphic 2764×2304
4.5K 4480×1920
Red One :
# 4K (4096x2440) resolution
# Top frame rates: 30fps in 4K, 60fps in 3K, 120fps in 2K
# 12-bit sensor depth (36-bit color)
# 11-stop dynamic range
# Approximately ISO 320
# 35mm depth-of-field
# HD-SDI Video out: 4:2:2 720p (live), 4:4:4 1080p (playback)
# Compatible with 35mm accessories
# 35mm PL cine lens mount standard
1. 2.1M pixel sensors and record with 3:1:1 color sub-sampled video at up to 30fps.
2. Super 35mm cine sized (24.4×13.7mm) sensor
provides
4K (up to 30 fps),
3K (up to 60 fps)
2K (up to 120 fps) all this with wide dynamic range( 宽动态范围 超动态 ) and color space in
12 bit native RAW
The Red is showing about 8-stops of dynamic range？？？
Most 35 mm film outs that have gone through a scanning process have been scanned at 2K, or one quarter the resolution of 4K. Only extremely high content VFX work is generally scanned as high as 4K. Viewers that see RED footage for the first time either describe the quality as 65 mm film or “grainless 35”.
Beyond the obvious advantage of cost savings with the elimination of film and processing, both consumable products, it is the benefit of being able to watch dailies immediately, in real time, that make shooting digital such a superior experience.
http://www.red.com/cameras/tech_specs/
Operating range: 0C to +40C
Storage range: -20C to +50C
RED-EVF - Eye View Finder
 |
A User Menus select ：
provide direct access Sensitivity, Shutter and Color Temperature menus
B Status Display C Record & Ready tallies
D Sensor menu E EXIT menu F UNDO / alternate action
G Record Start / Stop H Joystick I Audio / Video menu
J System menu
What resolution choices do I have with a RED ONE?
2K 2:1 2048×1024
2K 16:9 2048×1152
2K Anamorphic 1382×1152
3K 2:1 3072×1536
3K 16:9 3072×1728
3K Anamorphic 2074×1728
4K 2:1 4096×2048
4K 16:9 4096×2304
4K HD 3840×2160
4K Anamorphic 2764×2304
4.5K 4480×1920
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