彩色电影胶片知识点
彩色电影胶片135相机分装卷拍摄感光度设置： 日光型 5207V3 ISO设置250 冲洗工艺ECN-2 拍灯光加雷登80 滤镜（推荐） 日光型 5201V2 ISO设置 50 冲洗工艺ECN-2 拍灯光加雷登80 滤镜 灯光型 5219V3 ISO设置500 冲洗工艺ECN-2 拍日光加雷登85B滤镜 ISO设置320（推荐） 灯光型 5218V2 ISO设置500 冲洗工艺ECN-2 拍日光加雷登85B滤镜 ISO设置320 灯光型 5279V2 ISO设置500 冲洗工艺ECN-2 拍日光加雷登85B滤镜 ISO设置320
Kodak vision 500T电影胶片5279和5218 35mm彩色胶卷也是灯光片3200K色温条件下拍摄ISO500，日光下拍摄需加85B色温镜，ISO要设置为320
反转片 EktaChrome 100D 5285/7285（ISO值100）冲洗工艺E-6
黑白电影胶片分装卷135相机拍摄感光度设置： 5231 ISO设置为100 冲洗工艺D-76 5222 ISO设置为250 冲洗工艺D-76
由于灯光型的5219需要加雷登85B滤镜才能在日光下拍摄，因此建议拍户外的童鞋使用5207高速片或者5201低速片；
柯达彩色反转电影胶片5285/7285 Kodak唯一一款35mm专业电影彩色反转片EktaChrome 100D 5285/7285（ISO值100） 提供比民用反转片更高的宽容度、真实稍带夸张的色彩表现，以及电影胶卷的极细颗粒度。此胶卷可以使用一般的E-6反转片冲洗工艺冲洗，无电影彩负的炭黑层与专门冲洗工艺麻烦，十分方便日常使用，但是不太容易买到。
柯达日光型彩色电影胶片5207 Kodak Vision3 250D/5207 35mm彩色电影负片胶片进一步提高了底片标准。是柯达底片Vision3 500T彩色底片与中速日光平衡感光乳剂相结合，为电影制作者提供了一种增强其创造性的工具。凭借柯达Vision3底片技术，Vision3 250D底片能够在极限曝光情形中提供卓越的性能，包括增加强光曝光宽容度，因此您可以在摄影场地以更快的速度移动并在后期处理中从强光中捕捉更多细节。您也将发现阴影部位的颗粒度有所下降，因而您可以在曝光不足的区域，依然得出出色的拍摄效果。
有很多朋友问5205和5207有什么不同，按照柯达官方的说法是5207的宽容度更大，暗部的颗粒更细，更便于后期处理。 此款胶片是柯达电影胶片iso250的日光片Vision3系列，是柯达公司最新的生产技术下生产出来的，是目前国内拍摄电影最主流的胶片，此款胶片很新鲜，可以按照iso250或者iso200来拍。日光片如果当灯光片使用的话需要加雷登80滤镜。 另外早期的日光型彩色电影胶片5201也依然有销售，柯达 VISION2 彩色底片 5201 具有逼真的色彩、丰富的细节和令人难以置信的锐利影像- 甚至在高反差的日光环境下也是如此。 柯达VISION250D彩色底片5201是一款低速日光型底片，它宽广的动态范围在阴影部分提供更多的细节-甚至在高反差情况下也是如此。它在颗粒和锐利度方面（在所有VISION2胶片中都有）的杰出表现非常适合于底片记录仪输出，并可在任何照明条件下提供超清晰、细腻的影像。 柯达VISION2 50D 是VISION2 底片家族的最新成员，该系列专为胶片和数字后期制作而设计。所有VISION2胶片都可提供优异的影调还原和肤色调的自然再现，同时在整个曝光范围内保持中性平衡。柯达VISION2 50D 彩色底片。捕获隐藏在阴影部分中的细节。 柯达电影胶片5201是iso50的日光片，由于柯达电影胶片50D没有生产过Vision3系列，所以50D Vision2是最新的技术，此款胶片按照iso50拍摄
Fine Grain color negative films (1950–1968)
- Eastman Color Negative film 5247 16D introduced in 1950 (DISCONTINUED in 1952)
- Eastman Color Negative film 5248 25T introduced in 1952 (DISCONTINUED in 1959)
- Eastman Color Negative film 5250 50T introduced in 1959 (DISCONTINUED in 1962)
- Eastman Color Negative film 5251 50T introduced in 1962 (DISCONTINUED in 1968)
- Eastman Color Negative film 5254/7254 100T introduced in 1968 (DISCONTINUED March, 1977)
Eastman Color Negative II (ECN-2 process 1974–1976)
- 5247 100T Process ECN-2 introduced in 1974 (DISCONTINUED in 1976)
- 5247/7247 100T introduced in 1976 (DISCONTINUED March, 1983)
- 5271/7271 (DISCONTINUED in 1980)
Video News Film 16 mm (VNF-1)(1975 – 1977)
- Eastman Ektachrome Video News Film 7239 (VND) 160D, introduced in 1976. Replaced 7241.
- Eastman Ektachrome Video News Film 7240 125T, introduced in 1975.
- Eastman Ektachrome Video News Film 7240 125T, introduced in 1976 Replaced 7242.
- Eastman Ektachrome High-Speed Video News Film 7250 400T, introduced in 1977.
- Eastman Ektachrome High-Speed Daylight Film 7251 (VXD) 400D.
Kodachrome color reversal film
- Kodachrome 16 mm introduced in 1935
- Kodachrome 35 mm (135) & 8 mm introduced in 1936
- 5262 (16 mm) introduced in 1938 (DISCONTINUED in 1946)
- 5265 (16 mm) introduced in 1940 (DISCONTINUED in 1950)
- 5267 (35 mm) introduced in 1942
- 5268 (16 mm) introduced in 1946 (DISCONTINUED in 1958)
- 5269 (16 mm) introduced in 1950
- 7267 25D (16 mm & 8 mm) (DISCONTINUED)
- 7270 40T (16 mm & 8 mm) (DISCONTINUED)
- 64T (DISCONTINUED)
Ektachrome color reversal film (E1–E6 and related processes)
- 5239/7239 (reversal) 160D
- 5240/7240 (16 mm & 8 mm) (reversal) 125T
- 5285/7285 100T[dubious – discuss]
- 5285/7285 100D (reversal) introduced in 1999 (DISCONTINUED in 2012)
- 7250 HS T 400T
- 7251 HS Day 400D introduced in 1981
- 7252 25T introduced in 1970 (DISCONTINUED in 1984)
- 7255 introduced in 1958 (DISCONTINUED in 1970)[20]
- 7280 (8 mm) 64T (DISCONTINUED in 2010)
- Ektachrome (Type A) 160T (super 8 mm) introduced in 1971
- Ektachrome SM 7244 (super 8 mm)(reversal) introduced in 1975
- 7294 100D (Super-8, possibly 16mm) introduced in 2018, reformulated version of 5285/7285 100D
Eastmancolor Negative (1982–1986)
- 5247 125T (DISCONTINUED in 1983)
- 7291 100T introduced in 1983 (DISCONTINUED in 1989)
- 7292 320T introduced in 1986 (DISCONTINUED in 1992) (First partial "T-Grain" stock)
- 5293/7293 250T introduced in 1982 (DISCONTINUED 1983)
- 5294/7294 400T (35 mm)/320T (16 mm) introduced in 1983 (16 mm DISCONTINUED in 1986 35 mm DISCONTINUED)
- 5295 400T introduced in 1986 (DISCONTINUED)
- 5297/7297 HS Day 250D introduced in 1986 (DISCONTINUED in 1997)
EXR color negative (ECN-2 process 1989–1996)
- 5245/7245 EXR 50D introduced in 1989 (DISCONTINUED in 2006)
- 5248/7248 EXR 100T introduced in 1989 (DISCONTINUED in 2005)
- 5287/7287 EXR 200T introduced in 1996 (DISCONTINUED in 1996)
- 5293/7293 EXR 200T introduced in 1992 (DISCONTINUED)
- 5296/7296 EXR 500T introduced in 1989 (DISCONTINUED in 1995)
- 5298/7298 EXR 500T introduced in 1994 (DISCONTINUED in 2003)
VISION color negative (ECN-2 process 1996–2002)
- 5246/7246 VISION 250D introduced in 1997 (DISCONTINUED in 2005)
- 5263/7263 VISION 500T introduced in 2002 (DISCONTINUED in 2003)
- 5274/7274 VISION 200T introduced in 1997 (DISCONTINUED in 2006)
- 5277/7277 VISION 320T introduced in 1996 (DISCONTINUED in 2005)
- 5279/7279 VISION 500T introduced in 1996 (DISCONTINUED in 2006)
- 5284/7284 VISION 500T "Expression" introduced in 2001 (DISCONTINUED in 2003)
- 5289 VISION 800T introduced in 1998 (DISCONTINUED in 2004)
- 7289 VISION 800T (16 mm) introduced in 1999 (DISCONTINUED in 2004)
VISION2 color negative (ECN-2 process 2002–2007)
- 5201/7201 VISION2 50D introduced in 2005. DISCONTINUED in 2012.
- 5205/7205 VISION2 250D introduced in 2004. DISCONTINUED in 2009.
- 5212/7212 VISION2 100T introduced in 2004. DISCONTINUED in 2010.
- 5217/7217 (35, 16, & 8 mm) VISION2 200T introduced in 2004. DISCONTINUED in 2010.
- 5218/7218 (35, 16, & 8 mm) VISION2 500T introduced in 2002. DISCONTINUED in 2009.
- 5229/7229 VISION2 "Expression" 500T introduced in 2003. DISCONTINUED in 2011.
- 5260 VISION2 500T introduced in 2009 (35 mm only). DISCONTINUED in 2011.
- 5299/7299 VISION2 "HD Color Scan film" 500T introduced in 2005. DISCONTINUED in 2009.
VISION3 color negative (ECN-2 process 2007–present)
- 5219/7219 VISION3 500T introduced in 2007. SO-219 is ESTAR-base variant.
- 5207/7207 VISION3 250D introduced in 2009.
- 5213/7213 (35, 16, & 8 mm) VISION3 200T introduced in 2010.
- 5203/7203 VISION3 50D introduced in 2011.
常见的几种电影胶片片基：
1，EASTMAN，个人认为是效果最好的片基，染印法洗印，色彩艳丽，保存时间长，不易变色。
2，AGFA，效果接近EASTMAN，根据保存条件差异，有变色可能。
3，AGS，效果接近EASTMAN，相对少些。
4，FUJI，时间长了普遍多少会发紫色。
5，LUCKY（乐凯），不论怎么保存，都会变红，毁了太多好电影。
彩色分装卷
