2014哥本哈根国际纪录片电影节-竞赛单元1
《1989》
《1989》
一对年轻的东德夫妇作出了一个宿命般的抉择。就在柏林墙即将倒塌之际，他们试图经由匈牙利逃往奥地利。彼时，匈牙利新任总理Miklós Neméth前不久开放了东德边境以节省边境控制经费。但由左派控制的强大力量，却不想要情势继续发展下去。Neméth陷入了一场政治风暴，这对年轻的夫妇在边境争端中被抓——这是一个悲剧，但也正因此而加剧了柏林墙的最后倒塌。这部史诗之作由导演Anders Østergaard拍摄，电影借由戏剧场景、档案资料和访谈重现了1989年的国际权力斗争。这个被历史遗忘，掩埋在倒下的柏林墙瓦砾之下的悲剧，如今终于掸去灰尘，它提醒我们，历史的前进总是以个体的牺牲为代价的。正是这些豪不起眼的巧合最终改变了历史的进程。
导演：Anders Østergaard、Erzsebet Racz
制片：Lise Lense-Møller
德国/2014/90分钟
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1989
A young, East German couple makes a fatal decision. It is the time just before the fall of the Berlin Wall, when they try to escape into Austria via Hungary, whose new Prime Minister Miklós Neméth has shortly before opened the border to the East to save money on the border control. But powerful forces deep inside the Communist Party want things to be otherwise. Neméth is plunged into a political storm, and the young couple is caught in a fatal crossfire at the border – a tragic event, which paradoxically ends up accelerating the final demise of the wall. Anders Østergaard ('Burma VJ', 'Tintin et moi') has created a historical epic, where the international power game in 1989 is portrayed in dramatic reconstructions, archival footage and interviews. But where one of history's forgotten tragedies, which was buried in the rubble of the fallen wall, is dusted off and reminds us that historical change always has a human cost. And that it is the small coincidences that can ultimately change the course of history.
Director: Anders Østergaard, Erzsebet Racz
Producer: Lise Lense-Møller
Denmark / 2014 / 90 Minutes
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《坍塌》All Fall Down
《坍塌》
1972年的巴尔的摩：Henry Selhorst在距家的几个街区之外被三个年轻人杀害，留下了他的十三个孩子。几十年后，他的孙女Emily Topper试图弄清楚那不幸的一天究竟发生了什么。当时，人们将凶杀案解释为种族主义的祸害，但这就是事情的全部真相吗？
《坍塌》是一个极度个人化的侦察故事，它发生在一个黑人和白人之间曾有过不愉快历史的城市，但发生在那里的事件却并没有那么的黑白分明。虽然Emily见到了最先抵达犯罪现场的两位警察，并设法找到了那几个被指控谋杀的人，但每一份新的证词，都只是为整个事件增加了一个新的视角。她试图拼贴出事件的全部真相，但由于年代的久远，很多事实已无法觅见，或是被潜藏在记忆的迷雾之中。与此同时，《坍塌》变成了对一个死去的人及其独特家庭的镜像写照，无论是这个人还是这个家庭，Emily几乎从未曾有真正的了解。
导演：Mary Posatko、Emily Topper
剪辑：Maya Hawke
编剧：Maya Hawke
音乐：Mark Degli Antoni
摄影：Emily Topper
制片：Mary Posatko、Emily Topper
录音：David V Butler
美国/2014/93分钟
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All Fall Down
Baltimore, 1972: Henry Selhorst, father of thirteen children, is murdered blocks from his home by three young men. Decades later his granddaughter Emily Topper tries to find out what really happened that fatal day. Racism, is what people said back then. But is that really all there was to it? 'All Fall Down' is a deeply personal detective story from a city where the relationship between black and white has a troubled history - and where the truth is nonetheless never black and white. Although Emily meets both the policemen that were first on the crime scene, and actually manages to seek out the men accused of the murder, every new testimonial only adds another perspective on the case. And her attempt to piece the puzzles together into a coherent picture is not made easier by the years that have passed, or by the fact that much has disappeared or been suppressed in the fog of collective memory. But in the meantime 'All Fall Down' turns into a phantom portrait of a missing man that Emily herself never really got to know - and of very special family.
Director: Mary Posatko, Emily Topper
Editor: Maya Hawke
Script: Maya Hawke
Music: Mark Degli Antoni
Camera: Emily Topper
Producer: Mary Posatko, Emily Topper
Sound: David V Butler
USA / 2008-2014 / 93 Minutes
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《接近大象》Approaching the Elephant
《接近大象》
在美国的一所自由学校中，一次激进的实验很快演变为一场混乱而戏剧性的事件。整个学校都是实验的场所。在这里，为反对独裁实现直接民主，孩子们和老师拥有了同等的话语权，无政府主义潜伏在每一个场景下。但孩子们是聪明并善于表达的，对于团体他们有着明确的观点。年轻和理想主义的教师们同样如此。然而，仅仅是一个不守规矩的孩子就足以令整个群体步履蹒跚。这个饱含自由之激情的试验会成功吗？“只有在二十年后，我们才能知道结果”，在关键时刻一个老师叹息道。
他似乎有自己的理由将一切都押在这所民主学校上——学生们在这里可以在他们想要学习的时候，学到他们想要学习的东西，如果他们想要学习的话。《接近大象》拍摄了这所自由学校的第一个学年。每一个图像，几乎都充斥着能量。Amanda Rose Wilder细腻的摄像机镜头将发生的一切投射在了充满生命而唯美的黑白图像上。电影的拍摄形式是对20世纪60年代的美国传统的致敬，但又不仅仅是一次致敬。第一所自由学校的建立是意图作为传统（以阶级划分）教育体制的替代品的，正是传统的教育体制教导工人孩子，使他们在工厂中度过一生。如今传统教育体制身处危机之中，这恰是一次思考完全不同的教育方式的机会。
导演：Amanda Rose Wilder
制片：Jay Craven、Robert Greene、Amanda Rose Wilder
美国/2014/90分钟
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Approaching the Elephant
A radical experiment quickly develops into something both chaotic and dramatic at a small American free school. The whole school is the experiment. Here, children and teachers have equal say in an antiauthoritarian attempt at direct democracy. Anarchy lurks in every scene. But the children are smart and articulate, and have clear views about community. And so do the young and idealistic teachers. But a single, unruly child is all it takes to make everything falter. Will the experiment with the free reins succeed? 'We will only know in twenty years', a teacher sighs at a critical moment. He appears to have his own reasons to have gambled everything on a democratic school, where the pupils can learn what they want, when they want to - and if they want to. 'Approaching the Elephant' follows the first year of the small free school. Each image buzzes with an almost electric energy, and Amanda Rose Wilder's attentive camera captures it all in vital and beautiful black and white images. The format is reminiscent of the American tradition of the 1960s, but is more than a formal homage. The first free schools were founded as alternatives to the classic (and class divided) school system, which educated the children of workers to spend a life in the factory. And at a time when the school system is in a crisis, this is an opportunity to consider a completely different way of doing things.
Director: Amanda Rose Wilder
Producer: Jay Craven, Robert Greene, Amanda Rose Wilder
USA / 2014 / 90 Minutes
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《第四公民》Citizenfour
《第四公民》
我们这个时代的一个最大、影响最深远的政治丑闻，是来自内部人士的揭露。《第四公民》是告密者爱德华·斯诺登第一次和导演劳拉珀特阿斯联系时的匿名代号，他告诉她，他掌握的信息将改变世界，而她则不得不讲述整个故事。即刻的，整个世界都获悉了美国国家安全局的大范围监控，不只是针对政府和国家，而是针对每一个人。这条令人震惊的新闻及其所揭露的见不得光的伦理问题迅速地成为了全球政治议程的核心。作为劳拉珀特阿斯关于911之后的美国政治电影三部曲的最后一部，《第四公民》其实是一部惊悚片，它以分钟计来讲述整个故事，其中包含着谨小慎微的研究。但问题仍然存在，面对一个没有节制的全球监测系统，斯诺登所泄露的信息是否会，或者将如何影响我们对自身角色的认识？
导演：劳拉珀特阿斯
制片：Mathilde Bonnefoy、Dirk Wilutzky、Laura Poitras
美国、德国/2014/114分钟
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Citizenfour
One of the greatest and most far-reaching political scandals of our times - told from the inside. 'Citizenfour' was whistleblower Edward Snowden's cover name when he first contacted Laura Poitras and told her that he had access to knowledge that would change the world. And that she had to tell the story. And at once the whole world was confronted with NSA's massive surveillance. Not only of governments and states, but of everyone. The shocking news and the murky ethical questions it raised immediately went to the top of the political agenda worldwide. The last film in Laura Poitras' trilogy about American politics after 9/11 is a documentary thriller told minute by minute on a background of meticulous research. The question remains, however, whether - or how - Snowden's revelatory leak will affect our consciousness about our own role face to face with a global surveillance system that knows no boundaries. Laura Poitras is this year's guest curator at CPH:DOX with a special series curated around the urgent themes raised by the film.
Director: Laura Poitras
Producer: Mathilde Bonnefoy, Dirk Wilutzky, Laura Poitras
USA, Germany / 2014 / 114 Minutes
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《我要见管理者》I Want to See the Manager
《我要见管理者》
任何来自外太空的游客在看过一眼我们的星球后，都会立即要求面见管理者。这是威廉·S·巴罗斯在他的那个时代写下的，本片将会验证他的观点是否仍然成立。这是一部内容广泛、雄心勃勃的电影，有着来自另一个星球的人类学家的冷酷凝视。它伴随我们，伴随在这个衰退、进步和持续变化同时发生的世界的周围。
从印度的贫民窟和玻利维亚的锂矿山到大都市北京和美国。在那里，一个科学家认为，由于现代技术的进步，死亡将在二十一世纪消失。经济全球化伴随着许多陌生面孔的出现，但Hannes Lang的电影也在提醒人们一项事实——变化主要是来自有梦想、有希望和恐惧以及并不总是以理性的方式实现其目的的人。在这部将目光引向未知未来的电影中，包含了七个国家、七个章节和七次从外部来观看我们自身的机会。
导演：Hannes Lang
制片：Hannes Lang
德国、意大利/2014/93分钟
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I Want to See the Manager
After one look at our planet, any visitor from outer space would immediately ask to see the manager. So wrote William S. Burroughs in his time, and here is a film that examines if his words still stand. Wide-ranging, ambitious and with the cool gaze of an anthropologist from another planet, it accompanies us around in a world that is at once declining, progressing and constantly undergoing change. From India's slums and Bolivian lithium mines to the megapolis Beijing and the United States, where a scientist argues that death will cease to exist in the 21st century thanks to modern technology. The economic 'glocalisation' is a phenomenon with many strange faces, but Hannes Lang's film is also a reminder of the fact that change is basically due to people with dreams, hopes and fears - and with a not always rational way to realise their plans. Seven countries, seven chapters - and seven occasions to look at ourselves from the outside in a film that has its gaze directed towards an unknown future.
Director: Hannes Lang
Producer: Hannes Lang
Germany, Italia / 2014 / 93 Minutes
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《情景》Scenario
《情景》
在20世纪70年代的科隆，一个已婚男人和他年轻的女秘书之间放荡的浪漫关系，被电影《情景》以一种荒谬的精确，细致入微地揭露了出来。电影采取了非常刻意的记录形式和具有讽刺意味的评论。一个装满了那个男人记录自己日常事件的随笔、收据和磁带的黑色手提箱，被整理成证据。但这些纯粹的事实是否能告诉我们究竟发生了什么？或是真相只是在确有其事和可能发生之间来回摇摆？交欢的时间和地点，科隆的未婚女性的平均年龄，人口统计数据和所有其它可以想象到的数据形式被客观、冷静地依次呈现。电影如一份模拟的报告，以极度的风格意识和结构主义的传统，将事件记录在灰棕色的16mm胶卷中。Philip Widmann与Karsten Krause的电影不仅仅只是那个时代惊人的历史文献。当下，巨量的数据收集已成为政府和企业的工作目的本身。《情景》是对现代人的“求知意志”的一个关键且有节制的巧妙评论。其中的讽刺意味是显而易见的：一切都在掌握之中，除了知识的全部意义。
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Scenario
A sultry romance between a married man and his young secretary in 1970s Cologne is revealed down to the smallest detail and with absurd scientific precision in 'Scenario', which with an extremely conscious form and bone-dry irony comments on the act of 'documenting'. The discovery of a black suitcase filled with notes, receipts and a tape recording where the man himself kept a diary of the affair, is arranged as evidence. But can pure facts tell us what actually happened? Or is reality in fact a wavering between the real and the possible? Times and positions of intercourse, the average age of unmarried women in Cologne, demographic data and all other imaginable forms of data are presented in an objective and completely passionless order. An analogue report, illustrated in grey and brown by 16mm images in the extremely style-conscious, structuralist tradition. Philip Widmann and Karsten Krause's film work is more than a phenomenal historical document of the times. In a present where the vast collection of data has become an end in itself for both governments and businesses, 'Scenario' is a critical and understated witty commentary on the modern 'will to knowledge'. Then like now, the irony is evident: everything is under control, except the meaning of it all.
Director: Philip Widmann, Karsten Krause
Producer: Philip Widmann, Karsten Krause
Germany / 2014 / 89 Minutes
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《风暴后的孩子-第一卷》Storm Children - Book One
《风暴后的孩子-第一卷》
Lav Diaz是这个时代最激进、最富有洞察力导演。他在洛迦诺电影节获奖的新电影《骄阳逼近》(From What Is Before)，是一部纪录片，并且只是它所属系列的一部分。虽然他的电影轻易便可长达六小时至十一小时，但本片只是刚刚超过两个小时。
一场风暴让一座海滨城市处于世界末日后的混沌状态。货运船只从海上抛出来，横陈在遗留的房子和小舍之间，无数的人被海浪吞噬。这其中，一大群孩子正为自己创造一个新世界。在Diaz的全部作品中，始终存在着一种非虚构的强烈冲动。但在《风暴后的孩子-第一卷》这部几乎完全是自由对话的新电影中，这位最不妥协的导演已经倾尽所有。事实上，他的特点，他的电影的标志——漫长而催眠的场景被耐心地记录在黑白画面中，呈现在每一部作品的每一个瞬间，这些都增强了他的洞察的紧迫性以及这种洞察在过去十年的国际影坛的重要性。电影是一个崇高的报告，它来自残酷现实中被毁灭的一个角落。
导演：Lav Diaz
又名：Mga Anak ng Unos
菲律宾/2014/143分钟
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Storm Children - Book One
Lav Diaz is one of the most radical and visionary filmmaker of our times. His brand new film - following the Locarno winner 'From What Is Before' - is a documentary, but one in a league of its own. And while his films easily run for between six and eleven hours, this one ticks in just on the other side of two! A storm has left a city on the coast in a state of post-apocalyptic chaos. Freight ships were thrown from the sea and lie around between what remains of houses and shacks, and countless people lost to the waves. In the middle of it all a horde of children are creating a new world for themselves. There has always been a strong impulse towards non-fiction in Diaz's comprehensive oeuvre. But in the new and almost dialogue-free 'Storm Children - Book One', one of the most uncompromising filmmakers has gone 'all in'. The fact that his characteristic, cinematic signature - the long and hypnotic scenes held in patiently observing black and white images - is present in every composition and every instant, underlines the urgency of his vision and its importance in international cinema over the past decade. A sublime, cinematic report from a devastating corner of a brutal reality.
Director: Lav Diaz
Original Title: Mga Anak ng Unos
Filippinerne / 2014 / 143 Minutes
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《滞留广州》Stranded in Canton
Lebrun从刚果来到广州，为本国总统选举采购廉价的T恤。但这些货物的配送延迟了，选举也已经结束。现在Lebrun进退两难，因为他还要付钱给出力的黎巴嫩联络人。受限于签证过期，Lebrun沉沦在这座城市并爱上了它！Lebrun流连在这座大城市霓红灯下的低级歌厅和朋友经营的一家美容院之间，以打发时间。同时他还计划着将这些已经无用的T恤，用于2016年的总统选举。瑞典艺术家Måns Månsson在真实的环境下放置了一个虚构的人物，以探索中国和非洲之间新出现的令人着迷的关系。
电影并没有事先写好的台词剧本，这个关于廉价T恤的细微故事，只是在中国的一个城市进行电影实验的借口。在那里，数万非洲移民努力让自己在这片土地上立足，以创造新的生活。过去，历史的平行交叠，始终发生在东方人和西方人之间，但是这一次，西方人没有参与。美国摄影师William Eggleston在2005年曾拍摄过一部同名电影《滞留广州》(Stranded in Canton)，其内涵为迷失的灵魂，它独立于空间和时间，讲述人的悲喜和存在之荒谬。
导演：Måns Månsson
制片：Måns Månsson、Emma Åkesdotter Ronge
瑞典、丹麦、中国/2014/72分钟
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Stranded in Canton
Lebrun has travelled from Congo to Guangzhou to buy cheap t-shirts for a campaign for a presidential election in his home country. But the goods are delayed, the election is over, and Lebrun is now in a fix, as he has to pay his sweaty Lebanese contact. Stranded on an expired visa, lost - and in love! Lebrun whiles away time at karaoke bars in the megapolis's neon-coloured underworld, and in the company of his friend, who runs a beauty salon, while he hatches a plan for the useless t-shirts with a presidential candidate, who might get another chance in 2016. The Swedish artist Måns Månsson has placed a fictional character in a real environment to explore the fascinating new relationship that has arisen between Africa and China, where democracy is one commodity among many others. No dialogue is written in advance, and the minimal story about the worthless t-shirts is just an excuse to conduct a cinematic experiment set in the Chinese city, where tens of thousands of African migrants are in the process of establishing themselves and creating a new life, in a historical parallel to the exchange that has always taken place between East and West. But this time, the West is not invited to the party. However, the reference to the lost souls in the American photographer William Eggleston's film of the same name suggests a tragicomic and existential absurdity, which is independent of time and place.
Director: Måns Månsson
Producer: Måns Månsson, Emma Åkesdotter Ronge
Sweden, Denmark, China / 2014 / 72 Minutes
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《幸运在另一块饼干上》The Fortune You Seek Is In Another Cookie
《幸运在另一块饼干上》
从智利沙漠沉默的木乃伊到伊斯坦布尔街头年轻的骚乱者，再到被占领的罗马电影城以及智利的示威游行。电影的无名叙述者像是在四处闲逛，他周游世界寻找幸福，并以局外人的诗意目光凝视这个世界。电影并没有那种让人愉悦的多愁善感，而是作为一种理念和实践。但这些仍然如同他嗡嗡响的16mm胶片摄影机所捕捉到的美丽、坚韧的画面一样，转瞬即逝。
画面背弃了他，但那些所见之物、遭遇之人和沉默之愤怒引发了他（以及我们）根本的对人的意义、凝聚力、知识和自由的追寻和探索，这很容易便会成为一件自命不凡的事情。但在这部现实主义政治电影中，导演Johannes Gierlinger将这些抽象概念上下颠倒，使得影片尤其具有抵抗意义。《幸运在另一块饼干上》是Johannes Gierlinger的处女作，它遵循克里斯·马克和其他早期实验者的电影小品传统，给人以眼花缭乱的观影体验。这是一部拍给渴望重新认识这个世界的人的电影。
导演：Johannes Gierlinger
制片：Johannes Gierlinger
剪辑：Johannes Gierlinger
编剧：Johannes Gierlinger、Jan Zischka
音乐：Peter Kutin
摄影：Johannes Gierlinger、Jan Zischka
录音：Peter Kutin
奥地利/2014/81分钟
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The Fortune You Seek Is In Another Cookie
From the silence among mummies in a Chilean desert to youth street riots in Istanbul, the occupied Cinecittà film studios in Rome and a demonstration in Chile. Like a flaneur who sees the world with the poetic gaze of an outsider, the film's nameless narrator travels around the world in search of happiness. Not as a sentimental feeling of pleasure, but as an idea and practice, which nonetheless turns out to be just as volatile as the images that his buzzing 16mm camera capture in beautiful and gritty scenes. Images that turn their back on him, but which through visions and encounters and with a silent fury initiate him (and us) to a fundamental, human search for meaning, cohesion, knowledge and freedom. It could easily have become a pretentious affair, but Johannes Gierlinger turns the abstract concepts upside down in a politically down-to-earth film, which above all is about resistance. His debut, 'The Fortune You Seek is in Another Cookie' is a dizzying experience in the essayistic tradition of Chris Marker and the early explorers. A film for anyone who yearns to see the world anew.
Director: Johannes Gierlinger
Production: Johannes Gierlinger
Editor: Johannes Gierlinger
Script: Johannes Gierlinger and Jan Zischka
Music: Peter Kutin
Camera: Johannes Gierlinger and Jan Zischka
Sound: Peter Kutin
Austria / 2014 / 81 Minutes
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《超越零年：1914-1918》Beyond Zero: 1914-1918
《超越零年：1914-1918》
100年前的电影画面带着富有张力的愤怒，迸发出火花样的花纹，这几乎就是电影中所描绘的场景的对应物。2014年，距离第一次世界大战（也是第一次“现代”战争）已经有100年了，电影这一动态的画面形式，首先便被用于记录这次战争。一战的发生永远地摧毁了（西方）世界将在理性和工业化的旗帜下获得持续进步的一切观念。
1914是当今时代的绝对零年。这一具有里程碑意义的一年，被在这部由著名美国电影导演比尔·莫里森和克罗诺斯四重奏乐团合作的电影作品中标记下来，后者录制完成了由塞尔维亚作曲家亚历山德拉.弗列巴洛夫原创的音乐作品。十多年来，墨里森一直专注于把早期的电影镜头带回到电影院中——这些电影胶片经常是处于物理的溶解状态，画面由此具备了观影者所必须感受到的独特的电影感。《超越零年：1914-1918》完全由档案胶片组成，没有修饰，也没有解释性的文字或语音。墨里森的特殊方法，就是把这些之前从未被观看过的关于那场毁灭性战争的镜头提高至令人目眩的高度，如同迷失的个体穿过伤痕累累的画面，走向命定的死亡，一切都被笼罩在充斥着划痕、凹坑、闪光和污浊泡沫的雷鸣炼狱。
导演：Bill Morrison
剪辑：Bill Morrison
编剧：Bill Morrison、Aleksandra Vrebalov、David Harrington
音乐：Aleksandra Vrebalov
制片：Bill Morrison
录音：Kronos Quartet
美国/2014/39分钟
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Beyond Zero: 1914-1918
The 100 year old film images sparkle and crackle with an expressive fury, which almost looks like a reaction to what they depict. This year, it is 100 year since the First World War - the first 'modern' war, and the first to be documented in moving images - forever destroyed any notion of the (Western) world's continued progress under the banner of reason and industrialisation. 1914 was the modern era's absolute year zero. A landmark year, which is here marked in a cinematic collaboration between the renowned American filmmaker Bill Morrison and the string quartet Kronos Quartet, who have recorded the original score by the Serbian composer Aleksandra Vrebalov. For over a decade, Morrison has specialised in bringing early film footage back to the cinema - often in a state where the film reels physical foundation is in a state of dissolution, which gives the images a literally unique cinematic feel that simply must be experienced. 'Beyond Zero: 1914 - 1918' consists entirely of archive footage that is presented naked and without explanatory text or speech, and Morrison's special methods lift the never-before-seen footage from the devastating war to downright dizzying heights, as lost figures trudge through scarred landscapes towards a certain death - shrouded in a thundering, photochemical inferno of scratches, dents, flashing lights and blurred bubbles.
Director: Bill Morrison
Editor: Bill Morrison
Script: Bill Morrison, Aleksandra Vrebalov, David Harrington
Music: Aleksandra Vrebalov
Camera: Various (archival)
Producer: Bill Morrison
Sound: Kronos Quartet
USA / 2014 / 39 Minutes
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《如何虔诚地赚钱》How To Make Money Religiously
《如何虔诚地赚钱》
法国明星艺术家Laure Prouvost全新作品的名字是《如何虔诚地赚钱》，这是一个让人感到前途光明的名字，它的拍摄是基于一个“记忆游戏”的概念。同一电影两个版本相继出现，第二个版本和第一个有一点点的对立，它邀请你同时考虑记忆、交流和主体性之间的关系，这三者还会受到不断涌进的信息和营销的大量影响，如甚至并未打算贩卖一种产品或生活方式的广告。Prouvost的工作诱导我们对奢华生活和轻松赚钱的许诺保持清醒，它使我们清楚知道，整个系统的运转都依赖于永远都无法被满足的销售需求，而幻想，借用奥斯卡·王尔德的不朽名句来说，“是所有乐趣之首”。在一个支离破碎、戏谑般的拼贴物中，新近透纳奖得主Prouvost使我们面对自身作为消费者和被高度细分的目标群体的角色身份，而在此之前，我们并未能意识到自身所从属的目标销售群体。当然，所有这一切，取决于你如何记忆和理解你所听到和看到的。
导演：Laure Prouvost
制片：Laure Prouvost
英国、法国/2014/18分钟
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How To Make Money Religiously
The French star artist Laure Prouvost's brand new work with the promising title 'How to Make Money Religiously' is a conceptual 'memory game': two versions of the same film are presented in succession, the second time in a slightly alternative version, which invites you to consider the relationship between memory, communication and subjectivity at a time when all three of them are massively challenged by a constant stream of information - and marketing. Like an advertisement for a product and a lifestyle that might not even be for sale, Prouvost's work lures us wit promises of luxury and easy money. Knowing full well that the entire system is dependent on selling needs that can never be fulfilled, and that illusion - to use Oscar Wilde's immortal words - is the first of all pleasures. In a fragmented and mischievous collage of extracts, the recent Turner Prize winner Prouvost confronts us with our own role as consumers and members of highly segmented target groups, to which we belong without being aware of it. All this, of course, depends on how you remember and interpret what you hear and see.
Production: Laure Provost
Director: Laure Prouvost
UK, France / 2014 / 18 Minutes
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《物》Things
《物》
在电影《物》中，导演Ben Rivers踏上了回归的旅程，他将摄影镜头对准了自己的家。电影以地方志的形式展开，拍摄对象包括Rivers伦敦小公寓的房间，各种物品以及积累的照片和剪下的电影胶片。电影就像是一次前往导演私人空间的旅行。电影的灵感来自试验性的法国“新小说”以及乔治·佩雷克(George Perec)的小说《物》(Les Choses)。Rivers的电影是对这种，以好奇描摹来亲近我们周围物体的方式的致敬。这部电影将公寓围墙内所历经的四季组织起来，共分四章，始于冬季并在秋季结束。本片以Rivers最喜欢的16mm胶片格式恰如其分地拍摄完成，四个部分包含着不同的纪录主题和纪录风格，其内容离我们自身的生活也很接近。但是，《物》仍然是一部电影，此次Rivers明显地，也是首次地对他的作品进行了数字处理——他对自己的公寓进行了超现实的3D渲染。当你仔细观看时，你会发现。
导演：Ben Rivers
英国/2014/21分钟
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Things
The British film magician and CPH:DOX friend Ben Rivers is a director, who has primarily explored geographic and ethnographic outskirts of our civilisation. In 'Things', he embarks on a reverse expedition and turns the camera on his own home. The film unfolds as a local chronology, where Rivers's small London apartment of rooms, objects and archival accumulations of photographs and film strips are examined like a trip into the director's private space. Inspired by the experimental French 'nouveau roman' and George Perec's novel 'Les Choses' (1965), Rivers delivers a cinematic homage to the curious, descriptive approach to the things that surround us. The film is organised as a seasonal suite within the walls of the home and consists of four chapters, which begin in winter and end in autumn. The four parts are composed as different thematic and stylistic ways of documenting what is close to us, appropriately shot in Rivers's favourite, analogue 16mm format. But 'Things' is also a film, where Rivers apparently and for the first time includes digital processing in his work in the shape of a hyper-realistic 3D rendering of his own apartment. At least until you look more closely.
Director: Ben Rivers
UK / 2014 / 21 Minutes
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《剪接》Cutaways
《剪接》
当一些场景和人物，在电影完成之前，就被从电影（以及电影史）中剪出后，他们也就不复存在了。他们像幽灵一样生活在一个空洞的无人之地，一个充斥着画面和叙事的垃圾填埋场。三个这样的人物和场景相遇在电影《剪接》中。公路片《粉身碎骨》(Vanishing Point)中的一个场景，因为太奇怪而被剪掉。《窃听大阴谋》(The Conversation)中的一个多余而被剪掉的配角，还有《低俗小说》中因片子太长而被剪掉的一个场景。Charlotte Rampling、Abe Vigoda以及Dick Miller（重新）扮演他们未能面世的、在原片中被剪掉前的角色。Agnieszka Kurant最近的工作一直是与剪辑大师Walter Murch合作创作的，它是这样的一种电影——其它电影的无用部分，成为了它自身的一部分。
导演：Agnieszka Kurant
制片：Anna Lena Vaney、Victorien Vaney
波兰、法国/2014/24分钟
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Cutaways
Scenes and characters that are cut right out of a film (and out of film history) before the film is completed, do not cease to exist. They live on as phantoms in an imaginary no-man's land, a landfill of images and narratives. Three of these characters and stories cross paths in 'Cutaways'. A scene from the road movie classic 'Vanishing Point', which was taken out because it was too strange. A superfluous supporting character from 'The Conversation', and a scene from 'Pulp Fiction', which was thrown out because the film was too long. Charlotte Rampling, Abe Vigoda and Dick Miller themselves (re)play the never-seen roles that they had in the original films, before they were finally cut out. They meet 'on the road', an arch-American setting, which is rich in promises of drama, suspense and cinematic feasts for the eyes. But what starts out as just that - an evocative, mysterious and above all 'cinematic' setup - paradoxically ends up as a text-based anti-film, which follows its own point all the way through by insisting that the whole film is actually a part of the work - always. Even that part of the film we otherwise often voluntarily 'edit out' by leaving the screening theatre. Agnieszka Kurant's latest work has been created in collaboration with the master editor Walter Murch, and it is a film where the otherwise neutral cinema space for once actually becomes a part of the work itself.
Director: Agnieszka Kurant
Producer: Anna Lena Vaney, Victorien Vaney
Poland, France / 2014 / 24 Minutes
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《塞壬》Siren
《塞壬》
一部失去情绪的音乐剧最终会留下什么？一个较长的答案是：滥俗的音乐、廉价的视觉效果、一把带血的刀、谋杀的谣言，和尤其动机不明的行为；而简短点的答案则是Keren Cytter的《塞壬》。
《塞壬》是这位多产艺术家的最新作品，电影名字来自Tim Buckley在YouTube频道演唱的一首歌曲，歌曲的背景是两个通过约会网站认识的人之间没有激情的恋爱。正如经常在Cytter的电影中出现的，爱情此次同样与莫名的暴力相连。但是，究竟谁被谋杀了，谋杀的原因、发生的时间以及由谁实施仍然还不清楚。《塞壬》主要是研究，当心理现实和情感真实的所有标准全都被废除时，人类会如何行事。该剧由电脑动画制作的向日葵的装饰，为您的观赏增添乐趣。
导演：Keren Cytter
2014/15分钟
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Siren
What is left if you take the passion out of melodrama? The long answer is: tacky muzak, cheap video effects, a bloody knife, rumours of murder, and above all unmotivated behaviour. The short answer is Keren Cytter's 'Siren'. The latest video work by the extremely prolific artist, who can also be experienced as Artist in Focus at this year's CPH:DOX, is named after a song by Tim Buckley playing on a YouTube channel in the background while a passionless romance plays out between two people over a dating site. As so often in Cytter's films, romance is also here associated with inexplicable violence. But who actually is murdered and why (and when, and by whom) remains unclear. 'Siren' is most of all a study in human behaviour, when all standards of psychological realism and emotional authenticity are done away with. The drama is decorated by computer-animated sunflowers, 'for your viewing pleasure'.
Director: Keren Cytter
2014 / 15 Minutes
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《上升的一切必将汇合》Everything That Rises Must Converge
《上升的一切必将汇合》
在美国拍摄的一部专业的色情电影和一个隐晦而神秘的有关嫉妒的故事是视觉艺术家Omer Fast最新工作的重点。从模糊的现实主义到最受欢迎的纪录片体裁电影：色情片，对分屏显示的影射使用，暗示了这两种不同的观看方式之间的相似之处。而色情电影这一工业上的流水线产品，正逐渐成为主流。
这个视觉作品发生在一天之中，它开始于电影中的四位色情演员起床准备去工作，直到一天的结束。在一次采访中，色情电影的制片人发表了他对自身行业的看法，这和临床不育、修好闹钟、电子香烟以及整洁的剃光了的生殖器一样令人生厌。在同一栋以及周围的房子中，另一部电影正在拍摄，一种平行的浪漫在上演：发生在加州白天的黑色电影，人工布置的场景，使故事的发生符合现实。与这一切对应的是本作品的名字，它来自天主教作家Flannery O'Connor有关耻辱、命运和悔恨短篇小说。
导演：Omer Fast
制片：Daniel Desure、Mary Pat Bentel
德国、美国/2014/56分钟
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Everything That Rises Must Converge
The shoot of a professional porn film somewhere in the United States and an elliptical and enigmatic jealousy story are the core of the visual artist Omer Fast's latest work, which in a suggestive use of split-screen suggests parallels between two different ways of seeing. From ambiguous realism to the easily most popular of all documentary genres: porn, which is produced on an assembly line in an industry that is becoming increasingly mainstream. The work takes place over the course of a single day - from the film's four sex actors get up and get ready to 'go to work' until the day is over. In an interview, the porn film's producer shares his opinion about the industry, which is as dirty as it is clinically sterile, complete with alarm clocks, electronic cigarettes and the neat shaving of genitals. In and around the same house that the film is being shot, a parallel romance is taking place: a film noir in Californian daylight, with an artificiality that colours the otherwise so immediate documentation of the day's events in the house. The duality is encapsulated in the work's title, which comes from a short story by the Catholic writer Flannery O'Connor about shame, fate and remorse.
Director: Omer Fast
Producer: Daniel Desure, Mary Pat Bentel
Germany, USA / 2014 / 56 Minutes
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《西游》Journey to the West
《西游》
一如既往的，时间本身成为了蔡明亮电影的真正主角，如果你带着你的耐心和心智去电影院观看本片，《西游》将会成为你在本年度最丰富的一次观影体验。
一个男人徘徊在一位佛教僧侣的脚步下，僧侣几乎以凝滞的步伐行走在人流繁忙的马赛城。当一个人凝视蔡明亮的这部优雅作品时，画面中最小的细节也获得了灵魂和生命。一个红袍僧慢慢地走下楼梯间，街上的阳光照耀下来，洒在他的身上，空气中的灰尘也变得显眼，这样的内容将持续很长的一段时间。情境本身是异常简单的，但却又是激进的、意图引起干涉的姿态，这激起了过往行人高度不同的反应。
蔡明亮导演的最新作品再次表明，他是过去二十年最具原创性和革新性的电影导演。几年来，蔡明亮在拍摄了一些和他的长片风格类似的短片作品后，于2013年宣布电影《郊游》将会是他的最后一部长片。现在，人们只能期望，他会继续创作如本片一样的杰作。
导演：蔡明亮
主演：李康生、德尼·拉旺
类型：短片
台湾、法国/2014/56分钟
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Journey to the West
As always, time itself is the real protagonist in Tsai Ming-Liang's films, and if you bring along both your patience and your senses to the cinema, 'Journey to the West' is one of the richest film experiences you will have in years. A man (Denis Lavant) wanders in the footsteps of a Buddhist monk (Lee Kang-Sheng), who walks in almost motionless slow-motion through an otherwise busy Marseilles. The smallest details in the image acquire a life and soul as one's gaze invited inside Tsai's refined compositions. The motif of a red-robed monk slowly descending a staircase bathed in dusty sunlight from the street above him will stay with you for a long time. But the situation itself is a simple, but radically interventionist gesture, which evokes highly different responses among random passers-by. Tsai Ming-Liang's latest film work once again emphasises that he is one of the most original and innovative filmmakers of the past twenty years. After several years spent working parallel to his features with shorter video works, several of which have been screening at CPH:DOX, he last year announced that the feature film 'Stray Dogs' would be his last. But one can only hope that he will continue to pursue his opus in films like this one.
Director: Tsai Ming-liang
Producer: Vincent Wang, Fred Bellaïche
Taiwan, France / 2014 / 56 Minutes
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《沉默的时刻》Moments of Silence
《沉默的时刻》
在911周年纪念日上的奥巴马总统和他的夫人；在迈克尔·杰克逊生日当天，他的粉丝们；人们聚集在一起悼念2011年日本地震中死者。
瑞典艺术家组合Bigert & Bergström利用资料档案，创作了一个世界范围内，处在不同时刻的人的蒙太奇。此时，人们聚集在一起保持了一个共同的姿态——沉默。这是一种针对特殊事件的仪式，社会机器被允许停滞片刻，那种使特定社会共同体被建立的叙事借由沉默而也变得更加突出。但《沉默的时刻》并不仅仅是惊人的，针对我们以何种方式共同面对失败和创伤的精确研究，它同时也在提醒我们，在历史转折点上保持共同记忆的重要性。而历史的转折似乎总是在你最不经意的时候发生。
导演：Mats Bigert、Lars Bergström
摄影：Archival footage
录音：David Österberg
制片：Bigert & Bergström AB
剪辑：Dino Jonsäter
编剧：Bigert、Bergström
瑞典/2014/14分钟
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Moments of Silence
Mr and Mrs Obama on the anniversary of 9/11, fans of Michael Jackson on his birthday and people gathered in the memory of those who died in the earthquake in Japan in 2011. The Swedish artist duo Bigert & Bergström has created an archive-based montage of situations from around the world and at different times, where people have gathered in a seemingly universal gesture: to hold a moment of silence. A ceremonial form of exceptional circumstances, where the machinery of society is allowed to stand still for a moment, and where the narratives that any community is built up around stands out all the more strongly by virtue of being unspoken. But 'Moments of Silence' is not just a strikingly accurate study of the way in which we collectively deal with loss and trauma, but also a reminder of the importance of maintaining a common memory of the historical turning points, that always seem to happen when you least expect them.
Director: Mats Bigert, Lars Bergström
Camera: Archival footage
Sound: David Österberg
Production: Bigert & Bergström AB
Editor: Dino Jonsäter
Script: Bigert, Bergström
Sweden / 2014 / 14 Minutes
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《堡垒》Reduit
《堡垒》
由于害怕想象中的迫在眉睫的苏联入侵，农民Karl-Göran Persson用一层又一层的钢筋和水泥，加固他和他的邻居在瑞典南部的小房子。这个曾经的建筑，如今作为一个悲剧的纪念碑屹立在这片废弃的土地。它象征了那个特定历史时期的重大政治危机，同时也是Persson内部心理状态的外部表征物——他日益增长的执迷和无力感的黑暗而复杂的具像物。而导演John Skoog则以慢镜将这一切凸显出来。
房子诡异的忧郁和阴暗的空间被重现在35mm胶片拍摄的沉重画面中，而电影声轨上的当地声音引领我们陷入在他们还是孩童时所经历的和Persson相同的记忆。《堡垒》是一个系列短片的最新的一部，在这部短片中Skoog要面对瑞典特殊的地域景观同铭刻于其上的现代历史间的关系。Karl-Göran Persson独自生活在那里，一直建造着他的房子，直到他死于1975年。
导演：John Skoog
制片：John Skoog
录音：David Gülich
配音：Ingeborg Andersson、Bodil Göransson、Astrid Göransson、Kjell Olsson、Siv Olsson、Torbjörn Sundqvist
摄影：Ita Zbroniec-Zajt
又名：Värn
瑞典/2014/14分钟
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Reduit
Fearful of what he imagined to be an imminent Soviet invasion, the farmer Karl-Göran Persson started to fortify his small house in southern Sweden with layer upon layer of iron and cement to protect himself and his neighbours. An architectural project which today stands on a deserted field as a tragic monument to a historical period's great political crisis, but also as a physical reproduction of Persson's own inner state - a dark and labyrinthine realisation of his increasing obsession and impotence, which John Skoog maps out in slow movements. The eerie melancholy and shady spaces of the house are reproduced in leaden images, shot on 35mm celluloid, while local voices on the soundtrack involve us in their own memories of how they as children experienced Persson. 'Reduit' is the latest of a series of short films, in which Skoog deals with the relationship between the special Swedish landscape and modern history that inscribes itself in it. Karl-Göran Persson continued to build his house, and lived there alone until his death in 1975.
Director: John Skoog
Producer: John Skoog
Sound: David Gülich
Original Title: Värn
Voices: Ingeborg Andersson, Bodil Göransson, Astrid Göransson, Kjell Olsson, Siv Olsson, Torbjörn Sundqvist
Camera: Ita Zbroniec-Zajt
Sweden / 2014 / 14 Minutes
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《无意识社会》Subconscious Society
《无意识社会》
后工业社会理想的废墟沿着模糊的英国海岸升起，像是一个来自可能未来的文物。这个未来因其从未被实现的乌托邦理想，已经在历史中被削弱了太久。Rosa Barba用35mm胶片拍摄的这部雄心勃勃的电影《无意识社会》是一个纪录性的科幻片，其中的宏伟建筑发挥了引领性的作用。从生锈的位于肯特的人造建筑物，到被遗弃在曼彻斯特艾伯特音乐厅的卫理公会。在那里，神秘团体的成员在一个举行仪式的社区会面，这意味着一个新的社会形式可能正处于起步阶段。Barba这部富有洞察的电影延续了她研究当代艺术的早期作品中的主题，包括现代工业化史、乌托邦理论和表演艺术的可能性。《无意识社会》作为一个视觉装置，之前已经在2014年夏天的柏林双年展上展出。
导演：Rosa Barba
摄影：Angus Hudson、Rosa Barba、Errico S.
制片：Rosa Barba
录音：Jan St. Werner
剪辑：Rosa Barba
编剧：Rosa Barba
音乐：Jan St. Werner
英国、美国、德国/2014/40分钟
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Subconscious Society
The ruins of a post-industrial society's dreams rise up along the misty English coasts like relics from a possible future, which has long gone down in history without ever having realised its utopian potential. Rosa Barba's monumentally ambitious 35mm film work 'Subconscious Society' is a piece of documentary science fiction, where the grandiose architecture plays the lead role. From the rusty, man-made structures in Kent to the abandoned Methodist church Albert Hall in Manchester where a mysterious group of people meet in a ritual community, suggesting that a new form of society may be in its infancy. Barba's visionary film continues the motifs from her earlier works in a contemporary artistic study of industrialisation's modern history, utopian theory and the possibilities of performance art. 'Subconscious Society' has previously been exhibited as an installation, most recently at the Berlin Biennale this summer, but can here for the first time be experienced in a cinema.
Director: Rosa Barba
Camera: Angus Hudson, Rosa Barba, Errico S.
Producer: Rosa Barba
Sound: Jan St. Werner
Editor: Rosa Barba
Script: Rosa Barba
Music: Jan St. Werner
UK, USA, Germany / 2014 / 40 Minutes
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《凹痕》The Dent
《凹痕》
恐龙蛋、大象和来自现实城市中的未来主义建筑，这些是埃及艺术家Basim Magdy想象的超现实故事元素，它与一个梦想着举办奥运会的未知城市有关。这个城市共同的梦想和雄心，遭遇了现实中最不可预测角落的抵抗。失败迫在眉睫，权力徒劳无功，管理者需要用一个马戏团来转移人们的注意力。
Magdy创造了一个一切皆有可能的梦想世界，但许多事情仍然是可以辨认的。美丽如诗歌般的图像以及具有讽刺意味的失败了的巨大政治项目，这些内容通过专门的字幕传达给我们。被选择好的、分散的、加重的现场录音以及声音设计强调了当代最乌托邦图景的政治经济体的脆弱性，同时文本、图像和声音创造了这部我们可以在头脑中自由想象的电影。
导演：Basim Magdy
埃及/2014/19分钟
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The Dent
Dinosaur eggs, elephants and futuristic architecture from real cities are the elements of the Egyptian artist Basim Magdy's imaginative and surreal tale of an unknown city dreaming of being the host of the Olympic Games. A collective dream and ambition, which meets resistance in the most unpredictable corners of reality. Defeat is imminent, power is vain, a circus is needed to divert the people's attention. Magdy creates a dream world where everything is possible, but where many things are nevertheless recognisable. Both the poetry of the beautiful stream of images and the irony of the failed grand political project, which is communicated to us exclusively through the film's subtitles. The well-chosen, discrete and accentuated use of both field recordings and sound design emphasises the fragility of contemporary political economy's most utopian visions, while texts, images and sounds create the freely imaginative film inside our heads.
Director: Basim Magdy
Egypt / 2014 / 19 Minutes
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《回音室》Echo Chamber
《回音室》
一辆火车沿着生锈的铁路穿过一片热带丛林，而遥远的广播喇叭发出了世界末日的天气预报：一场（自然）灾难迫在眉睫。哥伦比亚艺术家Guillermo Moncayo采用极少而简单的手段，创作了这部扰乱性的、令人心神不安的电影，其影响也远远超出了电影本身。铁路不仅在现代传统的电影史上拥有共鸣，它也是早前的、重工业征服和开发地球自然资源的象征。虽然铁路的躯体已经剪断了无数的乡村，它的锈斑也已有如地球表面的化石，但事实上铁路出现和应用的时间都屈指可数。
原来火车是由骑着摩托车的年轻人牵引。他正进行一场引人沉醉的野外之旅，穿越这片被允许的地带，而夜幕逐渐降临。Moncayo毕业于法国电影艺术学校Le Fresnoy（法国国立当代艺术工作室），在电影《回音室》中，他创造了一个微妙的民族记录片。本片不只是在思考什么是真实，它同时也在勇敢地预见未来。
导演：Guillermo Moncayo
主演：Fabian Riscos、Julian Jaramillo Lopez
制片：Le Fresnoy
剪辑：Isabelle Prim、Guillermo Moncayo
摄影：Guillermo Moncayo
编剧：Laura Puerta
录音：Jérémy Morelle
法国、哥伦比亚/2014/19分钟
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Echo Chamber
A railcar moves along the rusty railroads through jungles and tropical landscapes, while a distant radio trumpets forth an apocalyptic weather forecast: a (natural) disaster is looming. With few and simple means, the Columbian artist Guillermo Moncayo has created a disturbing and trance-inducing film, which reaches far beyond itself. The railway is a subject that not only has a film-historical resonance in the modernist tradition, but is also the symbol of a former, heavy-industrial conquest and exploitation of earth's natural resources. A time and a practice whose days are numbered, even if its remnants still cut through the countryside and rusts like fossils on the surface of the earth. The railcar turns out to be mounted on a motorcycle driven by a young man, who is journeying on a hypnotic field trip through the territories of the possible, and night gradually falls. Moncayo is a graduate of the French film and art school Le Fresnoy, and with 'Echo Chamber' he has created a subtle and ethnographic film, that does not settle with just relating to what is real, but also has the courage to anticipate that which is coming.
Director: Guillermo Moncayo
Cast: Fabian Riscos, Julian Jaramillo Lopez
Producer: Le Fresnoy
Editor: Isabelle Prim, Guillermo Moncayo
Camera: Guillermo Moncayo
Script: Laura Puerta
Sound: Jérémy Morelle
France, Colombia / 2014 / 19 Minutes
===============
《缺失》The Lack
《缺失》
这部电影包含关于主题“缺失”的四个变体，并由六位女性角色演绎。这些女性全都沉浸在她们原初的、自然的沉默之中。没有配角——没有人分担她们的孤独。
导演：Masbedo
主演：蕾雅·摩纳、Giorgia Sinicorni、Emanuela Villagrossi、Xin Wang、Ginevra Bulgari、Cinzia Brugnola、Sofia Di Negro
意大利/2014/76分钟
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The Lack
The film offers four variations on the theme of "absence", embodied by six female characters. Each of these women is immersed in the silence of her own primitive natural environment. There are no minor roles: no one to share the solitude of these women played by Lea Mornar, Xin Wang, Giorgia Sinicorni, Ginevra Bulgari, Emanuela Villagrossi, Cinzia Brugnola and the young Sofia Di Negro.
Director: Masbedo
Producer: Beatrice Bulgari
Italia / 2014 / 76 Minutes
相关电影节
2014哥本哈根国际纪录片电影节(Copenhagen International Documentary Film Festival 2014)
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《镧系元素》The Lanthanide Series
《镧系元素》
电影讲述的是一个所谓的“黑镜”神话。黑镜由稀有的自然元素组成，是一种能够看到未来的神秘工具，存在于不同的文化和年代。
在这个存在于科学、艺术、政治和诗歌之间迷人的历史联系基础之上，美国研究员和电影导演Erin espelie创作了这部微妙的电影散文。电影每一章都是基于周期表上的一个元素。为寻求新的知识，不同学科聚集在神秘的黑镜周围：早在第十七世纪，如克劳德洛兰这样的画家们，都在使用相似的工具，以尽可能准确地再现出自然场景。潜在元素的图表研究，是一个综合了工业、科学和冶炼视角下的项目。《镧系元素》是一个深刻的原创作品，它巧妙地利用艺术的自由性来表明迄今为止未曾想象的关系。因为知识就是力量，并且无限地获取世界上所有知识的神话依然存在：整个电影拍摄都是作为对一块废弃的平板电脑屏幕的反思，它是我们这个时代的黑镜。
导演/摄影/制片/音乐/剪辑/编剧/录音：Erin Espelie
美国、法国、英国/2014/70分钟
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The Lanthanide Series
The myth of a so-called 'black mirror', which consists of nature's rarest elements and is an occult tool to see into the future, exists across cultures and ages. A fascinating, historical connection between science, art, politics and poetry, on which the American researcher and film director Erin Espelie has created a subtle cinematic essay where every chapter is based on an element in the periodic table. It is the search of new knowledge that the various disciplines gather around the mysterious black mirror: already in the 17th century, painters such as Claude Lorrain used a similar instrument in their efforts to reproduce natural scenes as accurately as possible. And the charting of the potential of the elements is a polyhistoric project with both industrial, scientific and alchemical perspectives. 'The Lanthanide Series' is a deeply original work, which wittily exploits the freedom of art to suggest hitherto unimagined relations. For knowledge is power, and the myth of unlimited access to all the world's knowledge still exists: the entire film is shot as a reflection of the screen of a defunct tablet computer - the black mirror of our times.
Credits
Director: Erin Espelie
Camera: Erin Espelie
Producer: Erin Espelie
Sound: Erin Espelie
Editor: Erin Espelie
Script: Erin Espelie
Music: Erin Espelie
USA, France, UK / 2014 / 70 Minutes
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《来日总是太长》Tomorrow is Always Too Long
《来日总是太长》
Phil Collin的这部电影是送给英国城市格拉斯哥城的一封情书，它如同一首现代城市的交响曲。通过乐谱、动画和独特的格拉斯哥有线电视台，电影唤起了这个城市最独特的场景。Collin会见了妇产医院、学校、社区组织和老年俱乐部中的人，要求他们演唱歌曲，预测未来，并辩论自由在当下社会的地位。电影引导我们穿过这个城市最著名的监狱，并且像末日一样舞蹈。《来日总是太长》包括由Matthew Robins制作的动画，威尔士歌手、词作家Cate Le Bon演唱的经典歌曲，Mogwai乐队的Barry Burns和当地充满魔力的Golden Teacher以及苏格兰皇家交响乐团所作的配乐，电影将会带你进行一场深入城市灵魂深处并超乎其外的旅程。
导演：Phil Collins
制片：Sinisa Mitrovic、Angela Murray
英国/2014/82分钟
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Tomorrow is Always Too Long
Phil Collin’s film is both a modern day city symphony and a love letter to Glasgow. Through musical numbers, animation and a uniquely Glaswegian cable TV station, the film conjures up a distinctive vision of a city. Collins met people in maternity hospitals, schools, community groups and social clubs for the elderly, asking them to sing songs, make predictions for the future, debate the status of freedom in today’s society, guide us through the city’s most famous prison and dance like there’s no tomorrow. With animation by Matthew Robins, stellar songs from Welsh singer-songwriter Cate Le Bon, soundtrack contributions from Mogwai’s Barry Burns, local voodoo ravers Golden Teacher and the Royal Scottish National Orchestra, Tomorrow Is Always Too Long will take you on a trip deep into the heart of the city and beyond.
Director: Phil Collins
Producer: Sinisa Mitrovic, Angela Murray
Scotland / 2014 / 82 Minutes
相关电影节
2014哥本哈根国际纪录片电影节(Copenhagen International Documentary Film Festival 2014)
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《一杯茶》A Cup of Tea
《一杯茶》
Gunnar身处中年危机之中，他患有胃溃疡并被现代生活的压力所折磨。他决定根据日本茶馆的样式，在平静安宁的挪威森林中建一个茶馆。在那里，他可以享受一杯香茗并独自默想生活。当一个真正的男人第一次有了这样的想法，那它就必须变成现实，即便是在遥远的挪威森林！但在那里的，并非全然只是他一个人。松树梢下，有三个不爱交际的隐士陪伴并帮助他：一个有患有心绞痛的农民，一个有心脏病的木匠和一个沮丧的驼鹿猎人。事实证明，根据“侘寂”的种种规范建立一个合适的寓所，其中的挑战就包含在“侘寂”本身。极简主义的日本茶道仪式，最理想的发生地应该是在一个由枯木建成的摇摇欲坠的小屋，以便于提醒客人生命的转瞬即逝。这是一部夹杂着苦笑与哲思的纪录喜剧，其中的幽默、森林的壮美和存在的求索无疑都是北欧式的。超级8毫米GoPro相机拍出了真正的“侘寂”风格，而来自无线电台的讽刺旁白则兴高采烈地评论着每一个事件。
导演：Gunnar Hall Jensen
制片：Elin Sander
又名：En kopp te
挪威/2014/79分钟
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A Cup of Tea
Gunnar is in the midst of a mid-life crisis, has stomach ulcers and suffers the stress of modern life. So he decides to build a teahouse after a Japanese model in the deep, quiet tranquility in the middle of the Norwegian woods, where he can enjoy a cup of tea and meditate on life in solitude. And when a real man first has an idea, then the damn thing has to be turned into reality - even if it is far out in the forest! But he is not entirely on his own. For out under the pine treetops he has both the help and company of three introverted recluses: a farmer with a heartache, a carpenter with a heart problem and a depressed moose hunter. It turns out, however, that building a suitable retreat according to all the rules of 'wabi-sabi' is a challenge in itself (see the film and you will understand what we mean!). The minimalist, Japanese tea ceremony should ideally take place in a ramshackle hut built of old wood to remind its guests of the transience of life. The humour, the magnificent beauty of the forests and the existential soul-searching are unmistakably Nordic, in a wry and philosophical docu-comedy shot in true wabi-sabi style on everything from super-8 to GoPro, while an ironic narrator gleefully comments on the events from a radio studio.
Director: Gunnar Hall Jensen
Producer: Elin Sander
Original Title: En kopp te
Norway / 2014 / 79 Minutes
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《拳台之间》Between Rings
《拳台之间》
Esther Phiri曾不得不为开创自己的独立生活而“打拼”。在她的家乡赞比亚，对于那些梦想着过上与上辈人不一样生活的人来说，这位七届世界拳击冠军已经成为了一个符号。这部电影，让我们知晓了其中的原因：她是一个因勇敢信念而充满魅力的女人。她可以把任何人击倒！Esther曾为帮助她的家人而辍学。自那次以来，她还放弃了婚姻和建立家庭的愿望，全身心地投入了她辉煌的职业拳击手生涯。紧随成功而来的是压力、嫉妒和批评，尤其是在拳台之外。
如果由其他的人执导，这部电影很可能变成一个可预见的伤感故事，但是分别来自芬兰和赞比亚的导演Salla Sorri和Jessie Chisi创作了一部独特的现实主义电影，并避开了政治正确的陈词滥调。导演塑造了一个有反差、有矛盾、会紧张的Esther Phiri，而这些同样是她身上的一部分。最终，在这部电影中你只能为她百折不挠的勇气和奋不顾身的斗争，致以最大的敬意。
导演：Salla Sorri、Jessie Chisi
摄影：Marita Hällfors、Päivi Kettunen
制片：Tahir Aliyev
录音：Anna Tolkkinen、Miki Brunou、Mikko Mäkeläinen
剪辑：Juha Nukanen
编剧：Salla Sorri、Jessie Chisi
音乐：Miki Brunou
芬兰/2014/73分钟
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Between Rings
Esther Phiri has literally had to fight to carve out an independent life on her own terms. In her native Zambia, the seven-time world champion in boxing became an icon for anyone who had dreams in life that were different from the ones that traditions had created for them. And in 'Between Rings' we understand why: she is a deeply charismatic woman with the courage of her convictions. And she can knock anybody out! Esther first renounced her education to support her family. But since then she has also renounced the expectations of marriage and family to invest in her meteoric career as a boxer. With success comes pressure, jealousy and criticism - especially outside the ring. In the wrong hands, this film could have been a predictable and sentimental story, but the Finnish/Zambian directors Salla Sorri & Jessie Chisi have created an exceptionally realistic film, which avoids politically correct clichés in favour of a portrait that makes space for the contrasts, conflicts and inner tensions that are also a part of Esther Phiri's story. And finally, you can only have the greatest respect for her tenacity and courage - and for how infinitely much she had to fight for.
Director: Salla Sorri, Jessie Chisi
Camera: Marita Hällfors, Päivi Kettunen
Producer: Tahir Aliyev
Sound: Anna Tolkkinen, Miki Brunou, Mikko Mäkeläinen
Editor: Juha Nukanen
Script: Salla Sorri, Jessie Chisi
Music: Miki Brunou
Finland / 2014 / 73 Minutes
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《马戏王朝》The Circus Dynasty
《马戏王朝》
马戏团的年轻王子，Patrick Berdino，和美丽的杂技演员Merrylu Casselly结成了伴侣。从小时候起，他们的父母就希望他们两人能够结合，一同继承以友谊和家族联盟为基础的，斯堪的纳维亚半岛最大的马戏团王朝。这对认真而勤奋的热恋夫妇如风暴席卷全球，似乎没有什么事情可以阻止年轻而又受欢迎的他们。但梦想正受到威胁，刚刚20岁的他们，很难达到马戏世界所寄予的高期望。没有人知道这对年轻夫妇的爱与密切的家庭联系，是否能承受新时代的压力，毕竟这是个由旧传统主导的世界。
电影是一个迷人的爱情故事，它在这个自身的规范和标准变得扭曲的时代展开，饰以亮片、魅惑和光芒，讲述了爱是如何得并不一定遵循理性的逻辑。它还是一个关于遗产和环境的故事，关于我们在生活中所做出的选择。选择并一定总是我们自己的，它也许还会受到我们周围人的期望和压力的影响。电影像是罗密欧与朱丽叶的故事，只是关系颠倒了，伴随着故事的是宏伟壮观的马戏表演和丰富的音乐伴奏。正如马戏团圈内人所说的：表演必须继续！
导演：Anders Riis-Hansen
制片：Malene Flindt Pedersen
又名：Cirkus Dynastiet
丹麦/2014/75分钟
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The Circus Dynasty
Circus Arena's young crown prince, Patrick Berdino, has become the partner of the beautiful circus performer Merrylu Casselly. Ever since they were little, it has been their parents' dream that they would get together and continue Scandinavia's largest circus dynasty in friendship and familial union. The conscientious, hardworking and infatuated couple takes the world by storm, and nothing seems to be able to stop the young, popular stars. But the dream is being threatened. For it is hard to live up to the expectations of the circus world when you have only just turned 20. And who knows if the young couple's love and the families' close ties can withstand the pressure of new times in a world dominated by old traditions. The film is a fascinating love story that unfolds in a time warp with its own norms and rules, garnished with sequins, glamour and glitter. A drama about how love does not necessarily follow logical paths. And a story about heritage and environment, and about the choices we make in our lives. Choices, that are not always our own, but influenced by the expectations and pressures of our surroundings. Like an inverted Romeo & Juliet story, just turned upside down - and with magnificent and spectacular circus acts with full musical accompaniment. For as they say in the circus world: the show must go on!
Director: Anders Riis-Hansen
Producer: Malene Flindt Pedersen
Original Title: Cirkus Dynastiet
Denmark / 2014 / 75 Minutes
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《征服中国》Conquering China
《征服中国》
上海、酒吧、音乐。瑞典流行歌手Johan Jonason正面临挑战，他从与他合作的中国公司那里得到的只有沉默。这是一个完全羞辱性的经验。Jonason被迫重新评估自己的方法和模式。
导演：Johan Jonason
制片：Anna Byvald
瑞典/2014/70分钟
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Conquering China
Shanghai. Clubs. Music. Swedish pop singer Johan Jonason finds himself challenged as he gets nothing but the silent treatment from the Chinese star producers he set out to collaborate with. An altogether humiliating experience. Jonason is forced to evaluate his methods and motifs.
Director: Johan Jonason
Producer: Anna Byvald
Sweden / 2014 / 70 Minutes
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《海上的梦想》A Dream at Sea
《海上的梦想》
三位对船舶制造一无所知的艺术家，建造了一艘豆腐渣般的梦幻之船。他们从挪威的克里斯蒂安桑一路航行到德国的明斯特，将自身规划成了一场高端的艺术展。
导演：Trond Nicholas Perry、Erik Pirolt
又名：En drøm til havs
制片：Kristian Mosvold
挪威/2014/65分钟
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A Dream at Sea
Three artists, with no knowledge of shipbuilding, build a boat of garbage and fantasy - and sails from Kristiansand in Norway to Münster in Germany. Curating themselves into a high end art exhibition.
Director: Trond Nicholas Perry, Erik Pirolt
Original Title: En drøm til havs
Producer: Kristian Mosvold
Norway / 2014 / 65 Minutes
==================================================================
《丹·麦》Dan Mark
《丹·麦》
丹麦摄影师、导演Eva Marie Rødbro在一系列的细腻作品中记录了格陵兰岛和美国青少年的狂野青春。但在本片中，她将镜头对准了和她住在同一栋房子里的年轻男孩，房子位于哥本哈根的韦斯特伯区。男孩的名字就叫丹·麦——除此再无其它！他的生命处在不停歇的运动状态，这在很大程度上要归咎于他被诊断为ADHD（注意力缺陷多动障碍）的疾病，但电影并没有将他降格为一个社会研究案例。相反的，Rødbro以高度的关注观察这个年轻人，而年轻人的父母和朋友们，针对他即将到来的成人生活不断地提出善意的建议。
导演：Eva Marie Rødbro
摄影：Eva Marie Rødbro
制片：Rikke Lassen
录音：Rune Sand
剪辑：Linda Man
编剧：Eva Marie Rødbro
音乐：Jamie Kamara
丹麦/2014/25分钟
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Dan Mark
The Danish photographer and director Eva Marie Rødbro has documented the wild youth of teenagers in Greenland and the United States in a series of sensitive works. But in her brand new film, she has directed the camera towards a young boy who lives in the same house as herself in Copenhagen's Vesterbro district. His name is Dan Mark - nothing less! - and his life is a state of constant action, which in no small bit is due to his diagnosed ADHD, but which can't reduce him to a social case study. On the contrary, Rødbro is at a highly energetic eye level with the young man, whose parents and friends pour good advice down on him about the life that he is about to become adult in. A piece of modern street documentary by one of the Danish film scene's most promising names.
Director: Eva Marie Rødbro
Camera: Eva Marie Rødbro
Producer: Rikke Lassen
Sound: Rune Sand
Editor: Linda Man
Script: Eva Marie Rødbro
Music: Jamie Kamara
Denmark / 2014 / 25 Minutes
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《一次、一次、又一次》Time and Time and Again
《一次、一次、又一次》
电影《一次、一次、又一次》是在概念艺术家Hreinn Friðfinnsson的工作的基础上拍摄的。它揭示了在Hreinn Friðfinnsson的艺术中一个常见的思路——对时间的观察。电影关注于他当下的生活以及他过往生活中上演过的场景，摆脱了绝对的线性时间，使之成为了一个有趣而发人深省的实验。
导演：Ragnheiður Gestsdóttir、Markús Þór Andrésson
摄影：Arnar Þórisson
制片：Hlín Jóhannesdóttir、Sami Jahnukainen
录音：Zachary Miley
又名：æ ofaní æ
剪辑：Ragnheiður Gestsdóttir、Markús Þór Andrésson
编剧：Ragnheiður Gestsdóttir、Markús Þór Andrésson
音乐：Zachary Miley
冰岛，芬兰/2014/50分钟
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Time and Time and Again
Time and Time and Again is based on the work of conceptual artist Hreinn Friðfinnsson. It reveals a common thread in his art, the observation of time, following his life in the present day and staged scenes from his past. The film gets rid of absolute linear time, making this a playful and thought provoking experiment.
Director: Ragnheiður Gestsdóttir, Markús Þór Andrésson
Cast: Kati Outinen as Aika, Hreinn Friðfinnsson as himself, Magnús Logi Kristinsson as younger Hreinn
Camera: Arnar Þórisson
Producer: Hlín Jóhannesdóttir, Sami Jahnukainen
Sound: Zachary Miley
Original Title: æ ofaní æ
Editor: Ragnheiður Gestsdóttir, Markús Þór Andrésson
Script: Ragnheiður Gestsdóttir, Markús Þór Andrésson
Music: Zachary Miley
Iceland, Finland / 2014 / 50 Minutes
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《夏末》End of Summer
《夏末》
本片是用超级8毫米摄像机拍摄的黑白电影。《夏末》是一次令人沉醉的缓慢燃烧的旅程，路途上有南乔治亚岛和南极半岛的天然景观。电影由为期20天的南极夏末旅程上的镜头组成，大多为一系列的静态画面，它是对世界边缘处的生活的惊鸿一瞥。
导演：Jóhann Jóhannsson
制片：Jóhann Jóhannsson、Louise H. Johansen
剪辑：Jóhann Jóhannsson
音乐：Jóhann Jóhannsson、Hildur Gudnadóttir、Robert A. A. Lowe
摄影：Jóhann Jóhannsson
录音：Peter Albrechtsen、Jóhann Jóhannsson
冰岛、丹麦/2014/28分钟
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End of Summer
Shot on black and white super 8 film, 'End of Summer' is a hypnotic and slow-burning journey through the austere landscapes of the island of South Georgia and the Antarctic Peninsula. Filmed as a series of mostly static tableaux over a period of 20 days during the waning days of the Antarctic Summer, the film is a startling look at life at the edge of the world.
Director: Jóhann Jóhannsson
Producer: Jóhann Jóhannsson, Louise H. Johansen
Editor: Jóhann Jóhannsson
Music: Jóhann Jóhannsson, Hildur Gudnadóttir, Robert A. A. Lowe
Camera: Jóhann Jóhannsson
Sound: Peter Albrechtsen, Jóhann Jóhannsson
Iceland, Denmark / 2014 / 28 Minutes
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《好女孩》Good Girl
《好女孩》
一部关于抑郁症的，令人舒适的电影。就在你将要把一切都做好时，一次严重的焦虑发作，毁掉了一切。电影讲述的是关于如何与家人一起控制焦虑，并笑对一切，甚至是电击治疗的故事。
导演：Solveig Melkeraaen
制片：Ingivl Giske
又名：Flink pike
挪威/2014/75分钟
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Good Girl
A feel good film about depressions. About being able to do it all, but losing it in a severe anxiety attack. About controlling angst together with the family, and be able to laugh of it all, even the electro shocks.
Director: Solveig Melkeraaen
Producer: Ingivl Giske
Original Title: Flink pike
Norway / 2014 / 75 Minutes
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《在乡间》In the Country
《在乡间》
奇怪的事情正在乡间发生——如果你知道去哪里看，如何看的话。在本片中，导演Anders Jedenfors展示了他伟大的技巧，他的另类和笃定造就了一种扭曲。故事很快变得明朗，和Lena以及Gunvall这对老年夫妇在一起的猫头鹰，并不像是它们呆在家里的样子。一些事情发生了，但没有人想要谈起。一种沉默笼罩在闲谈和舒适的家庭生活之上，并且现在仍然强烈。在颗粒感的、模拟信号的黑白画面上，所有那些细微而生动的细节（如有些超现实的《双峰》中的瑞典插曲），共同暗示了一个黑暗而令人心碎的秘密。
导演：Anders Jedenfors
制片：Karl Wettre
又名：Ute på landet
瑞典/2014/61分钟
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In the Country
Strange things are taking place out in the country - at least if you know where (and how) to look. Anders Jedenfors demonstrates a great knack for both in his offbeat and highly assured detbut, which builds up to a twist. It quickly becomes obvious that the owls are not what they seem at home with the elderly couple of Lena and Gunvall. Something has happened that no one wants to talk about. A silence covered in smalltalk and cozy domesticity, but intensely present nonetheless. In grainy, analogue black and white - and as a semi-surreal, Swedish episode of Twin Peaks - all the little and telling details add up to the revelation of a dark and heartbreaking secret.
Director: Anders Jedenfors
Producer: Karl Wettre
Original Title: Ute på landet
Sweden / 2014 / 61 Minutes
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《奥尔莫和海鸥》Olmo & the Seagull
电影的故事被设定为一个名叫奥利维亚的女人一天的生活。她现在怀着她的丈夫Serge的孩子，Serge也是一位演员。她举办了一场派对，并邀请了许多朋友和以前的情人们。在这一天之中我们将会一瞥奥利维亚内心的想法，她的思考、回忆和担忧。同时，我们会收集到奥利维亚和她丈夫在其怀孕期间的思想记录，以及丈夫用照相机拍到的奥利维亚身体变化的记录。
导演：Lea Glob、Petra Costa
制片：Charlotte Pedersen
录音：Cecile Chagnaud
摄影：Lisa Persson、Mohammed Hamdy
剪辑：Tina Baz
编剧：Florence Weyne Robert
丹麦、巴西、葡萄牙、法国/2014/87分钟
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Olmo & the Seagull
The film is set as a day in the life of the woman Olivia. She is now pregnant with her husband Serge, who is also an actor. She is giving a party, inviting friends and also previous lovers. During the day we are presented with thoughts and memories, anxieties and small glimpses of her inner thoughts. Through a process, we collect recordings of her and his thoughts during the pregnancy, also collecting his recordings of her changing body with a camera. Making the documentary footage, the memories in the enacted structure.
Director: Lea Glob, Petra Costa
Producer: Charlotte Pedersen
Sound: Cecile Chagnaud
Camera: Lisa Persson, Mohammed Hamdy
Editor: Tina Baz
Script: Florence Weyne Robert
Denmark, Brazil, Portugal, France / 2014 / 87 Minutes
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《离开挪威》Out of Norway
《离开挪威》
许多年前，伊曼纽尔从利比里亚逃到挪威。现在，他想回去了，但是当地的官员拒绝了他。并且，即便他回去，他也不能参加工作或接受教育。所以，伊曼纽尔不得不以非法难民的身份，继续他的旅程，但这一次的方向有所不同。他用视频日记记录下了这个荒谬的过程，现在这个日记已经成为了一部独立电影。到目前为止，还没有哪位导演会把他的摄像机交给他的主演，好让他“从自身”记录自己的情况。但是，电影《离开挪威》并没有它看起来那么简单。伊曼纽尔在挪威艺术家Thomas Østbye之前拍摄的电影《想象伊曼纽尔》中，是一个行走着的神秘体。那是一部恶作剧般的自省电影，它不断地解构我们自认为知道一切。但这次我们得到了伊曼纽尔本人讲述的故事。故事中，伊曼纽尔为伪造出境文件所花费的钱，事实上正是来自Thomas Østbye的《想象伊曼纽尔》在“2011哥本哈根国际纪录片电影节”上所获得的奖金！本片的故事形式可能（但也只是可能）更加真实，但是，当伊曼纽尔的眼睛盯向你时，疑问依然存在。
导演/制片：Thomas Østbye
挪威/2014/43分钟
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Out of Norway
Emanuel fled to Norway from Liberia many years ago. Now he wants to return but the bureaucracy says no, even if he is neither allowed to work nor have an education. So Emanuel must once again take the trip as an illegal refugee, this time in the other direction. An absurd process which he documents himself in a video diary, that has now become an independent film. So far, there is nothing new about a film director leaving the camera to his main character, so that he or she can document their own situation 'from the inside'. But 'Out of Norway' is not as simple as it seems. Emanuel was a walking mystery in the Norwegian artist Thomas Østbye's previous film 'Imagining Emanuel', a mischievous and self-reflexive (meta)film which constantly undermined everything we thought we knew. But this time we get the story from Emanuel himself. And part of the story is the fact that his false exit papers were paid for with money that Thomas Østbye won for 'Imagining Emanuel' at CPH:DOX in 2011! The form is possibly (but only possibly) more authentic here. When Emanuel stares back at you, the doubt still lingers.
Director/Producer: Thomas Østbye
Norway / 2014 / 43 Minutes
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《色狼公园》Pervert Park
《色狼公园》
佛罗里达州司法过渡中心(Florida Justice Transitions)表面看起来和其他的美国拖车公园没什么两样。只有慎重的电子踝设备和零星的破坏见证了，这里的居民事实上都已经被判定为性罪犯。他们之中有的只是一时过失，有的则犯下了骇人听闻的罪行。在一个严刑峻法的自治州，性犯罪意味着这里的居民们只能生活在这片社会之外的孤岛上。公园的居民必须自己去寻找在犯罪与惩罚之后他们所能拥有的生活。首次执导电影的Frida和Lasse Barkfors夫妇，把我们带到了由犯罪烙印所形成的无形围墙的后面，他们还给这个弃儿社区中被妖魔化的性犯罪者以人性的面孔，并迫使我们在道德两难困境中做出选择。它比你可能想要唤起的感觉更深刻也更复杂。无论这些居民们是不是受害者，人们都会不可避免地质问自己，是否真的有一些事情不能或不应该被原谅。《色狼公园》是一部敏感而亲密的电影，其个体创伤的主题引发的不适感觉让你无法轻松地离场。
导演：Lasse Barkfors、Frida Barkfors
摄影：Lasse Barkfors
制片：Frida Barkfors、Anne Köhncke
录音：Frank Mølgaard Knudsen
剪辑：Signe Rebekka Kaufmann、Lasse Barkfors
编剧：Frida、Lasse Barkfors
音乐：Julian Winding
瑞典、丹麦/2014/75分钟
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Pervert Park
Florida Justice Transitions looks like any other American trailer park. Only discreet electronic ankle tags and sporadic vandalism bear witness to the fact that the residents are all convicted sex offenders. From misdemeanours to monstrous crimes. And in a state with tough laws, this means in practice that the inhabitants are condemned to a life in isolation from society. The park's residents are left to themselves to find out what comes after crime and punishment. The debut directing couple Frida & Lasse Barkfors take us behind the invisible fence of stigmatisation, lend a human face to an outcast community of demonised sex offenders - and forces us to take sides in a moral dilemma, which is more profound and complex than one possibly feels like being reminded of. For no matter whether the residents themselves are victims, one inevitably asks oneself if there are some things that can not - or should not ? - be forgiven. 'Pervert Park' is a sensitive and intimate film with a diabolic sense of not letting us off lightly when it comes to its inflamed topic.
Director: Lasse Barkfors, Frida Barkfors
Camera: Lasse Barkfors
Producer: Frida Barkfors, Anne Köhncke
Sound: Frank Mølgaard Knudsen
Editor: Signe Rebekka Kaufmann, Lasse Barkfors
Script: Frida, Lasse Barkfors
Music: Julian Winding
Sweden, Denmark / 2014 / 75 Minutes
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《仪式》The Ceremony
《仪式》
有一个年老而美丽的贵族女人生活在巴黎。她的名字是卡特琳娜·罗伯-格里耶(Catherine Robbe-Grillet)，现年83岁。凯瑟琳的崇拜者，把她当作神一样地敬畏和爱戴，而她则奖赏给崇拜者们以严苛的纪律和爱的惩罚。她将夸张的施虐受虐游戏变成了一种艺术形式，既是感官肉体的又是心灵精神的。她在巴黎豪华住宅养成的曼妙而优雅的举止，给人以丝带紧紧地绕过手腕的细腻感觉。
作为一个女性施虐狂，她促成了自己与参与者之间诗意的权力游戏。正如她所说，这是关于如何将自身的生命推向新的强度的。同她的搭档Beverly Charpentier一起，她寻找到了生命的张力、满足和享乐。Lina Mannheimer的第一部长片电影《仪式》，延续了短片《合约》对两人之间不同寻常的关系的探索，是对一种仪式化和神圣化的性欲关系的赞歌。它同样也是一次对萨德、马索克、巴塔耶和凯瑟琳已故的伴侣阿兰·罗伯-格里耶的文学思想史的实践，一次与世界上最受尊敬女性施虐狂见面的独特机会。
导演：Lina Mannheimer
制片：Mathilde Dedye
又名：Cermonin
瑞典/ 2014 / 75分钟
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The Ceremony
A beautiful and aristocratic elderly woman lives in Paris. Her name is Catherine Robbe-Grillet, she is 83 years old. For her worshippers, Catherine is loved and feared like a god and she rewards them with tough discipline and loving punishment. She has refined theatrical, sadomasochist plays into an art form which is as psychological as it is sensual. The scenarios that she develops from her stately home in Paris are exquisite, and one almost feels the silk ribbons tighten around one's wrists. As a dominatrix, she facilitates a poetic power game between herself and the participants. It is all about pushing oneself towards new intensities, as she says, and together with her partner Beverly Charpentier she seeks out a life of intensity, satisfaction and play. Lina Mannheimer's first feature film 'The Ceremony' follows up on the short film 'The Contract' about the unusual relationship between the two, and is an ode to the ritualisation and sacramentalisation of eroticism. A practice with an intellectual history in the literature of de Sade, Masoch, Bataille and Catherine's late partner, Alain Robbe-Grillet. A unique chance for a session with the world's possibly most respected dominatrix.
Director: Lina Mannheimer
Producer: Mathilde Dedye
Original Title: Cermonin
Sweden / 2014 / 75 Minutes
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《拯救世界的人》The Man Who Saved The World
《拯救世界的人》
1983年，冷战一触即发。两个超级大国美国和苏联之间的核竞赛令全世界都屏住了呼吸。1983年9月26日，苏联雷达监测到有五枚核导弹正在飞往自己国家的路上。斯坦尼斯拉夫·彼得洛夫是当时的指挥官，一个开启第三次世界大战的决定，落在了他的肩上。苏联应该为了自卫而向美国发射核导弹吗？今天，世界仍然存在，但彼得洛夫本人却被毁掉了。彼得洛夫，用他自己的话来说，不是一个英雄，他依靠自己的直觉而不是电脑机器违背了反击的规定。现在他住在一个满是空伏特加瓶小公寓里，失去了家人，并在两种选择之间摇摆：他应该原谅在他年幼时将他驱逐家门的母亲，去爱他这个惟一的亲人；还是继续沉沦在酒精的麻醉之中。电影《拯救世界的人》是一部史诗般的冷战惊悚片，它让你不寒而栗。同时它也是关于那个真正拯救了世界的男人的引人入胜的故事。他挣扎着想要让自己的生活步入正轨，在一切还未太晚之时。
导演：Peter Anthony
摄影：Anders Löfstedt、Kim Hattesen
制片：Jakob Staberg
录音：Peter Schultz
剪辑：Morten Højbjerg
编剧：Peter Anthony
音乐：Kristians Eidnes Andersen
丹麦/2014/105分钟
--------------------------------
The Man Who Saved The World
1983. The Cold War is seconds from exploding. The world holds its breath as the superpowers USA and Russia are arming themselves against each other with thousands of nuclear missiles. On the 26th of September, Russian radars intercept five nuclear missiles on their way to Russia. Stanislav Petrov is commander-in-chief. The decision that would start World War III rests on his shoulders. Should Russia fire nuclear missiles at the United States in defence? Today, the world still exists, but Petrov himself is a ruined man. A man who, in his own words, is not a hero and who went against all protocol, relying on his own instinct instead of the computers. He lives in a small apartment full of empty vodka bottles, has lost his family and is wavering between two choices: should he forgive his mother, who expelled him as a youngster, and love the only family he has left - or remain enshrouded in liquor-fuelled inebriation. 'The Man Who Saved the World' is an epic Cold War thriller that sends shivers down your spine, while also being a gripping story about the man who actually saved the world, and his struggle to get his life back on track before it is too late.
Director: Peter Anthony
Camera: Anders Löfstedt, Kim Hattesen
Producer: Jakob Staberg
Sound: Peter Schultz
Editor: Morten Højbjerg
Script: Peter Anthony
Music: Kristians Eidnes Andersen
DenMark / 2014 / 105 Minutes
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Zmiivka
晨雾消散，太阳升起，新的一天在乌克兰村庄Gammalsvenskby开始了。在这块偏远之地，几个老婆婆徘徊在甜菜地里，寻找一天的收获。她们其中的一个人叫作Lida，她住在一家敬老院里，那里的每一天都漫长而艰苦，但也存在着欢乐和生气。现在这个女人有了新男朋友，一个俄罗斯男人，她每天都和他在一起。她也无暇再去厨房帮忙或是给其他居民送汤、烘焙苹果，这令居民中的一个人尤其感到了一种嫉妒的不悦。Lida属于历来讲瑞典语的少数民族地区的人。Anna Eborn导演的这部动情而美丽的感人电影，无论是其风景还是面孔，都让人想起了贝拉·塔尔和塔可夫斯基，但存在于这部电影中的生动幽默和人性则是完全属于Eborn自己的。这部电影是关于Lida的三部曲的第二部，Eborn已经花了好几年时间来研究她，三部曲的第一部是《巴巴》(Baba)。
导演：Anna Eborn
制片：Katja Adomeit
丹麦/2014/28分钟
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Zmiivka
The fog lifts and the sun rises over yet another day in Gammalsvenskby, a village somewhere in Ukraine, out in the middle of nowhere, where old babushkas hang around in beet fields and collect the day's harvest. One of them is called Lida, and she lives in a nursing home, where every day presents a new chapter of a long and laborious, but also cheerful and lively existence. And now she has a new boyfriend! A Russian man, who she spends her days together with - much to the jealous displeasure of one of the other inhabitants - when she isn't helping out in the kitchen or serving soup and baked apples to the other residents. Lida belongs to the Swedish-speaking historic minority of the area. Both the landscapes and faces in Anna Eborn's evocative, beautiful and moving film are reminiscent of Béla Tarr and Tarkovsky, but the film's lively humour and humanity is entirely Eborn's own. The film is the second part of a trilogy about Lida, whom Eborn has been working on for several years, and which also includes 'Baba' (2010).
Director: Anna Eborn
Producer: Katja Adomeit
Denmark / 2014 / 28 Minutes
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《房子、车子和我所拥有的一切》Apt.+Car+All I Have and Own
《房子、车子和我所拥有的一切》
所有的年轻人都在往城市中迁移。如果你不这样做，那么你就是一个失败者。
美好城市生活的这一规范和神话，遇到了来自瑞典导演Clara Bodén诗意的个人电影的抵抗。电影的拍摄地是郊区，尽管这里有着田园诗般的乡下风光和红色的木制房子，但它仍然被认为是处在“社会生活之外”。Clara的妹妹生活在这里，她的声音成了我们观看这部苦乐参半的电影的指引。这部忧郁的公路电影围绕在美丽的耶姆特兰省部周围。在那里有着众多的年轻人，他们有一个共同的目标：放弃自己在乡下的根，寻求城市中的现代生活。但无论他们去到那里，他们都仍然携带着自己的身份。
Bodén对耶姆特兰省青少年群体的人类学研究，使我们有机会重新思考一些几乎被普遍接受的理想，而这些理想基本都是建立在社会竞争意识和城市人的优越感之上的。这部电影是一项大工程的一部分，它还包括一个在线组件、一本书和一个展览。
导演：Clara Bodén
制片：Clara Bodén、Mariken Halle、Ronja Svenning Berge
又名：Lgh + bil + allt jag har och äger
瑞典/2014/50分钟
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Apt.+Car+All I Have and Own
All young people are moving to the city. And if you don't, you're a loser. Norms and myths about the good (city) life are countered in the Swedish director Clara Bodén's poetic and personal film from the Swedish outskirts, which is judged as being 'out' in spite of its idyllic countryside and red wooden houses. Clara's sister lives here, and the voice that becomes our guide on a bittersweet melancholy road movie around beautiful Jämtland turns out to belong to a large number of youths who are expected to have one common goal: to abandon their roots in the country for a modern life in the city. But who nonetheless carry their very own identity along with them wherever they go. Bodén's anthropological research among youths in Jämtland not only gives us the opportunity to rethink some almost universally accepted ideals, which are basically founded on social competition and a sense of urban superiority. It will with the passage of time become a historical time capsule of a singular artistic integrity. The film is a part of a larger work, which also has an online component, a book and an exhibition.
Director: Clara Bodén
Original Title: Lgh + bil + allt jag har och äger
Producer: Clara Bodén, Mariken Halle, Ronja Svenning Berge
Sweden / 2014 / 50 Minutes
《1989》
一对年轻的东德夫妇作出了一个宿命般的抉择。就在柏林墙即将倒塌之际，他们试图经由匈牙利逃往奥地利。彼时，匈牙利新任总理Miklós Neméth前不久开放了东德边境以节省边境控制经费。但由左派控制的强大力量，却不想要情势继续发展下去。Neméth陷入了一场政治风暴，这对年轻的夫妇在边境争端中被抓——这是一个悲剧，但也正因此而加剧了柏林墙的最后倒塌。这部史诗之作由导演Anders Østergaard拍摄，电影借由戏剧场景、档案资料和访谈重现了1989年的国际权力斗争。这个被历史遗忘，掩埋在倒下的柏林墙瓦砾之下的悲剧，如今终于掸去灰尘，它提醒我们，历史的前进总是以个体的牺牲为代价的。正是这些豪不起眼的巧合最终改变了历史的进程。
导演：Anders Østergaard、Erzsebet Racz
制片：Lise Lense-Møller
德国/2014/90分钟
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1989
A young, East German couple makes a fatal decision. It is the time just before the fall of the Berlin Wall, when they try to escape into Austria via Hungary, whose new Prime Minister Miklós Neméth has shortly before opened the border to the East to save money on the border control. But powerful forces deep inside the Communist Party want things to be otherwise. Neméth is plunged into a political storm, and the young couple is caught in a fatal crossfire at the border – a tragic event, which paradoxically ends up accelerating the final demise of the wall. Anders Østergaard ('Burma VJ', 'Tintin et moi') has created a historical epic, where the international power game in 1989 is portrayed in dramatic reconstructions, archival footage and interviews. But where one of history's forgotten tragedies, which was buried in the rubble of the fallen wall, is dusted off and reminds us that historical change always has a human cost. And that it is the small coincidences that can ultimately change the course of history.
Director: Anders Østergaard, Erzsebet Racz
Producer: Lise Lense-Møller
Denmark / 2014 / 90 Minutes
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《坍塌》All Fall Down
《坍塌》
1972年的巴尔的摩：Henry Selhorst在距家的几个街区之外被三个年轻人杀害，留下了他的十三个孩子。几十年后，他的孙女Emily Topper试图弄清楚那不幸的一天究竟发生了什么。当时，人们将凶杀案解释为种族主义的祸害，但这就是事情的全部真相吗？
《坍塌》是一个极度个人化的侦察故事，它发生在一个黑人和白人之间曾有过不愉快历史的城市，但发生在那里的事件却并没有那么的黑白分明。虽然Emily见到了最先抵达犯罪现场的两位警察，并设法找到了那几个被指控谋杀的人，但每一份新的证词，都只是为整个事件增加了一个新的视角。她试图拼贴出事件的全部真相，但由于年代的久远，很多事实已无法觅见，或是被潜藏在记忆的迷雾之中。与此同时，《坍塌》变成了对一个死去的人及其独特家庭的镜像写照，无论是这个人还是这个家庭，Emily几乎从未曾有真正的了解。
导演：Mary Posatko、Emily Topper
剪辑：Maya Hawke
编剧：Maya Hawke
音乐：Mark Degli Antoni
摄影：Emily Topper
制片：Mary Posatko、Emily Topper
录音：David V Butler
美国/2014/93分钟
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All Fall Down
Baltimore, 1972: Henry Selhorst, father of thirteen children, is murdered blocks from his home by three young men. Decades later his granddaughter Emily Topper tries to find out what really happened that fatal day. Racism, is what people said back then. But is that really all there was to it? 'All Fall Down' is a deeply personal detective story from a city where the relationship between black and white has a troubled history - and where the truth is nonetheless never black and white. Although Emily meets both the policemen that were first on the crime scene, and actually manages to seek out the men accused of the murder, every new testimonial only adds another perspective on the case. And her attempt to piece the puzzles together into a coherent picture is not made easier by the years that have passed, or by the fact that much has disappeared or been suppressed in the fog of collective memory. But in the meantime 'All Fall Down' turns into a phantom portrait of a missing man that Emily herself never really got to know - and of very special family.
Director: Mary Posatko, Emily Topper
Editor: Maya Hawke
Script: Maya Hawke
Music: Mark Degli Antoni
Camera: Emily Topper
Producer: Mary Posatko, Emily Topper
Sound: David V Butler
USA / 2008-2014 / 93 Minutes
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《接近大象》Approaching the Elephant
《接近大象》
在美国的一所自由学校中，一次激进的实验很快演变为一场混乱而戏剧性的事件。整个学校都是实验的场所。在这里，为反对独裁实现直接民主，孩子们和老师拥有了同等的话语权，无政府主义潜伏在每一个场景下。但孩子们是聪明并善于表达的，对于团体他们有着明确的观点。年轻和理想主义的教师们同样如此。然而，仅仅是一个不守规矩的孩子就足以令整个群体步履蹒跚。这个饱含自由之激情的试验会成功吗？“只有在二十年后，我们才能知道结果”，在关键时刻一个老师叹息道。
他似乎有自己的理由将一切都押在这所民主学校上——学生们在这里可以在他们想要学习的时候，学到他们想要学习的东西，如果他们想要学习的话。《接近大象》拍摄了这所自由学校的第一个学年。每一个图像，几乎都充斥着能量。Amanda Rose Wilder细腻的摄像机镜头将发生的一切投射在了充满生命而唯美的黑白图像上。电影的拍摄形式是对20世纪60年代的美国传统的致敬，但又不仅仅是一次致敬。第一所自由学校的建立是意图作为传统（以阶级划分）教育体制的替代品的，正是传统的教育体制教导工人孩子，使他们在工厂中度过一生。如今传统教育体制身处危机之中，这恰是一次思考完全不同的教育方式的机会。
导演：Amanda Rose Wilder
制片：Jay Craven、Robert Greene、Amanda Rose Wilder
美国/2014/90分钟
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Approaching the Elephant
A radical experiment quickly develops into something both chaotic and dramatic at a small American free school. The whole school is the experiment. Here, children and teachers have equal say in an antiauthoritarian attempt at direct democracy. Anarchy lurks in every scene. But the children are smart and articulate, and have clear views about community. And so do the young and idealistic teachers. But a single, unruly child is all it takes to make everything falter. Will the experiment with the free reins succeed? 'We will only know in twenty years', a teacher sighs at a critical moment. He appears to have his own reasons to have gambled everything on a democratic school, where the pupils can learn what they want, when they want to - and if they want to. 'Approaching the Elephant' follows the first year of the small free school. Each image buzzes with an almost electric energy, and Amanda Rose Wilder's attentive camera captures it all in vital and beautiful black and white images. The format is reminiscent of the American tradition of the 1960s, but is more than a formal homage. The first free schools were founded as alternatives to the classic (and class divided) school system, which educated the children of workers to spend a life in the factory. And at a time when the school system is in a crisis, this is an opportunity to consider a completely different way of doing things.
Director: Amanda Rose Wilder
Producer: Jay Craven, Robert Greene, Amanda Rose Wilder
USA / 2014 / 90 Minutes
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《第四公民》Citizenfour
《第四公民》
我们这个时代的一个最大、影响最深远的政治丑闻，是来自内部人士的揭露。《第四公民》是告密者爱德华·斯诺登第一次和导演劳拉珀特阿斯联系时的匿名代号，他告诉她，他掌握的信息将改变世界，而她则不得不讲述整个故事。即刻的，整个世界都获悉了美国国家安全局的大范围监控，不只是针对政府和国家，而是针对每一个人。这条令人震惊的新闻及其所揭露的见不得光的伦理问题迅速地成为了全球政治议程的核心。作为劳拉珀特阿斯关于911之后的美国政治电影三部曲的最后一部，《第四公民》其实是一部惊悚片，它以分钟计来讲述整个故事，其中包含着谨小慎微的研究。但问题仍然存在，面对一个没有节制的全球监测系统，斯诺登所泄露的信息是否会，或者将如何影响我们对自身角色的认识？
导演：劳拉珀特阿斯
制片：Mathilde Bonnefoy、Dirk Wilutzky、Laura Poitras
美国、德国/2014/114分钟
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Citizenfour
One of the greatest and most far-reaching political scandals of our times - told from the inside. 'Citizenfour' was whistleblower Edward Snowden's cover name when he first contacted Laura Poitras and told her that he had access to knowledge that would change the world. And that she had to tell the story. And at once the whole world was confronted with NSA's massive surveillance. Not only of governments and states, but of everyone. The shocking news and the murky ethical questions it raised immediately went to the top of the political agenda worldwide. The last film in Laura Poitras' trilogy about American politics after 9/11 is a documentary thriller told minute by minute on a background of meticulous research. The question remains, however, whether - or how - Snowden's revelatory leak will affect our consciousness about our own role face to face with a global surveillance system that knows no boundaries. Laura Poitras is this year's guest curator at CPH:DOX with a special series curated around the urgent themes raised by the film.
Director: Laura Poitras
Producer: Mathilde Bonnefoy, Dirk Wilutzky, Laura Poitras
USA, Germany / 2014 / 114 Minutes
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《我要见管理者》I Want to See the Manager
《我要见管理者》
任何来自外太空的游客在看过一眼我们的星球后，都会立即要求面见管理者。这是威廉·S·巴罗斯在他的那个时代写下的，本片将会验证他的观点是否仍然成立。这是一部内容广泛、雄心勃勃的电影，有着来自另一个星球的人类学家的冷酷凝视。它伴随我们，伴随在这个衰退、进步和持续变化同时发生的世界的周围。
从印度的贫民窟和玻利维亚的锂矿山到大都市北京和美国。在那里，一个科学家认为，由于现代技术的进步，死亡将在二十一世纪消失。经济全球化伴随着许多陌生面孔的出现，但Hannes Lang的电影也在提醒人们一项事实——变化主要是来自有梦想、有希望和恐惧以及并不总是以理性的方式实现其目的的人。在这部将目光引向未知未来的电影中，包含了七个国家、七个章节和七次从外部来观看我们自身的机会。
导演：Hannes Lang
制片：Hannes Lang
德国、意大利/2014/93分钟
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I Want to See the Manager
After one look at our planet, any visitor from outer space would immediately ask to see the manager. So wrote William S. Burroughs in his time, and here is a film that examines if his words still stand. Wide-ranging, ambitious and with the cool gaze of an anthropologist from another planet, it accompanies us around in a world that is at once declining, progressing and constantly undergoing change. From India's slums and Bolivian lithium mines to the megapolis Beijing and the United States, where a scientist argues that death will cease to exist in the 21st century thanks to modern technology. The economic 'glocalisation' is a phenomenon with many strange faces, but Hannes Lang's film is also a reminder of the fact that change is basically due to people with dreams, hopes and fears - and with a not always rational way to realise their plans. Seven countries, seven chapters - and seven occasions to look at ourselves from the outside in a film that has its gaze directed towards an unknown future.
Director: Hannes Lang
Producer: Hannes Lang
Germany, Italia / 2014 / 93 Minutes
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《情景》Scenario
《情景》
在20世纪70年代的科隆，一个已婚男人和他年轻的女秘书之间放荡的浪漫关系，被电影《情景》以一种荒谬的精确，细致入微地揭露了出来。电影采取了非常刻意的记录形式和具有讽刺意味的评论。一个装满了那个男人记录自己日常事件的随笔、收据和磁带的黑色手提箱，被整理成证据。但这些纯粹的事实是否能告诉我们究竟发生了什么？或是真相只是在确有其事和可能发生之间来回摇摆？交欢的时间和地点，科隆的未婚女性的平均年龄，人口统计数据和所有其它可以想象到的数据形式被客观、冷静地依次呈现。电影如一份模拟的报告，以极度的风格意识和结构主义的传统，将事件记录在灰棕色的16mm胶卷中。Philip Widmann与Karsten Krause的电影不仅仅只是那个时代惊人的历史文献。当下，巨量的数据收集已成为政府和企业的工作目的本身。《情景》是对现代人的“求知意志”的一个关键且有节制的巧妙评论。其中的讽刺意味是显而易见的：一切都在掌握之中，除了知识的全部意义。
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Scenario
A sultry romance between a married man and his young secretary in 1970s Cologne is revealed down to the smallest detail and with absurd scientific precision in 'Scenario', which with an extremely conscious form and bone-dry irony comments on the act of 'documenting'. The discovery of a black suitcase filled with notes, receipts and a tape recording where the man himself kept a diary of the affair, is arranged as evidence. But can pure facts tell us what actually happened? Or is reality in fact a wavering between the real and the possible? Times and positions of intercourse, the average age of unmarried women in Cologne, demographic data and all other imaginable forms of data are presented in an objective and completely passionless order. An analogue report, illustrated in grey and brown by 16mm images in the extremely style-conscious, structuralist tradition. Philip Widmann and Karsten Krause's film work is more than a phenomenal historical document of the times. In a present where the vast collection of data has become an end in itself for both governments and businesses, 'Scenario' is a critical and understated witty commentary on the modern 'will to knowledge'. Then like now, the irony is evident: everything is under control, except the meaning of it all.
Director: Philip Widmann, Karsten Krause
Producer: Philip Widmann, Karsten Krause
Germany / 2014 / 89 Minutes
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《风暴后的孩子-第一卷》Storm Children - Book One
《风暴后的孩子-第一卷》
Lav Diaz是这个时代最激进、最富有洞察力导演。他在洛迦诺电影节获奖的新电影《骄阳逼近》(From What Is Before)，是一部纪录片，并且只是它所属系列的一部分。虽然他的电影轻易便可长达六小时至十一小时，但本片只是刚刚超过两个小时。
一场风暴让一座海滨城市处于世界末日后的混沌状态。货运船只从海上抛出来，横陈在遗留的房子和小舍之间，无数的人被海浪吞噬。这其中，一大群孩子正为自己创造一个新世界。在Diaz的全部作品中，始终存在着一种非虚构的强烈冲动。但在《风暴后的孩子-第一卷》这部几乎完全是自由对话的新电影中，这位最不妥协的导演已经倾尽所有。事实上，他的特点，他的电影的标志——漫长而催眠的场景被耐心地记录在黑白画面中，呈现在每一部作品的每一个瞬间，这些都增强了他的洞察的紧迫性以及这种洞察在过去十年的国际影坛的重要性。电影是一个崇高的报告，它来自残酷现实中被毁灭的一个角落。
导演：Lav Diaz
又名：Mga Anak ng Unos
菲律宾/2014/143分钟
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Storm Children - Book One
Lav Diaz is one of the most radical and visionary filmmaker of our times. His brand new film - following the Locarno winner 'From What Is Before' - is a documentary, but one in a league of its own. And while his films easily run for between six and eleven hours, this one ticks in just on the other side of two! A storm has left a city on the coast in a state of post-apocalyptic chaos. Freight ships were thrown from the sea and lie around between what remains of houses and shacks, and countless people lost to the waves. In the middle of it all a horde of children are creating a new world for themselves. There has always been a strong impulse towards non-fiction in Diaz's comprehensive oeuvre. But in the new and almost dialogue-free 'Storm Children - Book One', one of the most uncompromising filmmakers has gone 'all in'. The fact that his characteristic, cinematic signature - the long and hypnotic scenes held in patiently observing black and white images - is present in every composition and every instant, underlines the urgency of his vision and its importance in international cinema over the past decade. A sublime, cinematic report from a devastating corner of a brutal reality.
Director: Lav Diaz
Original Title: Mga Anak ng Unos
Filippinerne / 2014 / 143 Minutes
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《滞留广州》Stranded in Canton
Lebrun从刚果来到广州，为本国总统选举采购廉价的T恤。但这些货物的配送延迟了，选举也已经结束。现在Lebrun进退两难，因为他还要付钱给出力的黎巴嫩联络人。受限于签证过期，Lebrun沉沦在这座城市并爱上了它！Lebrun流连在这座大城市霓红灯下的低级歌厅和朋友经营的一家美容院之间，以打发时间。同时他还计划着将这些已经无用的T恤，用于2016年的总统选举。瑞典艺术家Måns Månsson在真实的环境下放置了一个虚构的人物，以探索中国和非洲之间新出现的令人着迷的关系。
电影并没有事先写好的台词剧本，这个关于廉价T恤的细微故事，只是在中国的一个城市进行电影实验的借口。在那里，数万非洲移民努力让自己在这片土地上立足，以创造新的生活。过去，历史的平行交叠，始终发生在东方人和西方人之间，但是这一次，西方人没有参与。美国摄影师William Eggleston在2005年曾拍摄过一部同名电影《滞留广州》(Stranded in Canton)，其内涵为迷失的灵魂，它独立于空间和时间，讲述人的悲喜和存在之荒谬。
导演：Måns Månsson
制片：Måns Månsson、Emma Åkesdotter Ronge
瑞典、丹麦、中国/2014/72分钟
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Stranded in Canton
Lebrun has travelled from Congo to Guangzhou to buy cheap t-shirts for a campaign for a presidential election in his home country. But the goods are delayed, the election is over, and Lebrun is now in a fix, as he has to pay his sweaty Lebanese contact. Stranded on an expired visa, lost - and in love! Lebrun whiles away time at karaoke bars in the megapolis's neon-coloured underworld, and in the company of his friend, who runs a beauty salon, while he hatches a plan for the useless t-shirts with a presidential candidate, who might get another chance in 2016. The Swedish artist Måns Månsson has placed a fictional character in a real environment to explore the fascinating new relationship that has arisen between Africa and China, where democracy is one commodity among many others. No dialogue is written in advance, and the minimal story about the worthless t-shirts is just an excuse to conduct a cinematic experiment set in the Chinese city, where tens of thousands of African migrants are in the process of establishing themselves and creating a new life, in a historical parallel to the exchange that has always taken place between East and West. But this time, the West is not invited to the party. However, the reference to the lost souls in the American photographer William Eggleston's film of the same name suggests a tragicomic and existential absurdity, which is independent of time and place.
Director: Måns Månsson
Producer: Måns Månsson, Emma Åkesdotter Ronge
Sweden, Denmark, China / 2014 / 72 Minutes
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《幸运在另一块饼干上》The Fortune You Seek Is In Another Cookie
《幸运在另一块饼干上》
从智利沙漠沉默的木乃伊到伊斯坦布尔街头年轻的骚乱者，再到被占领的罗马电影城以及智利的示威游行。电影的无名叙述者像是在四处闲逛，他周游世界寻找幸福，并以局外人的诗意目光凝视这个世界。电影并没有那种让人愉悦的多愁善感，而是作为一种理念和实践。但这些仍然如同他嗡嗡响的16mm胶片摄影机所捕捉到的美丽、坚韧的画面一样，转瞬即逝。
画面背弃了他，但那些所见之物、遭遇之人和沉默之愤怒引发了他（以及我们）根本的对人的意义、凝聚力、知识和自由的追寻和探索，这很容易便会成为一件自命不凡的事情。但在这部现实主义政治电影中，导演Johannes Gierlinger将这些抽象概念上下颠倒，使得影片尤其具有抵抗意义。《幸运在另一块饼干上》是Johannes Gierlinger的处女作，它遵循克里斯·马克和其他早期实验者的电影小品传统，给人以眼花缭乱的观影体验。这是一部拍给渴望重新认识这个世界的人的电影。
导演：Johannes Gierlinger
制片：Johannes Gierlinger
剪辑：Johannes Gierlinger
编剧：Johannes Gierlinger、Jan Zischka
音乐：Peter Kutin
摄影：Johannes Gierlinger、Jan Zischka
录音：Peter Kutin
奥地利/2014/81分钟
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The Fortune You Seek Is In Another Cookie
From the silence among mummies in a Chilean desert to youth street riots in Istanbul, the occupied Cinecittà film studios in Rome and a demonstration in Chile. Like a flaneur who sees the world with the poetic gaze of an outsider, the film's nameless narrator travels around the world in search of happiness. Not as a sentimental feeling of pleasure, but as an idea and practice, which nonetheless turns out to be just as volatile as the images that his buzzing 16mm camera capture in beautiful and gritty scenes. Images that turn their back on him, but which through visions and encounters and with a silent fury initiate him (and us) to a fundamental, human search for meaning, cohesion, knowledge and freedom. It could easily have become a pretentious affair, but Johannes Gierlinger turns the abstract concepts upside down in a politically down-to-earth film, which above all is about resistance. His debut, 'The Fortune You Seek is in Another Cookie' is a dizzying experience in the essayistic tradition of Chris Marker and the early explorers. A film for anyone who yearns to see the world anew.
Director: Johannes Gierlinger
Production: Johannes Gierlinger
Editor: Johannes Gierlinger
Script: Johannes Gierlinger and Jan Zischka
Music: Peter Kutin
Camera: Johannes Gierlinger and Jan Zischka
Sound: Peter Kutin
Austria / 2014 / 81 Minutes
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《超越零年：1914-1918》Beyond Zero: 1914-1918
《超越零年：1914-1918》
100年前的电影画面带着富有张力的愤怒，迸发出火花样的花纹，这几乎就是电影中所描绘的场景的对应物。2014年，距离第一次世界大战（也是第一次“现代”战争）已经有100年了，电影这一动态的画面形式，首先便被用于记录这次战争。一战的发生永远地摧毁了（西方）世界将在理性和工业化的旗帜下获得持续进步的一切观念。
1914是当今时代的绝对零年。这一具有里程碑意义的一年，被在这部由著名美国电影导演比尔·莫里森和克罗诺斯四重奏乐团合作的电影作品中标记下来，后者录制完成了由塞尔维亚作曲家亚历山德拉.弗列巴洛夫原创的音乐作品。十多年来，墨里森一直专注于把早期的电影镜头带回到电影院中——这些电影胶片经常是处于物理的溶解状态，画面由此具备了观影者所必须感受到的独特的电影感。《超越零年：1914-1918》完全由档案胶片组成，没有修饰，也没有解释性的文字或语音。墨里森的特殊方法，就是把这些之前从未被观看过的关于那场毁灭性战争的镜头提高至令人目眩的高度，如同迷失的个体穿过伤痕累累的画面，走向命定的死亡，一切都被笼罩在充斥着划痕、凹坑、闪光和污浊泡沫的雷鸣炼狱。
导演：Bill Morrison
剪辑：Bill Morrison
编剧：Bill Morrison、Aleksandra Vrebalov、David Harrington
音乐：Aleksandra Vrebalov
制片：Bill Morrison
录音：Kronos Quartet
美国/2014/39分钟
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Beyond Zero: 1914-1918
The 100 year old film images sparkle and crackle with an expressive fury, which almost looks like a reaction to what they depict. This year, it is 100 year since the First World War - the first 'modern' war, and the first to be documented in moving images - forever destroyed any notion of the (Western) world's continued progress under the banner of reason and industrialisation. 1914 was the modern era's absolute year zero. A landmark year, which is here marked in a cinematic collaboration between the renowned American filmmaker Bill Morrison and the string quartet Kronos Quartet, who have recorded the original score by the Serbian composer Aleksandra Vrebalov. For over a decade, Morrison has specialised in bringing early film footage back to the cinema - often in a state where the film reels physical foundation is in a state of dissolution, which gives the images a literally unique cinematic feel that simply must be experienced. 'Beyond Zero: 1914 - 1918' consists entirely of archive footage that is presented naked and without explanatory text or speech, and Morrison's special methods lift the never-before-seen footage from the devastating war to downright dizzying heights, as lost figures trudge through scarred landscapes towards a certain death - shrouded in a thundering, photochemical inferno of scratches, dents, flashing lights and blurred bubbles.
Director: Bill Morrison
Editor: Bill Morrison
Script: Bill Morrison, Aleksandra Vrebalov, David Harrington
Music: Aleksandra Vrebalov
Camera: Various (archival)
Producer: Bill Morrison
Sound: Kronos Quartet
USA / 2014 / 39 Minutes
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《如何虔诚地赚钱》How To Make Money Religiously
《如何虔诚地赚钱》
法国明星艺术家Laure Prouvost全新作品的名字是《如何虔诚地赚钱》，这是一个让人感到前途光明的名字，它的拍摄是基于一个“记忆游戏”的概念。同一电影两个版本相继出现，第二个版本和第一个有一点点的对立，它邀请你同时考虑记忆、交流和主体性之间的关系，这三者还会受到不断涌进的信息和营销的大量影响，如甚至并未打算贩卖一种产品或生活方式的广告。Prouvost的工作诱导我们对奢华生活和轻松赚钱的许诺保持清醒，它使我们清楚知道，整个系统的运转都依赖于永远都无法被满足的销售需求，而幻想，借用奥斯卡·王尔德的不朽名句来说，“是所有乐趣之首”。在一个支离破碎、戏谑般的拼贴物中，新近透纳奖得主Prouvost使我们面对自身作为消费者和被高度细分的目标群体的角色身份，而在此之前，我们并未能意识到自身所从属的目标销售群体。当然，所有这一切，取决于你如何记忆和理解你所听到和看到的。
导演：Laure Prouvost
制片：Laure Prouvost
英国、法国/2014/18分钟
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How To Make Money Religiously
The French star artist Laure Prouvost's brand new work with the promising title 'How to Make Money Religiously' is a conceptual 'memory game': two versions of the same film are presented in succession, the second time in a slightly alternative version, which invites you to consider the relationship between memory, communication and subjectivity at a time when all three of them are massively challenged by a constant stream of information - and marketing. Like an advertisement for a product and a lifestyle that might not even be for sale, Prouvost's work lures us wit promises of luxury and easy money. Knowing full well that the entire system is dependent on selling needs that can never be fulfilled, and that illusion - to use Oscar Wilde's immortal words - is the first of all pleasures. In a fragmented and mischievous collage of extracts, the recent Turner Prize winner Prouvost confronts us with our own role as consumers and members of highly segmented target groups, to which we belong without being aware of it. All this, of course, depends on how you remember and interpret what you hear and see.
Production: Laure Provost
Director: Laure Prouvost
UK, France / 2014 / 18 Minutes
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《物》Things
《物》
在电影《物》中，导演Ben Rivers踏上了回归的旅程，他将摄影镜头对准了自己的家。电影以地方志的形式展开，拍摄对象包括Rivers伦敦小公寓的房间，各种物品以及积累的照片和剪下的电影胶片。电影就像是一次前往导演私人空间的旅行。电影的灵感来自试验性的法国“新小说”以及乔治·佩雷克(George Perec)的小说《物》(Les Choses)。Rivers的电影是对这种，以好奇描摹来亲近我们周围物体的方式的致敬。这部电影将公寓围墙内所历经的四季组织起来，共分四章，始于冬季并在秋季结束。本片以Rivers最喜欢的16mm胶片格式恰如其分地拍摄完成，四个部分包含着不同的纪录主题和纪录风格，其内容离我们自身的生活也很接近。但是，《物》仍然是一部电影，此次Rivers明显地，也是首次地对他的作品进行了数字处理——他对自己的公寓进行了超现实的3D渲染。当你仔细观看时，你会发现。
导演：Ben Rivers
英国/2014/21分钟
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Things
The British film magician and CPH:DOX friend Ben Rivers is a director, who has primarily explored geographic and ethnographic outskirts of our civilisation. In 'Things', he embarks on a reverse expedition and turns the camera on his own home. The film unfolds as a local chronology, where Rivers's small London apartment of rooms, objects and archival accumulations of photographs and film strips are examined like a trip into the director's private space. Inspired by the experimental French 'nouveau roman' and George Perec's novel 'Les Choses' (1965), Rivers delivers a cinematic homage to the curious, descriptive approach to the things that surround us. The film is organised as a seasonal suite within the walls of the home and consists of four chapters, which begin in winter and end in autumn. The four parts are composed as different thematic and stylistic ways of documenting what is close to us, appropriately shot in Rivers's favourite, analogue 16mm format. But 'Things' is also a film, where Rivers apparently and for the first time includes digital processing in his work in the shape of a hyper-realistic 3D rendering of his own apartment. At least until you look more closely.
Director: Ben Rivers
UK / 2014 / 21 Minutes
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《剪接》Cutaways
《剪接》
当一些场景和人物，在电影完成之前，就被从电影（以及电影史）中剪出后，他们也就不复存在了。他们像幽灵一样生活在一个空洞的无人之地，一个充斥着画面和叙事的垃圾填埋场。三个这样的人物和场景相遇在电影《剪接》中。公路片《粉身碎骨》(Vanishing Point)中的一个场景，因为太奇怪而被剪掉。《窃听大阴谋》(The Conversation)中的一个多余而被剪掉的配角，还有《低俗小说》中因片子太长而被剪掉的一个场景。Charlotte Rampling、Abe Vigoda以及Dick Miller（重新）扮演他们未能面世的、在原片中被剪掉前的角色。Agnieszka Kurant最近的工作一直是与剪辑大师Walter Murch合作创作的，它是这样的一种电影——其它电影的无用部分，成为了它自身的一部分。
导演：Agnieszka Kurant
制片：Anna Lena Vaney、Victorien Vaney
波兰、法国/2014/24分钟
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Cutaways
Scenes and characters that are cut right out of a film (and out of film history) before the film is completed, do not cease to exist. They live on as phantoms in an imaginary no-man's land, a landfill of images and narratives. Three of these characters and stories cross paths in 'Cutaways'. A scene from the road movie classic 'Vanishing Point', which was taken out because it was too strange. A superfluous supporting character from 'The Conversation', and a scene from 'Pulp Fiction', which was thrown out because the film was too long. Charlotte Rampling, Abe Vigoda and Dick Miller themselves (re)play the never-seen roles that they had in the original films, before they were finally cut out. They meet 'on the road', an arch-American setting, which is rich in promises of drama, suspense and cinematic feasts for the eyes. But what starts out as just that - an evocative, mysterious and above all 'cinematic' setup - paradoxically ends up as a text-based anti-film, which follows its own point all the way through by insisting that the whole film is actually a part of the work - always. Even that part of the film we otherwise often voluntarily 'edit out' by leaving the screening theatre. Agnieszka Kurant's latest work has been created in collaboration with the master editor Walter Murch, and it is a film where the otherwise neutral cinema space for once actually becomes a part of the work itself.
Director: Agnieszka Kurant
Producer: Anna Lena Vaney, Victorien Vaney
Poland, France / 2014 / 24 Minutes
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《塞壬》Siren
《塞壬》
一部失去情绪的音乐剧最终会留下什么？一个较长的答案是：滥俗的音乐、廉价的视觉效果、一把带血的刀、谋杀的谣言，和尤其动机不明的行为；而简短点的答案则是Keren Cytter的《塞壬》。
《塞壬》是这位多产艺术家的最新作品，电影名字来自Tim Buckley在YouTube频道演唱的一首歌曲，歌曲的背景是两个通过约会网站认识的人之间没有激情的恋爱。正如经常在Cytter的电影中出现的，爱情此次同样与莫名的暴力相连。但是，究竟谁被谋杀了，谋杀的原因、发生的时间以及由谁实施仍然还不清楚。《塞壬》主要是研究，当心理现实和情感真实的所有标准全都被废除时，人类会如何行事。该剧由电脑动画制作的向日葵的装饰，为您的观赏增添乐趣。
导演：Keren Cytter
2014/15分钟
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Siren
What is left if you take the passion out of melodrama? The long answer is: tacky muzak, cheap video effects, a bloody knife, rumours of murder, and above all unmotivated behaviour. The short answer is Keren Cytter's 'Siren'. The latest video work by the extremely prolific artist, who can also be experienced as Artist in Focus at this year's CPH:DOX, is named after a song by Tim Buckley playing on a YouTube channel in the background while a passionless romance plays out between two people over a dating site. As so often in Cytter's films, romance is also here associated with inexplicable violence. But who actually is murdered and why (and when, and by whom) remains unclear. 'Siren' is most of all a study in human behaviour, when all standards of psychological realism and emotional authenticity are done away with. The drama is decorated by computer-animated sunflowers, 'for your viewing pleasure'.
Director: Keren Cytter
2014 / 15 Minutes
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《上升的一切必将汇合》Everything That Rises Must Converge
《上升的一切必将汇合》
在美国拍摄的一部专业的色情电影和一个隐晦而神秘的有关嫉妒的故事是视觉艺术家Omer Fast最新工作的重点。从模糊的现实主义到最受欢迎的纪录片体裁电影：色情片，对分屏显示的影射使用，暗示了这两种不同的观看方式之间的相似之处。而色情电影这一工业上的流水线产品，正逐渐成为主流。
这个视觉作品发生在一天之中，它开始于电影中的四位色情演员起床准备去工作，直到一天的结束。在一次采访中，色情电影的制片人发表了他对自身行业的看法，这和临床不育、修好闹钟、电子香烟以及整洁的剃光了的生殖器一样令人生厌。在同一栋以及周围的房子中，另一部电影正在拍摄，一种平行的浪漫在上演：发生在加州白天的黑色电影，人工布置的场景，使故事的发生符合现实。与这一切对应的是本作品的名字，它来自天主教作家Flannery O'Connor有关耻辱、命运和悔恨短篇小说。
导演：Omer Fast
制片：Daniel Desure、Mary Pat Bentel
德国、美国/2014/56分钟
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Everything That Rises Must Converge
The shoot of a professional porn film somewhere in the United States and an elliptical and enigmatic jealousy story are the core of the visual artist Omer Fast's latest work, which in a suggestive use of split-screen suggests parallels between two different ways of seeing. From ambiguous realism to the easily most popular of all documentary genres: porn, which is produced on an assembly line in an industry that is becoming increasingly mainstream. The work takes place over the course of a single day - from the film's four sex actors get up and get ready to 'go to work' until the day is over. In an interview, the porn film's producer shares his opinion about the industry, which is as dirty as it is clinically sterile, complete with alarm clocks, electronic cigarettes and the neat shaving of genitals. In and around the same house that the film is being shot, a parallel romance is taking place: a film noir in Californian daylight, with an artificiality that colours the otherwise so immediate documentation of the day's events in the house. The duality is encapsulated in the work's title, which comes from a short story by the Catholic writer Flannery O'Connor about shame, fate and remorse.
Director: Omer Fast
Producer: Daniel Desure, Mary Pat Bentel
Germany, USA / 2014 / 56 Minutes
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《西游》Journey to the West
《西游》
一如既往的，时间本身成为了蔡明亮电影的真正主角，如果你带着你的耐心和心智去电影院观看本片，《西游》将会成为你在本年度最丰富的一次观影体验。
一个男人徘徊在一位佛教僧侣的脚步下，僧侣几乎以凝滞的步伐行走在人流繁忙的马赛城。当一个人凝视蔡明亮的这部优雅作品时，画面中最小的细节也获得了灵魂和生命。一个红袍僧慢慢地走下楼梯间，街上的阳光照耀下来，洒在他的身上，空气中的灰尘也变得显眼，这样的内容将持续很长的一段时间。情境本身是异常简单的，但却又是激进的、意图引起干涉的姿态，这激起了过往行人高度不同的反应。
蔡明亮导演的最新作品再次表明，他是过去二十年最具原创性和革新性的电影导演。几年来，蔡明亮在拍摄了一些和他的长片风格类似的短片作品后，于2013年宣布电影《郊游》将会是他的最后一部长片。现在，人们只能期望，他会继续创作如本片一样的杰作。
导演：蔡明亮
主演：李康生、德尼·拉旺
类型：短片
台湾、法国/2014/56分钟
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Journey to the West
As always, time itself is the real protagonist in Tsai Ming-Liang's films, and if you bring along both your patience and your senses to the cinema, 'Journey to the West' is one of the richest film experiences you will have in years. A man (Denis Lavant) wanders in the footsteps of a Buddhist monk (Lee Kang-Sheng), who walks in almost motionless slow-motion through an otherwise busy Marseilles. The smallest details in the image acquire a life and soul as one's gaze invited inside Tsai's refined compositions. The motif of a red-robed monk slowly descending a staircase bathed in dusty sunlight from the street above him will stay with you for a long time. But the situation itself is a simple, but radically interventionist gesture, which evokes highly different responses among random passers-by. Tsai Ming-Liang's latest film work once again emphasises that he is one of the most original and innovative filmmakers of the past twenty years. After several years spent working parallel to his features with shorter video works, several of which have been screening at CPH:DOX, he last year announced that the feature film 'Stray Dogs' would be his last. But one can only hope that he will continue to pursue his opus in films like this one.
Director: Tsai Ming-liang
Producer: Vincent Wang, Fred Bellaïche
Taiwan, France / 2014 / 56 Minutes
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《沉默的时刻》Moments of Silence
《沉默的时刻》
在911周年纪念日上的奥巴马总统和他的夫人；在迈克尔·杰克逊生日当天，他的粉丝们；人们聚集在一起悼念2011年日本地震中死者。
瑞典艺术家组合Bigert & Bergström利用资料档案，创作了一个世界范围内，处在不同时刻的人的蒙太奇。此时，人们聚集在一起保持了一个共同的姿态——沉默。这是一种针对特殊事件的仪式，社会机器被允许停滞片刻，那种使特定社会共同体被建立的叙事借由沉默而也变得更加突出。但《沉默的时刻》并不仅仅是惊人的，针对我们以何种方式共同面对失败和创伤的精确研究，它同时也在提醒我们，在历史转折点上保持共同记忆的重要性。而历史的转折似乎总是在你最不经意的时候发生。
导演：Mats Bigert、Lars Bergström
摄影：Archival footage
录音：David Österberg
制片：Bigert & Bergström AB
剪辑：Dino Jonsäter
编剧：Bigert、Bergström
瑞典/2014/14分钟
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Moments of Silence
Mr and Mrs Obama on the anniversary of 9/11, fans of Michael Jackson on his birthday and people gathered in the memory of those who died in the earthquake in Japan in 2011. The Swedish artist duo Bigert & Bergström has created an archive-based montage of situations from around the world and at different times, where people have gathered in a seemingly universal gesture: to hold a moment of silence. A ceremonial form of exceptional circumstances, where the machinery of society is allowed to stand still for a moment, and where the narratives that any community is built up around stands out all the more strongly by virtue of being unspoken. But 'Moments of Silence' is not just a strikingly accurate study of the way in which we collectively deal with loss and trauma, but also a reminder of the importance of maintaining a common memory of the historical turning points, that always seem to happen when you least expect them.
Director: Mats Bigert, Lars Bergström
Camera: Archival footage
Sound: David Österberg
Production: Bigert & Bergström AB
Editor: Dino Jonsäter
Script: Bigert, Bergström
Sweden / 2014 / 14 Minutes
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《堡垒》Reduit
《堡垒》
由于害怕想象中的迫在眉睫的苏联入侵，农民Karl-Göran Persson用一层又一层的钢筋和水泥，加固他和他的邻居在瑞典南部的小房子。这个曾经的建筑，如今作为一个悲剧的纪念碑屹立在这片废弃的土地。它象征了那个特定历史时期的重大政治危机，同时也是Persson内部心理状态的外部表征物——他日益增长的执迷和无力感的黑暗而复杂的具像物。而导演John Skoog则以慢镜将这一切凸显出来。
房子诡异的忧郁和阴暗的空间被重现在35mm胶片拍摄的沉重画面中，而电影声轨上的当地声音引领我们陷入在他们还是孩童时所经历的和Persson相同的记忆。《堡垒》是一个系列短片的最新的一部，在这部短片中Skoog要面对瑞典特殊的地域景观同铭刻于其上的现代历史间的关系。Karl-Göran Persson独自生活在那里，一直建造着他的房子，直到他死于1975年。
导演：John Skoog
制片：John Skoog
录音：David Gülich
配音：Ingeborg Andersson、Bodil Göransson、Astrid Göransson、Kjell Olsson、Siv Olsson、Torbjörn Sundqvist
摄影：Ita Zbroniec-Zajt
又名：Värn
瑞典/2014/14分钟
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Reduit
Fearful of what he imagined to be an imminent Soviet invasion, the farmer Karl-Göran Persson started to fortify his small house in southern Sweden with layer upon layer of iron and cement to protect himself and his neighbours. An architectural project which today stands on a deserted field as a tragic monument to a historical period's great political crisis, but also as a physical reproduction of Persson's own inner state - a dark and labyrinthine realisation of his increasing obsession and impotence, which John Skoog maps out in slow movements. The eerie melancholy and shady spaces of the house are reproduced in leaden images, shot on 35mm celluloid, while local voices on the soundtrack involve us in their own memories of how they as children experienced Persson. 'Reduit' is the latest of a series of short films, in which Skoog deals with the relationship between the special Swedish landscape and modern history that inscribes itself in it. Karl-Göran Persson continued to build his house, and lived there alone until his death in 1975.
Director: John Skoog
Producer: John Skoog
Sound: David Gülich
Original Title: Värn
Voices: Ingeborg Andersson, Bodil Göransson, Astrid Göransson, Kjell Olsson, Siv Olsson, Torbjörn Sundqvist
Camera: Ita Zbroniec-Zajt
Sweden / 2014 / 14 Minutes
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《无意识社会》Subconscious Society
《无意识社会》
后工业社会理想的废墟沿着模糊的英国海岸升起，像是一个来自可能未来的文物。这个未来因其从未被实现的乌托邦理想，已经在历史中被削弱了太久。Rosa Barba用35mm胶片拍摄的这部雄心勃勃的电影《无意识社会》是一个纪录性的科幻片，其中的宏伟建筑发挥了引领性的作用。从生锈的位于肯特的人造建筑物，到被遗弃在曼彻斯特艾伯特音乐厅的卫理公会。在那里，神秘团体的成员在一个举行仪式的社区会面，这意味着一个新的社会形式可能正处于起步阶段。Barba这部富有洞察的电影延续了她研究当代艺术的早期作品中的主题，包括现代工业化史、乌托邦理论和表演艺术的可能性。《无意识社会》作为一个视觉装置，之前已经在2014年夏天的柏林双年展上展出。
导演：Rosa Barba
摄影：Angus Hudson、Rosa Barba、Errico S.
制片：Rosa Barba
录音：Jan St. Werner
剪辑：Rosa Barba
编剧：Rosa Barba
音乐：Jan St. Werner
英国、美国、德国/2014/40分钟
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Subconscious Society
The ruins of a post-industrial society's dreams rise up along the misty English coasts like relics from a possible future, which has long gone down in history without ever having realised its utopian potential. Rosa Barba's monumentally ambitious 35mm film work 'Subconscious Society' is a piece of documentary science fiction, where the grandiose architecture plays the lead role. From the rusty, man-made structures in Kent to the abandoned Methodist church Albert Hall in Manchester where a mysterious group of people meet in a ritual community, suggesting that a new form of society may be in its infancy. Barba's visionary film continues the motifs from her earlier works in a contemporary artistic study of industrialisation's modern history, utopian theory and the possibilities of performance art. 'Subconscious Society' has previously been exhibited as an installation, most recently at the Berlin Biennale this summer, but can here for the first time be experienced in a cinema.
Director: Rosa Barba
Camera: Angus Hudson, Rosa Barba, Errico S.
Producer: Rosa Barba
Sound: Jan St. Werner
Editor: Rosa Barba
Script: Rosa Barba
Music: Jan St. Werner
UK, USA, Germany / 2014 / 40 Minutes
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《凹痕》The Dent
《凹痕》
恐龙蛋、大象和来自现实城市中的未来主义建筑，这些是埃及艺术家Basim Magdy想象的超现实故事元素，它与一个梦想着举办奥运会的未知城市有关。这个城市共同的梦想和雄心，遭遇了现实中最不可预测角落的抵抗。失败迫在眉睫，权力徒劳无功，管理者需要用一个马戏团来转移人们的注意力。
Magdy创造了一个一切皆有可能的梦想世界，但许多事情仍然是可以辨认的。美丽如诗歌般的图像以及具有讽刺意味的失败了的巨大政治项目，这些内容通过专门的字幕传达给我们。被选择好的、分散的、加重的现场录音以及声音设计强调了当代最乌托邦图景的政治经济体的脆弱性，同时文本、图像和声音创造了这部我们可以在头脑中自由想象的电影。
导演：Basim Magdy
埃及/2014/19分钟
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The Dent
Dinosaur eggs, elephants and futuristic architecture from real cities are the elements of the Egyptian artist Basim Magdy's imaginative and surreal tale of an unknown city dreaming of being the host of the Olympic Games. A collective dream and ambition, which meets resistance in the most unpredictable corners of reality. Defeat is imminent, power is vain, a circus is needed to divert the people's attention. Magdy creates a dream world where everything is possible, but where many things are nevertheless recognisable. Both the poetry of the beautiful stream of images and the irony of the failed grand political project, which is communicated to us exclusively through the film's subtitles. The well-chosen, discrete and accentuated use of both field recordings and sound design emphasises the fragility of contemporary political economy's most utopian visions, while texts, images and sounds create the freely imaginative film inside our heads.
Director: Basim Magdy
Egypt / 2014 / 19 Minutes
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《回音室》Echo Chamber
《回音室》
一辆火车沿着生锈的铁路穿过一片热带丛林，而遥远的广播喇叭发出了世界末日的天气预报：一场（自然）灾难迫在眉睫。哥伦比亚艺术家Guillermo Moncayo采用极少而简单的手段，创作了这部扰乱性的、令人心神不安的电影，其影响也远远超出了电影本身。铁路不仅在现代传统的电影史上拥有共鸣，它也是早前的、重工业征服和开发地球自然资源的象征。虽然铁路的躯体已经剪断了无数的乡村，它的锈斑也已有如地球表面的化石，但事实上铁路出现和应用的时间都屈指可数。
原来火车是由骑着摩托车的年轻人牵引。他正进行一场引人沉醉的野外之旅，穿越这片被允许的地带，而夜幕逐渐降临。Moncayo毕业于法国电影艺术学校Le Fresnoy（法国国立当代艺术工作室），在电影《回音室》中，他创造了一个微妙的民族记录片。本片不只是在思考什么是真实，它同时也在勇敢地预见未来。
导演：Guillermo Moncayo
主演：Fabian Riscos、Julian Jaramillo Lopez
制片：Le Fresnoy
剪辑：Isabelle Prim、Guillermo Moncayo
摄影：Guillermo Moncayo
编剧：Laura Puerta
录音：Jérémy Morelle
法国、哥伦比亚/2014/19分钟
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Echo Chamber
A railcar moves along the rusty railroads through jungles and tropical landscapes, while a distant radio trumpets forth an apocalyptic weather forecast: a (natural) disaster is looming. With few and simple means, the Columbian artist Guillermo Moncayo has created a disturbing and trance-inducing film, which reaches far beyond itself. The railway is a subject that not only has a film-historical resonance in the modernist tradition, but is also the symbol of a former, heavy-industrial conquest and exploitation of earth's natural resources. A time and a practice whose days are numbered, even if its remnants still cut through the countryside and rusts like fossils on the surface of the earth. The railcar turns out to be mounted on a motorcycle driven by a young man, who is journeying on a hypnotic field trip through the territories of the possible, and night gradually falls. Moncayo is a graduate of the French film and art school Le Fresnoy, and with 'Echo Chamber' he has created a subtle and ethnographic film, that does not settle with just relating to what is real, but also has the courage to anticipate that which is coming.
Director: Guillermo Moncayo
Cast: Fabian Riscos, Julian Jaramillo Lopez
Producer: Le Fresnoy
Editor: Isabelle Prim, Guillermo Moncayo
Camera: Guillermo Moncayo
Script: Laura Puerta
Sound: Jérémy Morelle
France, Colombia / 2014 / 19 Minutes
===============
《缺失》The Lack
《缺失》
这部电影包含关于主题“缺失”的四个变体，并由六位女性角色演绎。这些女性全都沉浸在她们原初的、自然的沉默之中。没有配角——没有人分担她们的孤独。
导演：Masbedo
主演：蕾雅·摩纳、Giorgia Sinicorni、Emanuela Villagrossi、Xin Wang、Ginevra Bulgari、Cinzia Brugnola、Sofia Di Negro
意大利/2014/76分钟
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The Lack
The film offers four variations on the theme of "absence", embodied by six female characters. Each of these women is immersed in the silence of her own primitive natural environment. There are no minor roles: no one to share the solitude of these women played by Lea Mornar, Xin Wang, Giorgia Sinicorni, Ginevra Bulgari, Emanuela Villagrossi, Cinzia Brugnola and the young Sofia Di Negro.
Director: Masbedo
Producer: Beatrice Bulgari
Italia / 2014 / 76 Minutes
相关电影节
2014哥本哈根国际纪录片电影节(Copenhagen International Documentary Film Festival 2014)
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《镧系元素》The Lanthanide Series
《镧系元素》
电影讲述的是一个所谓的“黑镜”神话。黑镜由稀有的自然元素组成，是一种能够看到未来的神秘工具，存在于不同的文化和年代。
在这个存在于科学、艺术、政治和诗歌之间迷人的历史联系基础之上，美国研究员和电影导演Erin espelie创作了这部微妙的电影散文。电影每一章都是基于周期表上的一个元素。为寻求新的知识，不同学科聚集在神秘的黑镜周围：早在第十七世纪，如克劳德洛兰这样的画家们，都在使用相似的工具，以尽可能准确地再现出自然场景。潜在元素的图表研究，是一个综合了工业、科学和冶炼视角下的项目。《镧系元素》是一个深刻的原创作品，它巧妙地利用艺术的自由性来表明迄今为止未曾想象的关系。因为知识就是力量，并且无限地获取世界上所有知识的神话依然存在：整个电影拍摄都是作为对一块废弃的平板电脑屏幕的反思，它是我们这个时代的黑镜。
导演/摄影/制片/音乐/剪辑/编剧/录音：Erin Espelie
美国、法国、英国/2014/70分钟
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The Lanthanide Series
The myth of a so-called 'black mirror', which consists of nature's rarest elements and is an occult tool to see into the future, exists across cultures and ages. A fascinating, historical connection between science, art, politics and poetry, on which the American researcher and film director Erin Espelie has created a subtle cinematic essay where every chapter is based on an element in the periodic table. It is the search of new knowledge that the various disciplines gather around the mysterious black mirror: already in the 17th century, painters such as Claude Lorrain used a similar instrument in their efforts to reproduce natural scenes as accurately as possible. And the charting of the potential of the elements is a polyhistoric project with both industrial, scientific and alchemical perspectives. 'The Lanthanide Series' is a deeply original work, which wittily exploits the freedom of art to suggest hitherto unimagined relations. For knowledge is power, and the myth of unlimited access to all the world's knowledge still exists: the entire film is shot as a reflection of the screen of a defunct tablet computer - the black mirror of our times.
Credits
Director: Erin Espelie
Camera: Erin Espelie
Producer: Erin Espelie
Sound: Erin Espelie
Editor: Erin Espelie
Script: Erin Espelie
Music: Erin Espelie
USA, France, UK / 2014 / 70 Minutes
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《来日总是太长》Tomorrow is Always Too Long
《来日总是太长》
Phil Collin的这部电影是送给英国城市格拉斯哥城的一封情书，它如同一首现代城市的交响曲。通过乐谱、动画和独特的格拉斯哥有线电视台，电影唤起了这个城市最独特的场景。Collin会见了妇产医院、学校、社区组织和老年俱乐部中的人，要求他们演唱歌曲，预测未来，并辩论自由在当下社会的地位。电影引导我们穿过这个城市最著名的监狱，并且像末日一样舞蹈。《来日总是太长》包括由Matthew Robins制作的动画，威尔士歌手、词作家Cate Le Bon演唱的经典歌曲，Mogwai乐队的Barry Burns和当地充满魔力的Golden Teacher以及苏格兰皇家交响乐团所作的配乐，电影将会带你进行一场深入城市灵魂深处并超乎其外的旅程。
导演：Phil Collins
制片：Sinisa Mitrovic、Angela Murray
英国/2014/82分钟
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Tomorrow is Always Too Long
Phil Collin’s film is both a modern day city symphony and a love letter to Glasgow. Through musical numbers, animation and a uniquely Glaswegian cable TV station, the film conjures up a distinctive vision of a city. Collins met people in maternity hospitals, schools, community groups and social clubs for the elderly, asking them to sing songs, make predictions for the future, debate the status of freedom in today’s society, guide us through the city’s most famous prison and dance like there’s no tomorrow. With animation by Matthew Robins, stellar songs from Welsh singer-songwriter Cate Le Bon, soundtrack contributions from Mogwai’s Barry Burns, local voodoo ravers Golden Teacher and the Royal Scottish National Orchestra, Tomorrow Is Always Too Long will take you on a trip deep into the heart of the city and beyond.
Director: Phil Collins
Producer: Sinisa Mitrovic, Angela Murray
Scotland / 2014 / 82 Minutes
相关电影节
2014哥本哈根国际纪录片电影节(Copenhagen International Documentary Film Festival 2014)
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《一杯茶》A Cup of Tea
《一杯茶》
Gunnar身处中年危机之中，他患有胃溃疡并被现代生活的压力所折磨。他决定根据日本茶馆的样式，在平静安宁的挪威森林中建一个茶馆。在那里，他可以享受一杯香茗并独自默想生活。当一个真正的男人第一次有了这样的想法，那它就必须变成现实，即便是在遥远的挪威森林！但在那里的，并非全然只是他一个人。松树梢下，有三个不爱交际的隐士陪伴并帮助他：一个有患有心绞痛的农民，一个有心脏病的木匠和一个沮丧的驼鹿猎人。事实证明，根据“侘寂”的种种规范建立一个合适的寓所，其中的挑战就包含在“侘寂”本身。极简主义的日本茶道仪式，最理想的发生地应该是在一个由枯木建成的摇摇欲坠的小屋，以便于提醒客人生命的转瞬即逝。这是一部夹杂着苦笑与哲思的纪录喜剧，其中的幽默、森林的壮美和存在的求索无疑都是北欧式的。超级8毫米GoPro相机拍出了真正的“侘寂”风格，而来自无线电台的讽刺旁白则兴高采烈地评论着每一个事件。
导演：Gunnar Hall Jensen
制片：Elin Sander
又名：En kopp te
挪威/2014/79分钟
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A Cup of Tea
Gunnar is in the midst of a mid-life crisis, has stomach ulcers and suffers the stress of modern life. So he decides to build a teahouse after a Japanese model in the deep, quiet tranquility in the middle of the Norwegian woods, where he can enjoy a cup of tea and meditate on life in solitude. And when a real man first has an idea, then the damn thing has to be turned into reality - even if it is far out in the forest! But he is not entirely on his own. For out under the pine treetops he has both the help and company of three introverted recluses: a farmer with a heartache, a carpenter with a heart problem and a depressed moose hunter. It turns out, however, that building a suitable retreat according to all the rules of 'wabi-sabi' is a challenge in itself (see the film and you will understand what we mean!). The minimalist, Japanese tea ceremony should ideally take place in a ramshackle hut built of old wood to remind its guests of the transience of life. The humour, the magnificent beauty of the forests and the existential soul-searching are unmistakably Nordic, in a wry and philosophical docu-comedy shot in true wabi-sabi style on everything from super-8 to GoPro, while an ironic narrator gleefully comments on the events from a radio studio.
Director: Gunnar Hall Jensen
Producer: Elin Sander
Original Title: En kopp te
Norway / 2014 / 79 Minutes
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《拳台之间》Between Rings
《拳台之间》
Esther Phiri曾不得不为开创自己的独立生活而“打拼”。在她的家乡赞比亚，对于那些梦想着过上与上辈人不一样生活的人来说，这位七届世界拳击冠军已经成为了一个符号。这部电影，让我们知晓了其中的原因：她是一个因勇敢信念而充满魅力的女人。她可以把任何人击倒！Esther曾为帮助她的家人而辍学。自那次以来，她还放弃了婚姻和建立家庭的愿望，全身心地投入了她辉煌的职业拳击手生涯。紧随成功而来的是压力、嫉妒和批评，尤其是在拳台之外。
如果由其他的人执导，这部电影很可能变成一个可预见的伤感故事，但是分别来自芬兰和赞比亚的导演Salla Sorri和Jessie Chisi创作了一部独特的现实主义电影，并避开了政治正确的陈词滥调。导演塑造了一个有反差、有矛盾、会紧张的Esther Phiri，而这些同样是她身上的一部分。最终，在这部电影中你只能为她百折不挠的勇气和奋不顾身的斗争，致以最大的敬意。
导演：Salla Sorri、Jessie Chisi
摄影：Marita Hällfors、Päivi Kettunen
制片：Tahir Aliyev
录音：Anna Tolkkinen、Miki Brunou、Mikko Mäkeläinen
剪辑：Juha Nukanen
编剧：Salla Sorri、Jessie Chisi
音乐：Miki Brunou
芬兰/2014/73分钟
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Between Rings
Esther Phiri has literally had to fight to carve out an independent life on her own terms. In her native Zambia, the seven-time world champion in boxing became an icon for anyone who had dreams in life that were different from the ones that traditions had created for them. And in 'Between Rings' we understand why: she is a deeply charismatic woman with the courage of her convictions. And she can knock anybody out! Esther first renounced her education to support her family. But since then she has also renounced the expectations of marriage and family to invest in her meteoric career as a boxer. With success comes pressure, jealousy and criticism - especially outside the ring. In the wrong hands, this film could have been a predictable and sentimental story, but the Finnish/Zambian directors Salla Sorri & Jessie Chisi have created an exceptionally realistic film, which avoids politically correct clichés in favour of a portrait that makes space for the contrasts, conflicts and inner tensions that are also a part of Esther Phiri's story. And finally, you can only have the greatest respect for her tenacity and courage - and for how infinitely much she had to fight for.
Director: Salla Sorri, Jessie Chisi
Camera: Marita Hällfors, Päivi Kettunen
Producer: Tahir Aliyev
Sound: Anna Tolkkinen, Miki Brunou, Mikko Mäkeläinen
Editor: Juha Nukanen
Script: Salla Sorri, Jessie Chisi
Music: Miki Brunou
Finland / 2014 / 73 Minutes
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《马戏王朝》The Circus Dynasty
《马戏王朝》
马戏团的年轻王子，Patrick Berdino，和美丽的杂技演员Merrylu Casselly结成了伴侣。从小时候起，他们的父母就希望他们两人能够结合，一同继承以友谊和家族联盟为基础的，斯堪的纳维亚半岛最大的马戏团王朝。这对认真而勤奋的热恋夫妇如风暴席卷全球，似乎没有什么事情可以阻止年轻而又受欢迎的他们。但梦想正受到威胁，刚刚20岁的他们，很难达到马戏世界所寄予的高期望。没有人知道这对年轻夫妇的爱与密切的家庭联系，是否能承受新时代的压力，毕竟这是个由旧传统主导的世界。
电影是一个迷人的爱情故事，它在这个自身的规范和标准变得扭曲的时代展开，饰以亮片、魅惑和光芒，讲述了爱是如何得并不一定遵循理性的逻辑。它还是一个关于遗产和环境的故事，关于我们在生活中所做出的选择。选择并一定总是我们自己的，它也许还会受到我们周围人的期望和压力的影响。电影像是罗密欧与朱丽叶的故事，只是关系颠倒了，伴随着故事的是宏伟壮观的马戏表演和丰富的音乐伴奏。正如马戏团圈内人所说的：表演必须继续！
导演：Anders Riis-Hansen
制片：Malene Flindt Pedersen
又名：Cirkus Dynastiet
丹麦/2014/75分钟
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The Circus Dynasty
Circus Arena's young crown prince, Patrick Berdino, has become the partner of the beautiful circus performer Merrylu Casselly. Ever since they were little, it has been their parents' dream that they would get together and continue Scandinavia's largest circus dynasty in friendship and familial union. The conscientious, hardworking and infatuated couple takes the world by storm, and nothing seems to be able to stop the young, popular stars. But the dream is being threatened. For it is hard to live up to the expectations of the circus world when you have only just turned 20. And who knows if the young couple's love and the families' close ties can withstand the pressure of new times in a world dominated by old traditions. The film is a fascinating love story that unfolds in a time warp with its own norms and rules, garnished with sequins, glamour and glitter. A drama about how love does not necessarily follow logical paths. And a story about heritage and environment, and about the choices we make in our lives. Choices, that are not always our own, but influenced by the expectations and pressures of our surroundings. Like an inverted Romeo & Juliet story, just turned upside down - and with magnificent and spectacular circus acts with full musical accompaniment. For as they say in the circus world: the show must go on!
Director: Anders Riis-Hansen
Producer: Malene Flindt Pedersen
Original Title: Cirkus Dynastiet
Denmark / 2014 / 75 Minutes
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《征服中国》Conquering China
《征服中国》
上海、酒吧、音乐。瑞典流行歌手Johan Jonason正面临挑战，他从与他合作的中国公司那里得到的只有沉默。这是一个完全羞辱性的经验。Jonason被迫重新评估自己的方法和模式。
导演：Johan Jonason
制片：Anna Byvald
瑞典/2014/70分钟
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Conquering China
Shanghai. Clubs. Music. Swedish pop singer Johan Jonason finds himself challenged as he gets nothing but the silent treatment from the Chinese star producers he set out to collaborate with. An altogether humiliating experience. Jonason is forced to evaluate his methods and motifs.
Director: Johan Jonason
Producer: Anna Byvald
Sweden / 2014 / 70 Minutes
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《海上的梦想》A Dream at Sea
《海上的梦想》
三位对船舶制造一无所知的艺术家，建造了一艘豆腐渣般的梦幻之船。他们从挪威的克里斯蒂安桑一路航行到德国的明斯特，将自身规划成了一场高端的艺术展。
导演：Trond Nicholas Perry、Erik Pirolt
又名：En drøm til havs
制片：Kristian Mosvold
挪威/2014/65分钟
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A Dream at Sea
Three artists, with no knowledge of shipbuilding, build a boat of garbage and fantasy - and sails from Kristiansand in Norway to Münster in Germany. Curating themselves into a high end art exhibition.
Director: Trond Nicholas Perry, Erik Pirolt
Original Title: En drøm til havs
Producer: Kristian Mosvold
Norway / 2014 / 65 Minutes
==================================================================
《丹·麦》Dan Mark
《丹·麦》
丹麦摄影师、导演Eva Marie Rødbro在一系列的细腻作品中记录了格陵兰岛和美国青少年的狂野青春。但在本片中，她将镜头对准了和她住在同一栋房子里的年轻男孩，房子位于哥本哈根的韦斯特伯区。男孩的名字就叫丹·麦——除此再无其它！他的生命处在不停歇的运动状态，这在很大程度上要归咎于他被诊断为ADHD（注意力缺陷多动障碍）的疾病，但电影并没有将他降格为一个社会研究案例。相反的，Rødbro以高度的关注观察这个年轻人，而年轻人的父母和朋友们，针对他即将到来的成人生活不断地提出善意的建议。
导演：Eva Marie Rødbro
摄影：Eva Marie Rødbro
制片：Rikke Lassen
录音：Rune Sand
剪辑：Linda Man
编剧：Eva Marie Rødbro
音乐：Jamie Kamara
丹麦/2014/25分钟
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Dan Mark
The Danish photographer and director Eva Marie Rødbro has documented the wild youth of teenagers in Greenland and the United States in a series of sensitive works. But in her brand new film, she has directed the camera towards a young boy who lives in the same house as herself in Copenhagen's Vesterbro district. His name is Dan Mark - nothing less! - and his life is a state of constant action, which in no small bit is due to his diagnosed ADHD, but which can't reduce him to a social case study. On the contrary, Rødbro is at a highly energetic eye level with the young man, whose parents and friends pour good advice down on him about the life that he is about to become adult in. A piece of modern street documentary by one of the Danish film scene's most promising names.
Director: Eva Marie Rødbro
Camera: Eva Marie Rødbro
Producer: Rikke Lassen
Sound: Rune Sand
Editor: Linda Man
Script: Eva Marie Rødbro
Music: Jamie Kamara
Denmark / 2014 / 25 Minutes
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《一次、一次、又一次》Time and Time and Again
《一次、一次、又一次》
电影《一次、一次、又一次》是在概念艺术家Hreinn Friðfinnsson的工作的基础上拍摄的。它揭示了在Hreinn Friðfinnsson的艺术中一个常见的思路——对时间的观察。电影关注于他当下的生活以及他过往生活中上演过的场景，摆脱了绝对的线性时间，使之成为了一个有趣而发人深省的实验。
导演：Ragnheiður Gestsdóttir、Markús Þór Andrésson
摄影：Arnar Þórisson
制片：Hlín Jóhannesdóttir、Sami Jahnukainen
录音：Zachary Miley
又名：æ ofaní æ
剪辑：Ragnheiður Gestsdóttir、Markús Þór Andrésson
编剧：Ragnheiður Gestsdóttir、Markús Þór Andrésson
音乐：Zachary Miley
冰岛，芬兰/2014/50分钟
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Time and Time and Again
Time and Time and Again is based on the work of conceptual artist Hreinn Friðfinnsson. It reveals a common thread in his art, the observation of time, following his life in the present day and staged scenes from his past. The film gets rid of absolute linear time, making this a playful and thought provoking experiment.
Director: Ragnheiður Gestsdóttir, Markús Þór Andrésson
Cast: Kati Outinen as Aika, Hreinn Friðfinnsson as himself, Magnús Logi Kristinsson as younger Hreinn
Camera: Arnar Þórisson
Producer: Hlín Jóhannesdóttir, Sami Jahnukainen
Sound: Zachary Miley
Original Title: æ ofaní æ
Editor: Ragnheiður Gestsdóttir, Markús Þór Andrésson
Script: Ragnheiður Gestsdóttir, Markús Þór Andrésson
Music: Zachary Miley
Iceland, Finland / 2014 / 50 Minutes
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《夏末》End of Summer
《夏末》
本片是用超级8毫米摄像机拍摄的黑白电影。《夏末》是一次令人沉醉的缓慢燃烧的旅程，路途上有南乔治亚岛和南极半岛的天然景观。电影由为期20天的南极夏末旅程上的镜头组成，大多为一系列的静态画面，它是对世界边缘处的生活的惊鸿一瞥。
导演：Jóhann Jóhannsson
制片：Jóhann Jóhannsson、Louise H. Johansen
剪辑：Jóhann Jóhannsson
音乐：Jóhann Jóhannsson、Hildur Gudnadóttir、Robert A. A. Lowe
摄影：Jóhann Jóhannsson
录音：Peter Albrechtsen、Jóhann Jóhannsson
冰岛、丹麦/2014/28分钟
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End of Summer
Shot on black and white super 8 film, 'End of Summer' is a hypnotic and slow-burning journey through the austere landscapes of the island of South Georgia and the Antarctic Peninsula. Filmed as a series of mostly static tableaux over a period of 20 days during the waning days of the Antarctic Summer, the film is a startling look at life at the edge of the world.
Director: Jóhann Jóhannsson
Producer: Jóhann Jóhannsson, Louise H. Johansen
Editor: Jóhann Jóhannsson
Music: Jóhann Jóhannsson, Hildur Gudnadóttir, Robert A. A. Lowe
Camera: Jóhann Jóhannsson
Sound: Peter Albrechtsen, Jóhann Jóhannsson
Iceland, Denmark / 2014 / 28 Minutes
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《好女孩》Good Girl
《好女孩》
一部关于抑郁症的，令人舒适的电影。就在你将要把一切都做好时，一次严重的焦虑发作，毁掉了一切。电影讲述的是关于如何与家人一起控制焦虑，并笑对一切，甚至是电击治疗的故事。
导演：Solveig Melkeraaen
制片：Ingivl Giske
又名：Flink pike
挪威/2014/75分钟
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Good Girl
A feel good film about depressions. About being able to do it all, but losing it in a severe anxiety attack. About controlling angst together with the family, and be able to laugh of it all, even the electro shocks.
Director: Solveig Melkeraaen
Producer: Ingivl Giske
Original Title: Flink pike
Norway / 2014 / 75 Minutes
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《在乡间》In the Country
《在乡间》
奇怪的事情正在乡间发生——如果你知道去哪里看，如何看的话。在本片中，导演Anders Jedenfors展示了他伟大的技巧，他的另类和笃定造就了一种扭曲。故事很快变得明朗，和Lena以及Gunvall这对老年夫妇在一起的猫头鹰，并不像是它们呆在家里的样子。一些事情发生了，但没有人想要谈起。一种沉默笼罩在闲谈和舒适的家庭生活之上，并且现在仍然强烈。在颗粒感的、模拟信号的黑白画面上，所有那些细微而生动的细节（如有些超现实的《双峰》中的瑞典插曲），共同暗示了一个黑暗而令人心碎的秘密。
导演：Anders Jedenfors
制片：Karl Wettre
又名：Ute på landet
瑞典/2014/61分钟
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In the Country
Strange things are taking place out in the country - at least if you know where (and how) to look. Anders Jedenfors demonstrates a great knack for both in his offbeat and highly assured detbut, which builds up to a twist. It quickly becomes obvious that the owls are not what they seem at home with the elderly couple of Lena and Gunvall. Something has happened that no one wants to talk about. A silence covered in smalltalk and cozy domesticity, but intensely present nonetheless. In grainy, analogue black and white - and as a semi-surreal, Swedish episode of Twin Peaks - all the little and telling details add up to the revelation of a dark and heartbreaking secret.
Director: Anders Jedenfors
Producer: Karl Wettre
Original Title: Ute på landet
Sweden / 2014 / 61 Minutes
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《奥尔莫和海鸥》Olmo & the Seagull
电影的故事被设定为一个名叫奥利维亚的女人一天的生活。她现在怀着她的丈夫Serge的孩子，Serge也是一位演员。她举办了一场派对，并邀请了许多朋友和以前的情人们。在这一天之中我们将会一瞥奥利维亚内心的想法，她的思考、回忆和担忧。同时，我们会收集到奥利维亚和她丈夫在其怀孕期间的思想记录，以及丈夫用照相机拍到的奥利维亚身体变化的记录。
导演：Lea Glob、Petra Costa
制片：Charlotte Pedersen
录音：Cecile Chagnaud
摄影：Lisa Persson、Mohammed Hamdy
剪辑：Tina Baz
编剧：Florence Weyne Robert
丹麦、巴西、葡萄牙、法国/2014/87分钟
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Olmo & the Seagull
The film is set as a day in the life of the woman Olivia. She is now pregnant with her husband Serge, who is also an actor. She is giving a party, inviting friends and also previous lovers. During the day we are presented with thoughts and memories, anxieties and small glimpses of her inner thoughts. Through a process, we collect recordings of her and his thoughts during the pregnancy, also collecting his recordings of her changing body with a camera. Making the documentary footage, the memories in the enacted structure.
Director: Lea Glob, Petra Costa
Producer: Charlotte Pedersen
Sound: Cecile Chagnaud
Camera: Lisa Persson, Mohammed Hamdy
Editor: Tina Baz
Script: Florence Weyne Robert
Denmark, Brazil, Portugal, France / 2014 / 87 Minutes
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《离开挪威》Out of Norway
《离开挪威》
许多年前，伊曼纽尔从利比里亚逃到挪威。现在，他想回去了，但是当地的官员拒绝了他。并且，即便他回去，他也不能参加工作或接受教育。所以，伊曼纽尔不得不以非法难民的身份，继续他的旅程，但这一次的方向有所不同。他用视频日记记录下了这个荒谬的过程，现在这个日记已经成为了一部独立电影。到目前为止，还没有哪位导演会把他的摄像机交给他的主演，好让他“从自身”记录自己的情况。但是，电影《离开挪威》并没有它看起来那么简单。伊曼纽尔在挪威艺术家Thomas Østbye之前拍摄的电影《想象伊曼纽尔》中，是一个行走着的神秘体。那是一部恶作剧般的自省电影，它不断地解构我们自认为知道一切。但这次我们得到了伊曼纽尔本人讲述的故事。故事中，伊曼纽尔为伪造出境文件所花费的钱，事实上正是来自Thomas Østbye的《想象伊曼纽尔》在“2011哥本哈根国际纪录片电影节”上所获得的奖金！本片的故事形式可能（但也只是可能）更加真实，但是，当伊曼纽尔的眼睛盯向你时，疑问依然存在。
导演/制片：Thomas Østbye
挪威/2014/43分钟
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Out of Norway
Emanuel fled to Norway from Liberia many years ago. Now he wants to return but the bureaucracy says no, even if he is neither allowed to work nor have an education. So Emanuel must once again take the trip as an illegal refugee, this time in the other direction. An absurd process which he documents himself in a video diary, that has now become an independent film. So far, there is nothing new about a film director leaving the camera to his main character, so that he or she can document their own situation 'from the inside'. But 'Out of Norway' is not as simple as it seems. Emanuel was a walking mystery in the Norwegian artist Thomas Østbye's previous film 'Imagining Emanuel', a mischievous and self-reflexive (meta)film which constantly undermined everything we thought we knew. But this time we get the story from Emanuel himself. And part of the story is the fact that his false exit papers were paid for with money that Thomas Østbye won for 'Imagining Emanuel' at CPH:DOX in 2011! The form is possibly (but only possibly) more authentic here. When Emanuel stares back at you, the doubt still lingers.
Director/Producer: Thomas Østbye
Norway / 2014 / 43 Minutes
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《色狼公园》Pervert Park
《色狼公园》
佛罗里达州司法过渡中心(Florida Justice Transitions)表面看起来和其他的美国拖车公园没什么两样。只有慎重的电子踝设备和零星的破坏见证了，这里的居民事实上都已经被判定为性罪犯。他们之中有的只是一时过失，有的则犯下了骇人听闻的罪行。在一个严刑峻法的自治州，性犯罪意味着这里的居民们只能生活在这片社会之外的孤岛上。公园的居民必须自己去寻找在犯罪与惩罚之后他们所能拥有的生活。首次执导电影的Frida和Lasse Barkfors夫妇，把我们带到了由犯罪烙印所形成的无形围墙的后面，他们还给这个弃儿社区中被妖魔化的性犯罪者以人性的面孔，并迫使我们在道德两难困境中做出选择。它比你可能想要唤起的感觉更深刻也更复杂。无论这些居民们是不是受害者，人们都会不可避免地质问自己，是否真的有一些事情不能或不应该被原谅。《色狼公园》是一部敏感而亲密的电影，其个体创伤的主题引发的不适感觉让你无法轻松地离场。
导演：Lasse Barkfors、Frida Barkfors
摄影：Lasse Barkfors
制片：Frida Barkfors、Anne Köhncke
录音：Frank Mølgaard Knudsen
剪辑：Signe Rebekka Kaufmann、Lasse Barkfors
编剧：Frida、Lasse Barkfors
音乐：Julian Winding
瑞典、丹麦/2014/75分钟
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Pervert Park
Florida Justice Transitions looks like any other American trailer park. Only discreet electronic ankle tags and sporadic vandalism bear witness to the fact that the residents are all convicted sex offenders. From misdemeanours to monstrous crimes. And in a state with tough laws, this means in practice that the inhabitants are condemned to a life in isolation from society. The park's residents are left to themselves to find out what comes after crime and punishment. The debut directing couple Frida & Lasse Barkfors take us behind the invisible fence of stigmatisation, lend a human face to an outcast community of demonised sex offenders - and forces us to take sides in a moral dilemma, which is more profound and complex than one possibly feels like being reminded of. For no matter whether the residents themselves are victims, one inevitably asks oneself if there are some things that can not - or should not ? - be forgiven. 'Pervert Park' is a sensitive and intimate film with a diabolic sense of not letting us off lightly when it comes to its inflamed topic.
Director: Lasse Barkfors, Frida Barkfors
Camera: Lasse Barkfors
Producer: Frida Barkfors, Anne Köhncke
Sound: Frank Mølgaard Knudsen
Editor: Signe Rebekka Kaufmann, Lasse Barkfors
Script: Frida, Lasse Barkfors
Music: Julian Winding
Sweden, Denmark / 2014 / 75 Minutes
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《仪式》The Ceremony
《仪式》
有一个年老而美丽的贵族女人生活在巴黎。她的名字是卡特琳娜·罗伯-格里耶(Catherine Robbe-Grillet)，现年83岁。凯瑟琳的崇拜者，把她当作神一样地敬畏和爱戴，而她则奖赏给崇拜者们以严苛的纪律和爱的惩罚。她将夸张的施虐受虐游戏变成了一种艺术形式，既是感官肉体的又是心灵精神的。她在巴黎豪华住宅养成的曼妙而优雅的举止，给人以丝带紧紧地绕过手腕的细腻感觉。
作为一个女性施虐狂，她促成了自己与参与者之间诗意的权力游戏。正如她所说，这是关于如何将自身的生命推向新的强度的。同她的搭档Beverly Charpentier一起，她寻找到了生命的张力、满足和享乐。Lina Mannheimer的第一部长片电影《仪式》，延续了短片《合约》对两人之间不同寻常的关系的探索，是对一种仪式化和神圣化的性欲关系的赞歌。它同样也是一次对萨德、马索克、巴塔耶和凯瑟琳已故的伴侣阿兰·罗伯-格里耶的文学思想史的实践，一次与世界上最受尊敬女性施虐狂见面的独特机会。
导演：Lina Mannheimer
制片：Mathilde Dedye
又名：Cermonin
瑞典/ 2014 / 75分钟
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The Ceremony
A beautiful and aristocratic elderly woman lives in Paris. Her name is Catherine Robbe-Grillet, she is 83 years old. For her worshippers, Catherine is loved and feared like a god and she rewards them with tough discipline and loving punishment. She has refined theatrical, sadomasochist plays into an art form which is as psychological as it is sensual. The scenarios that she develops from her stately home in Paris are exquisite, and one almost feels the silk ribbons tighten around one's wrists. As a dominatrix, she facilitates a poetic power game between herself and the participants. It is all about pushing oneself towards new intensities, as she says, and together with her partner Beverly Charpentier she seeks out a life of intensity, satisfaction and play. Lina Mannheimer's first feature film 'The Ceremony' follows up on the short film 'The Contract' about the unusual relationship between the two, and is an ode to the ritualisation and sacramentalisation of eroticism. A practice with an intellectual history in the literature of de Sade, Masoch, Bataille and Catherine's late partner, Alain Robbe-Grillet. A unique chance for a session with the world's possibly most respected dominatrix.
Director: Lina Mannheimer
Producer: Mathilde Dedye
Original Title: Cermonin
Sweden / 2014 / 75 Minutes
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《拯救世界的人》The Man Who Saved The World
《拯救世界的人》
1983年，冷战一触即发。两个超级大国美国和苏联之间的核竞赛令全世界都屏住了呼吸。1983年9月26日，苏联雷达监测到有五枚核导弹正在飞往自己国家的路上。斯坦尼斯拉夫·彼得洛夫是当时的指挥官，一个开启第三次世界大战的决定，落在了他的肩上。苏联应该为了自卫而向美国发射核导弹吗？今天，世界仍然存在，但彼得洛夫本人却被毁掉了。彼得洛夫，用他自己的话来说，不是一个英雄，他依靠自己的直觉而不是电脑机器违背了反击的规定。现在他住在一个满是空伏特加瓶小公寓里，失去了家人，并在两种选择之间摇摆：他应该原谅在他年幼时将他驱逐家门的母亲，去爱他这个惟一的亲人；还是继续沉沦在酒精的麻醉之中。电影《拯救世界的人》是一部史诗般的冷战惊悚片，它让你不寒而栗。同时它也是关于那个真正拯救了世界的男人的引人入胜的故事。他挣扎着想要让自己的生活步入正轨，在一切还未太晚之时。
导演：Peter Anthony
摄影：Anders Löfstedt、Kim Hattesen
制片：Jakob Staberg
录音：Peter Schultz
剪辑：Morten Højbjerg
编剧：Peter Anthony
音乐：Kristians Eidnes Andersen
丹麦/2014/105分钟
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The Man Who Saved The World
1983. The Cold War is seconds from exploding. The world holds its breath as the superpowers USA and Russia are arming themselves against each other with thousands of nuclear missiles. On the 26th of September, Russian radars intercept five nuclear missiles on their way to Russia. Stanislav Petrov is commander-in-chief. The decision that would start World War III rests on his shoulders. Should Russia fire nuclear missiles at the United States in defence? Today, the world still exists, but Petrov himself is a ruined man. A man who, in his own words, is not a hero and who went against all protocol, relying on his own instinct instead of the computers. He lives in a small apartment full of empty vodka bottles, has lost his family and is wavering between two choices: should he forgive his mother, who expelled him as a youngster, and love the only family he has left - or remain enshrouded in liquor-fuelled inebriation. 'The Man Who Saved the World' is an epic Cold War thriller that sends shivers down your spine, while also being a gripping story about the man who actually saved the world, and his struggle to get his life back on track before it is too late.
Director: Peter Anthony
Camera: Anders Löfstedt, Kim Hattesen
Producer: Jakob Staberg
Sound: Peter Schultz
Editor: Morten Højbjerg
Script: Peter Anthony
Music: Kristians Eidnes Andersen
DenMark / 2014 / 105 Minutes
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Zmiivka
晨雾消散，太阳升起，新的一天在乌克兰村庄Gammalsvenskby开始了。在这块偏远之地，几个老婆婆徘徊在甜菜地里，寻找一天的收获。她们其中的一个人叫作Lida，她住在一家敬老院里，那里的每一天都漫长而艰苦，但也存在着欢乐和生气。现在这个女人有了新男朋友，一个俄罗斯男人，她每天都和他在一起。她也无暇再去厨房帮忙或是给其他居民送汤、烘焙苹果，这令居民中的一个人尤其感到了一种嫉妒的不悦。Lida属于历来讲瑞典语的少数民族地区的人。Anna Eborn导演的这部动情而美丽的感人电影，无论是其风景还是面孔，都让人想起了贝拉·塔尔和塔可夫斯基，但存在于这部电影中的生动幽默和人性则是完全属于Eborn自己的。这部电影是关于Lida的三部曲的第二部，Eborn已经花了好几年时间来研究她，三部曲的第一部是《巴巴》(Baba)。
导演：Anna Eborn
制片：Katja Adomeit
丹麦/2014/28分钟
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Zmiivka
The fog lifts and the sun rises over yet another day in Gammalsvenskby, a village somewhere in Ukraine, out in the middle of nowhere, where old babushkas hang around in beet fields and collect the day's harvest. One of them is called Lida, and she lives in a nursing home, where every day presents a new chapter of a long and laborious, but also cheerful and lively existence. And now she has a new boyfriend! A Russian man, who she spends her days together with - much to the jealous displeasure of one of the other inhabitants - when she isn't helping out in the kitchen or serving soup and baked apples to the other residents. Lida belongs to the Swedish-speaking historic minority of the area. Both the landscapes and faces in Anna Eborn's evocative, beautiful and moving film are reminiscent of Béla Tarr and Tarkovsky, but the film's lively humour and humanity is entirely Eborn's own. The film is the second part of a trilogy about Lida, whom Eborn has been working on for several years, and which also includes 'Baba' (2010).
Director: Anna Eborn
Producer: Katja Adomeit
Denmark / 2014 / 28 Minutes
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《房子、车子和我所拥有的一切》Apt.+Car+All I Have and Own
《房子、车子和我所拥有的一切》
所有的年轻人都在往城市中迁移。如果你不这样做，那么你就是一个失败者。
美好城市生活的这一规范和神话，遇到了来自瑞典导演Clara Bodén诗意的个人电影的抵抗。电影的拍摄地是郊区，尽管这里有着田园诗般的乡下风光和红色的木制房子，但它仍然被认为是处在“社会生活之外”。Clara的妹妹生活在这里，她的声音成了我们观看这部苦乐参半的电影的指引。这部忧郁的公路电影围绕在美丽的耶姆特兰省部周围。在那里有着众多的年轻人，他们有一个共同的目标：放弃自己在乡下的根，寻求城市中的现代生活。但无论他们去到那里，他们都仍然携带着自己的身份。
Bodén对耶姆特兰省青少年群体的人类学研究，使我们有机会重新思考一些几乎被普遍接受的理想，而这些理想基本都是建立在社会竞争意识和城市人的优越感之上的。这部电影是一项大工程的一部分，它还包括一个在线组件、一本书和一个展览。
导演：Clara Bodén
制片：Clara Bodén、Mariken Halle、Ronja Svenning Berge
又名：Lgh + bil + allt jag har och äger
瑞典/2014/50分钟
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Apt.+Car+All I Have and Own
All young people are moving to the city. And if you don't, you're a loser. Norms and myths about the good (city) life are countered in the Swedish director Clara Bodén's poetic and personal film from the Swedish outskirts, which is judged as being 'out' in spite of its idyllic countryside and red wooden houses. Clara's sister lives here, and the voice that becomes our guide on a bittersweet melancholy road movie around beautiful Jämtland turns out to belong to a large number of youths who are expected to have one common goal: to abandon their roots in the country for a modern life in the city. But who nonetheless carry their very own identity along with them wherever they go. Bodén's anthropological research among youths in Jämtland not only gives us the opportunity to rethink some almost universally accepted ideals, which are basically founded on social competition and a sense of urban superiority. It will with the passage of time become a historical time capsule of a singular artistic integrity. The film is a part of a larger work, which also has an online component, a book and an exhibition.
Director: Clara Bodén
Original Title: Lgh + bil + allt jag har och äger
Producer: Clara Bodén, Mariken Halle, Ronja Svenning Berge
Sweden / 2014 / 50 Minutes
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H 赞了这篇日记 2016-02-02 07:26:36
