A Long Way to Run -- 金冰老师de书单
语言文化书单，分享，哪怕每人只读一篇，better than never
A Reading List for Course 2
Part One: Theoretical Works
From David Richter, ed., The Critical Tradition, 2nd ed. (New York: St. Martin's Press, 1998).
Plato. “Republic, Book X,” “Ion.” 17-37.
Aristotle. “Poetics.” 38-64.
Horace. “The Art of Poetry.” 65-78.
Longinus. “On the Sublime.” 79-107.
Sir Philip Sidney. “An Apology for Poetry.” 131-159.
Alexander Pope. “An Essay on Criticism.” 206-217.
David Hume. “Of the Standard of Taste.” 239-252.
Immanuel Kant. Critique of Judgment. (Selections from “First Book: Analytic of
the Beautiful,” “Second Book: Analytic of the Sublime.”) 253-280.
Friedrich von Schiller. “On Naïve and Sentimental Poetry.” 294-299.
William Wordsworth. “Preface to Lyrical Ballads.” 300-314.
Samuel Taylor Coleridge. Biographia Literaria (Selections from Chapter XIII and
XIV). 315-332.
Percy Bysshe Shelley. “A Defence of Poetry.” 337-356.
Georg Wilhelm Friedrich Hegel. “Introduction to the Philosophy of Art.” 357-371.
Ralph Waldo Emerson. “The Poet.” 372-384.
Matthew Arnold. “The Function of Criticism at the Present Time.” 394-410.
Oscar Wilde. “The Decay of Lying.” 448-468.
Sigmund Freud. “Creative Writers and Daydreaming.” 481-487.
T. S. Eliot. “Tradition and the Individual Talent.” 495-503.
Carl Gustav Jung. “The Principal Archetypes.” 507-516.
Mikhail Bakhtin. “Discourse in the Novel.” 527-540.
Virginia Woolf. A Room of One’s Own (Selection from “Austen-Brönte-Eliot.”)
554-560.
Martin Heidegger. “Höderlin and the Essence of Poetry.” 560-570.
Jean-Paul Sartre. “Why Write?” 621-634.
Northrop Frye. “The Archetypes of Literature.” 641-651.
Hans-Georg Gadamer. “The Elevation of the Historicality of Understanding to the
Status of Hermeneutical Principle.” 668-688.
Susan Sontag. “Against Interpretation.” 689-696.
Theoretical or Critical Works in Alphabetical Order
Abrams, M. H. The Mirror and the Lamp: Romantic Theory and the Critical
Tradition. New York: Oxford UP, 1953.
Bloom, Harold. The Anxiety of Influence. New York: Oxford UP, 1973.
Byatt, A. S. On Histories and Stories. Cambridge: Harvard UP, 2000.
De Man, Paul. Blindness and Insight: Essays in the Rhetoric of Contemporary
Criticism. London: Routledge, 1989.
Eagleton, Terry. Marxism and Literary Criticism. London: Methuen, 1976.
---. Literary Theory: an Introduction. Oxford: Basil Blackwell, 1983.
Forster, E. M. Aspects of the Novel. New York: Harcourt, 1954.
Foucault, Michel. The History of Sexuality. Vol. 1. New York: Pantheon, 1978.
Freud, Sigmund. The Basic Writings of Sigmund Freud. New York: Modern
Library, 1938.
Holquist, Michael. Dialogism: Bakhtin and His World. London: Routledge, 1990.
Georg Lukaćs. History and Class Consciousness. Cambridge: MIT, 1971.
Newton, K. M. Interpreting the Text: a Critical Introduction to the Theory and
Practice of Literary Interpretation. New York: St. Martin’s, 1990.
Norris, Christopher. Truth and the Ethics of Criticism. Manchester: Manchester
UP, 1994.
Selden, Raman. A Reader's Guide to Contemporary Literary Theory. 4th ed.
London: Prentice Hall, 1997.
Showalter, Elaine. A Literature of Their Own. Expanded ed. Princeton:
Princeton UP, 1999.
Watt, Ian. The Rise of the Novel. Berkeley: U of California P, 1957.
Wellek, Rene. Concepts of Criticism. New Haven: Yale UP, 1963.
Williams, Raymond. Culture and Society, 1780-1950. New York: Columbia UP,
1958.
Part Two: Cultural Studies
Arnold, Mathew. Culture and Anarchy. London: John Murray, 1920.
Bagchi, Jasodhara. Literature, Society, and Ideology in the Victorian Era. New
Delhi: Sterling, 1991.
Beer, Gillian. Darwin’s Plots. 2nd ed. Cambridge: Cambridge UP, 2000.
Boehmer, Elleke. Colonial and Postcolonial Literature. Oxford: Oxford UP, 1995.
Bradstock, Andrew, et al. Masculinity and Spirituality in Victorian Culture. New
York: St. Martin’s, 2000.
1969.
Byatt A. S. Unruly Times: Wordsworth and Coleridge in their Time. London:
Hogarth, 1989.
Byerly, Alison. Realism, Representation, and the Arts in Nineteenth-Century
Literature. Cambridge: Cambridge UP, 1997.
Dale, Peter A. The Victorian Critic and the Idea of History. Cambridge: Harvard
UP, 1977.
Fiero, Gloria K. The Humanistic Tradition: Romanticism, Realism and the
Nineteenth-Century World. 4th ed. New York: McGraw-Hill, 2002.
Gay, Peter. The Bourgeois Experience: Victoria to Freud. Vol. 5. New York:
Norton, 1998.
Gilbert, Sandra M., and Susan Gubar. The Madwoman in the Attic. 2nd ed. New
Haven: Yale UP, 2000.
Gill, Stephen. Wordsworth and the Victorians. Oxford: Oxford UP, 1998.
Gilmour, Robin. The Victorian Period. London: Longman, 1993.
Harrison, Antony H. Victorian Poets and Romantic Poems. Charlottesville: UP of
Virginia, 1992.
Hobsbawn, Eric, and Terence Ranger. The Invention of Tradition. Cambridge:
Cambridge UP, 1983.
---. The Age of Capital, 1848-1875. London: Phoenix, 2000.
Kincaid, James R. Child-Loving. New York: Routledge, 1992.
Leavis, F. R. The Great Tradition. New York: New York UP, 1960.
Levine, George. Construction of the Self. New Brunswick: Rutgers UP, 1992.
Marsden, Gordon. Victorian Values: Personalities and Perspectives in
Nineteenth-Century Society. 2nd ed. London: Longman, 1998.
Miller, J. Hillis. Fiction and Repetition. Cambridge: Harvard UP, 1982.
Morgan, Thais E. Victorian Sages and Cultural Discourse. New Brunswick:
Rutgers UP, 1990.
Poovey, Mary. Making a Social Body: British Cultural Formation, 1830-1864.
Chicago: U of Chicago P, 1995.
Reardon, Bernard M. G. Religious Thought in the Victorian Age: a Survey from
Coleridge to Gore. 2nd ed. London: Longman, 1995.
Reilly, Jim. Shadowtime: History and Representation in Hardy, Conrad and George
Eliot. New York: Routledge, 1993.
Ryals, Clyde de L. A World of Possibilities: Romantic Irony in Victorian Literature. Columbus: Ohio State UP, 1990.
Rylance, Rick. Victorian Psychology and British Culture, 1850-1880. Oxford:
Oxford UP, 2000.
Showalter, Elaine. A Literature of their Own. Princeton: Princeton UP, 1977.
Shuttleworth, Sally. George Eliot and Nineteenth-century Science: the Make-believe
of a Beginning. New York: Cambridge UP, 1984.
Smout, Christopher, ed. Victorian Values. Oxford: Oxford UP, 1992.
Thompson, E. P. The Romantics: England in a Revolutionary Age. New York: New, 1997.
Welsh, Alexander. The City of Dickens. San Jose: toExcel, 1999.
Willey, Basil. Nineteenth-century Studies: Coleridge to Mathew Arnold. New York: Penguin, 1949.
Yeazell, Ruth Bernard. Fictions of Modesty. Chicago: U of Chicago P, 1991.
埃德蒙•柏克 《自由与传统》，蒋庆等译，北京：商务印书馆，2001年。
丁宏为 《理念与悲曲》，北京：北京大学出版社，2002年。
梅尔茨 《十九世纪欧洲思想史》，北京：商务印书馆， 1999年。
周小仪 《唯美主义与消费文化》，北京：北京大学出版社，2002年。
Part Three: Readings in English Literature (in Chronological Order;
entries without publishing information are taken from M. H. Abrams, et al., eds., The Norton Anthology of English Literature, 6th ed., 2 vols. (New York: Norton, 1993).
Geoffrey Chaucer. Selected poems. Abrams, 1: 76-195.
Edmund Spenser. Selected poems. Abrams, 1: 503-737.
William Shakespeare. Sonnets and songs. Abrams, 1: 801-822.
---. The Tragedy of King Lear. Cambridge: Cambridge UP, 1992.
John Donne. Selected poems. Abrams, 1: 1082-1125.
Francis Bacon. Selected prose works. Abrams, 1: 1257-1268.
Andrew Marvell. Selected poems. Abrams, 1: 1414-1432.
John Milton. Paradise Lost. London: Longman, 1971.
Aphra Behn. Oroonoko, or, The Royal Slave: A True History. New York: Norton,
1973.
Daniel Defoe. Robinson Crusoe. Boston: Houghton, 1968.
Samuel Richardson. Pamela. New York: Norton, 1958.
Henry Fielding. Tom Jones. New York: Penguin, 1986.
Jonathan Swift. Gulliver’s Travels. London: First Edition, 1926.
Fanny Burney . Evelina. New York: Penguin, 1992.
Alexander Pope. Selected poems. Abrams, 1: 2212-2293.
Jane Austen. Pride and Prejudice. New York: Barnes, 1993.
William Blake. Selected poems. Abrams, 2: 22-79.
Robert Burns. Selected poems. Abrams, 2: 80-97.
Mary Shelley. Frankenstein. Oxford: Woodstock, 1993.
William Wordsworth. Selected poems. Abrams, 2: 129-201.
---. The Prelude. Oxford: Clarendon, 1926.
Samuel Taylor Coleridge. Selected poems. Abrams, 2: 323-377.
Charles Lamb. Selected prose works. Abrams, 2: 403-423.
William Hazlitt. Selected prose works. Abrams, 2: 423-444.
Thomas De Quincey. Selected prose works. Abrams, 2: 444-467.
George Gordon Byron. Selected poems. Abrams, 2: 479-628.
Percy Bysshe Shelley. Selected poems. Abrams, 2: 643-752.
John Keats. Selected poems. Abrams, 2: 769-828.
Thomas Carlyle. Selected prose works. Abrams, 2: 915-974.
John Henry Cardinal Newman. Selected prose works. Abrams, 2: 976-992.
John Stuart Mill. Selected prose works. Abrams, 2: 994-1022.
Charlotte Brontë. Jane Eyre. New York: Dodd, 1921.
Emily Brontë. Wuthering Heights. London: Penguin, 1985.
Charles Dickens. Bleak House. New York: Norton, 1977.
Willaim Makepeace Thackeray. Vanity Fair. Oxford: Oxford UP, 1983.
Elizabeth Barret Browning. Selected poems. Abrams, 2: 1031-1052.
Alfred Tennyson. Selected poems. Abrams, 2: 1052-1169.
Robert Browning. Selected poems. Abrams, 2: 1187-1265.
John Ruskin. Selected poems. Abrams, 2: 1273-1305.
Mathew Arnold. Selected poems. Abrams, 2: 1344-1378.
---. “Literature and Science.” Abrams, 2: 1429-1442.
George Eliot. Adam Bede. New York: Penguin, 1994.
---. Silas Marner. Oxford: Oxford UP, 1996.
---. The Mill on the Floss. Beijing: FLTR, 1997.
---. Middlemarch. New York: Penguin, 1994.
---. Daniel Deronda. Oxford: Oxford UP, 1988.
---. Romola. Oxford: Oxford UP, 1993.
Thomas Henry Huxley. Selected prose works. Abrams, 2: 1442-1453.
George Meredith. The Egoist. Ware, Herdfordshire: Wordsworth, 1995.
Dante Gabriel Rossetti. Selected poems. Abrams, 2: 1461-1472.
Christina Rossetti. Selected poems. Abrams, 2: 1472-1494.
Walter Pater. Selected prose works. Abrams, 2: 1526-1543.
Gerald Manley Hopkins. Selected poems. Abrams, 2: 1543-1554.
Oscar Wilde. The Importance of Being Earnest. New York: Dover, 1990.
Thomas Hardy. Tess of the D’Urbervilles. New York: Norton, 1979.
George Bernard Shaw. Mrs. Warren’s Profession. Abrams, 2: 1714-1754.
Joseph Conrad. Lord Jim. New York: Penguin, 1994.
---. Heart of Darkness. Ed. Paul O’Prey. New York: Penguin, 1983.
Henry James. The Portrait of a Lady. Beijing: FLTR, 1997.
William Butler Yeats. Selected poems. Abrams, 2: 1863-1906.
Virginia Woolf. To the Lighthouse. Oxford: Oxford UP, 1992.
---. Mrs. Dalloway. New York: Penguin, 1996.
James Joyce. A Portrait of the Artist as a Young Man. New York: Viking, 1968.
---. “Araby” Dubliners. London: Granada, 1977.
T. S. Eliot. Selected poems. Abrams, 2: 2136-2183.
D. H. Lawrence. “Odor of Chrysanthemums.” Abrams, 2: 2083-2097.
---. Sons and Lovers. Cambridge: Cambridge UP, 1992.
Katherine Mansfield. “The Garden Party.” Abrams, 2: 2198-2208.
Samuel Beckett. Waiting for Godot. Basingstoke: Macmillan, 1987.
Dorris Lessing. “To Room Nineteen.” Abrams, 2: 2301-2323.
A Reading List for Course 2
Part One: Theoretical Works
From David Richter, ed., The Critical Tradition, 2nd ed. (New York: St. Martin's Press, 1998).
Plato. “Republic, Book X,” “Ion.” 17-37.
Aristotle. “Poetics.” 38-64.
Horace. “The Art of Poetry.” 65-78.
Longinus. “On the Sublime.” 79-107.
Sir Philip Sidney. “An Apology for Poetry.” 131-159.
Alexander Pope. “An Essay on Criticism.” 206-217.
David Hume. “Of the Standard of Taste.” 239-252.
Immanuel Kant. Critique of Judgment. (Selections from “First Book: Analytic of
the Beautiful,” “Second Book: Analytic of the Sublime.”) 253-280.
Friedrich von Schiller. “On Naïve and Sentimental Poetry.” 294-299.
William Wordsworth. “Preface to Lyrical Ballads.” 300-314.
Samuel Taylor Coleridge. Biographia Literaria (Selections from Chapter XIII and
XIV). 315-332.
Percy Bysshe Shelley. “A Defence of Poetry.” 337-356.
Georg Wilhelm Friedrich Hegel. “Introduction to the Philosophy of Art.” 357-371.
Ralph Waldo Emerson. “The Poet.” 372-384.
Matthew Arnold. “The Function of Criticism at the Present Time.” 394-410.
Oscar Wilde. “The Decay of Lying.” 448-468.
Sigmund Freud. “Creative Writers and Daydreaming.” 481-487.
T. S. Eliot. “Tradition and the Individual Talent.” 495-503.
Carl Gustav Jung. “The Principal Archetypes.” 507-516.
Mikhail Bakhtin. “Discourse in the Novel.” 527-540.
Virginia Woolf. A Room of One’s Own (Selection from “Austen-Brönte-Eliot.”)
554-560.
Martin Heidegger. “Höderlin and the Essence of Poetry.” 560-570.
Jean-Paul Sartre. “Why Write?” 621-634.
Northrop Frye. “The Archetypes of Literature.” 641-651.
Hans-Georg Gadamer. “The Elevation of the Historicality of Understanding to the
Status of Hermeneutical Principle.” 668-688.
Susan Sontag. “Against Interpretation.” 689-696.
Theoretical or Critical Works in Alphabetical Order
Abrams, M. H. The Mirror and the Lamp: Romantic Theory and the Critical
Tradition. New York: Oxford UP, 1953.
Bloom, Harold. The Anxiety of Influence. New York: Oxford UP, 1973.
Byatt, A. S. On Histories and Stories. Cambridge: Harvard UP, 2000.
De Man, Paul. Blindness and Insight: Essays in the Rhetoric of Contemporary
Criticism. London: Routledge, 1989.
Eagleton, Terry. Marxism and Literary Criticism. London: Methuen, 1976.
---. Literary Theory: an Introduction. Oxford: Basil Blackwell, 1983.
Forster, E. M. Aspects of the Novel. New York: Harcourt, 1954.
Foucault, Michel. The History of Sexuality. Vol. 1. New York: Pantheon, 1978.
Freud, Sigmund. The Basic Writings of Sigmund Freud. New York: Modern
Library, 1938.
Holquist, Michael. Dialogism: Bakhtin and His World. London: Routledge, 1990.
Georg Lukaćs. History and Class Consciousness. Cambridge: MIT, 1971.
Newton, K. M. Interpreting the Text: a Critical Introduction to the Theory and
Practice of Literary Interpretation. New York: St. Martin’s, 1990.
Norris, Christopher. Truth and the Ethics of Criticism. Manchester: Manchester
UP, 1994.
Selden, Raman. A Reader's Guide to Contemporary Literary Theory. 4th ed.
London: Prentice Hall, 1997.
Showalter, Elaine. A Literature of Their Own. Expanded ed. Princeton:
Princeton UP, 1999.
Watt, Ian. The Rise of the Novel. Berkeley: U of California P, 1957.
Wellek, Rene. Concepts of Criticism. New Haven: Yale UP, 1963.
Williams, Raymond. Culture and Society, 1780-1950. New York: Columbia UP,
1958.
Part Two: Cultural Studies
Arnold, Mathew. Culture and Anarchy. London: John Murray, 1920.
Bagchi, Jasodhara. Literature, Society, and Ideology in the Victorian Era. New
Delhi: Sterling, 1991.
Beer, Gillian. Darwin’s Plots. 2nd ed. Cambridge: Cambridge UP, 2000.
Boehmer, Elleke. Colonial and Postcolonial Literature. Oxford: Oxford UP, 1995.
Bradstock, Andrew, et al. Masculinity and Spirituality in Victorian Culture. New
York: St. Martin’s, 2000.
1969.
Byatt A. S. Unruly Times: Wordsworth and Coleridge in their Time. London:
Hogarth, 1989.
Byerly, Alison. Realism, Representation, and the Arts in Nineteenth-Century
Literature. Cambridge: Cambridge UP, 1997.
Dale, Peter A. The Victorian Critic and the Idea of History. Cambridge: Harvard
UP, 1977.
Fiero, Gloria K. The Humanistic Tradition: Romanticism, Realism and the
Nineteenth-Century World. 4th ed. New York: McGraw-Hill, 2002.
Gay, Peter. The Bourgeois Experience: Victoria to Freud. Vol. 5. New York:
Norton, 1998.
Gilbert, Sandra M., and Susan Gubar. The Madwoman in the Attic. 2nd ed. New
Haven: Yale UP, 2000.
Gill, Stephen. Wordsworth and the Victorians. Oxford: Oxford UP, 1998.
Gilmour, Robin. The Victorian Period. London: Longman, 1993.
Harrison, Antony H. Victorian Poets and Romantic Poems. Charlottesville: UP of
Virginia, 1992.
Hobsbawn, Eric, and Terence Ranger. The Invention of Tradition. Cambridge:
Cambridge UP, 1983.
---. The Age of Capital, 1848-1875. London: Phoenix, 2000.
Kincaid, James R. Child-Loving. New York: Routledge, 1992.
Leavis, F. R. The Great Tradition. New York: New York UP, 1960.
Levine, George. Construction of the Self. New Brunswick: Rutgers UP, 1992.
Marsden, Gordon. Victorian Values: Personalities and Perspectives in
Nineteenth-Century Society. 2nd ed. London: Longman, 1998.
Miller, J. Hillis. Fiction and Repetition. Cambridge: Harvard UP, 1982.
Morgan, Thais E. Victorian Sages and Cultural Discourse. New Brunswick:
Rutgers UP, 1990.
Poovey, Mary. Making a Social Body: British Cultural Formation, 1830-1864.
Chicago: U of Chicago P, 1995.
Reardon, Bernard M. G. Religious Thought in the Victorian Age: a Survey from
Coleridge to Gore. 2nd ed. London: Longman, 1995.
Reilly, Jim. Shadowtime: History and Representation in Hardy, Conrad and George
Eliot. New York: Routledge, 1993.
Ryals, Clyde de L. A World of Possibilities: Romantic Irony in Victorian Literature. Columbus: Ohio State UP, 1990.
Rylance, Rick. Victorian Psychology and British Culture, 1850-1880. Oxford:
Oxford UP, 2000.
Showalter, Elaine. A Literature of their Own. Princeton: Princeton UP, 1977.
Shuttleworth, Sally. George Eliot and Nineteenth-century Science: the Make-believe
of a Beginning. New York: Cambridge UP, 1984.
Smout, Christopher, ed. Victorian Values. Oxford: Oxford UP, 1992.
Thompson, E. P. The Romantics: England in a Revolutionary Age. New York: New, 1997.
Welsh, Alexander. The City of Dickens. San Jose: toExcel, 1999.
Willey, Basil. Nineteenth-century Studies: Coleridge to Mathew Arnold. New York: Penguin, 1949.
Yeazell, Ruth Bernard. Fictions of Modesty. Chicago: U of Chicago P, 1991.
埃德蒙•柏克 《自由与传统》，蒋庆等译，北京：商务印书馆，2001年。
丁宏为 《理念与悲曲》，北京：北京大学出版社，2002年。
梅尔茨 《十九世纪欧洲思想史》，北京：商务印书馆， 1999年。
周小仪 《唯美主义与消费文化》，北京：北京大学出版社，2002年。
Part Three: Readings in English Literature (in Chronological Order;
entries without publishing information are taken from M. H. Abrams, et al., eds., The Norton Anthology of English Literature, 6th ed., 2 vols. (New York: Norton, 1993).
Geoffrey Chaucer. Selected poems. Abrams, 1: 76-195.
Edmund Spenser. Selected poems. Abrams, 1: 503-737.
William Shakespeare. Sonnets and songs. Abrams, 1: 801-822.
---. The Tragedy of King Lear. Cambridge: Cambridge UP, 1992.
John Donne. Selected poems. Abrams, 1: 1082-1125.
Francis Bacon. Selected prose works. Abrams, 1: 1257-1268.
Andrew Marvell. Selected poems. Abrams, 1: 1414-1432.
John Milton. Paradise Lost. London: Longman, 1971.
Aphra Behn. Oroonoko, or, The Royal Slave: A True History. New York: Norton,
1973.
Daniel Defoe. Robinson Crusoe. Boston: Houghton, 1968.
Samuel Richardson. Pamela. New York: Norton, 1958.
Henry Fielding. Tom Jones. New York: Penguin, 1986.
Jonathan Swift. Gulliver’s Travels. London: First Edition, 1926.
Fanny Burney . Evelina. New York: Penguin, 1992.
Alexander Pope. Selected poems. Abrams, 1: 2212-2293.
Jane Austen. Pride and Prejudice. New York: Barnes, 1993.
William Blake. Selected poems. Abrams, 2: 22-79.
Robert Burns. Selected poems. Abrams, 2: 80-97.
Mary Shelley. Frankenstein. Oxford: Woodstock, 1993.
William Wordsworth. Selected poems. Abrams, 2: 129-201.
---. The Prelude. Oxford: Clarendon, 1926.
Samuel Taylor Coleridge. Selected poems. Abrams, 2: 323-377.
Charles Lamb. Selected prose works. Abrams, 2: 403-423.
William Hazlitt. Selected prose works. Abrams, 2: 423-444.
Thomas De Quincey. Selected prose works. Abrams, 2: 444-467.
George Gordon Byron. Selected poems. Abrams, 2: 479-628.
Percy Bysshe Shelley. Selected poems. Abrams, 2: 643-752.
John Keats. Selected poems. Abrams, 2: 769-828.
Thomas Carlyle. Selected prose works. Abrams, 2: 915-974.
John Henry Cardinal Newman. Selected prose works. Abrams, 2: 976-992.
John Stuart Mill. Selected prose works. Abrams, 2: 994-1022.
Charlotte Brontë. Jane Eyre. New York: Dodd, 1921.
Emily Brontë. Wuthering Heights. London: Penguin, 1985.
Charles Dickens. Bleak House. New York: Norton, 1977.
Willaim Makepeace Thackeray. Vanity Fair. Oxford: Oxford UP, 1983.
Elizabeth Barret Browning. Selected poems. Abrams, 2: 1031-1052.
Alfred Tennyson. Selected poems. Abrams, 2: 1052-1169.
Robert Browning. Selected poems. Abrams, 2: 1187-1265.
John Ruskin. Selected poems. Abrams, 2: 1273-1305.
Mathew Arnold. Selected poems. Abrams, 2: 1344-1378.
---. “Literature and Science.” Abrams, 2: 1429-1442.
George Eliot. Adam Bede. New York: Penguin, 1994.
---. Silas Marner. Oxford: Oxford UP, 1996.
---. The Mill on the Floss. Beijing: FLTR, 1997.
---. Middlemarch. New York: Penguin, 1994.
---. Daniel Deronda. Oxford: Oxford UP, 1988.
---. Romola. Oxford: Oxford UP, 1993.
Thomas Henry Huxley. Selected prose works. Abrams, 2: 1442-1453.
George Meredith. The Egoist. Ware, Herdfordshire: Wordsworth, 1995.
Dante Gabriel Rossetti. Selected poems. Abrams, 2: 1461-1472.
Christina Rossetti. Selected poems. Abrams, 2: 1472-1494.
Walter Pater. Selected prose works. Abrams, 2: 1526-1543.
Gerald Manley Hopkins. Selected poems. Abrams, 2: 1543-1554.
Oscar Wilde. The Importance of Being Earnest. New York: Dover, 1990.
Thomas Hardy. Tess of the D’Urbervilles. New York: Norton, 1979.
George Bernard Shaw. Mrs. Warren’s Profession. Abrams, 2: 1714-1754.
Joseph Conrad. Lord Jim. New York: Penguin, 1994.
---. Heart of Darkness. Ed. Paul O’Prey. New York: Penguin, 1983.
Henry James. The Portrait of a Lady. Beijing: FLTR, 1997.
William Butler Yeats. Selected poems. Abrams, 2: 1863-1906.
Virginia Woolf. To the Lighthouse. Oxford: Oxford UP, 1992.
---. Mrs. Dalloway. New York: Penguin, 1996.
James Joyce. A Portrait of the Artist as a Young Man. New York: Viking, 1968.
---. “Araby” Dubliners. London: Granada, 1977.
T. S. Eliot. Selected poems. Abrams, 2: 2136-2183.
D. H. Lawrence. “Odor of Chrysanthemums.” Abrams, 2: 2083-2097.
---. Sons and Lovers. Cambridge: Cambridge UP, 1992.
Katherine Mansfield. “The Garden Party.” Abrams, 2: 2198-2208.
Samuel Beckett. Waiting for Godot. Basingstoke: Macmillan, 1987.
Dorris Lessing. “To Room Nineteen.” Abrams, 2: 2301-2323.
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