鱼蛋佬🍢的评论(18)

多半因为阿巴斯的半即兴创作策略，本片在剧本、色彩、光线、构图、运镜和声音上虽各有精巧的设计，却保有了自然之感（甚至时有笨拙），就是唠叨的老头也想到要解释：“我已经说了很多话了，你能说说吗？不说的话，就继续我说好了。” 永远腾起落下的大片棕黄大地、植被与城市中...  (展开)

这电影恐怖，不止因为在现实中强化未来的伤害的可能，还因为它就是制片方当下的一场加害。演员、草民、枪击案受害者，甚至隐身的更多；而我在买票时，也为它投了资。 从小所有伤害我的人都能说出“都是因为他……”但那些挥出拳头的都是谁呢？ 至少，众多新闻源指明：不过五年...  (展开)

从小所有伤害我的人都能说出“都是因为他……”但那些挥出拳头的都是谁呢？ 众多新闻源指明：不过五年前的黑暗骑士枪击案的凶手被捕时，骄傲地自称小丑。 [蝙蝠侠：黑暗骑士崛起] 而今后，我决定花$5上轻轨时，会有更多的人相信在那破旧车厢中开火是为民除害，即使华尔街男孩不...  (展开)

这篇书评可能有关键情节透露

selects for literary purposes two or three facets of a man or woman… useful ingredients of their character and disregards all the others Elizabeth Costello, published in 2003, is a contemporary novel whose identity as a novel is under debate, as its deviat...  (展开)

‘The door opened. “Here is my Elizabeth,” said Clarissa, emotionally, histrionically ,perhaps. “How d’y do?” said Elizabeth coming forward. The sound of Big Ben striking the half-hour struck out between them with extraordinary vigour, as if a young ma...  (展开)

这篇书评可能有关键情节透露

Raymond Carver’s short story “Cathedral” is often found impenetrable with its minimalist language and weird plot in which the narrator is intelligibly inspired after drawing with Robert, a blind man. From the characters, illusive dialogues and symbols, a...  (展开)

Its second is made on arrival in the night & fog Alais Resnais made Night & Fog in 1956, long past the events depicted and longer than the rise of German cinema. Some of its shots resemble those of previous German genres, and therefore have haunting...  (展开)

这篇书评可能有关键情节透露

A short story “Punishment” by Rabindranath Tagore seems to be a simple cry for female and labourer empowerment and subjectification against their objectification, but it raises more questions and paradoxes that may belong to the character only or beyond. ...  (展开)

这篇书评可能有关键情节透露

Both The Death of Ivan Ilyich by Leo Tolstoy in 1886 and “The Snows of Kilimanjaro” by Ernest Hemingway in 1936 tell tales of deaths of two men, Ivan and Harry respectively, who live “empty” lives of mere comfort and decorum until facing death suddenly,...  (展开)

Nietzsche likes to see himself as an agent of new truth, a ‘Mr Nosy Daredevil’ (Nietzsche, 51). Yet, deeply down, Nietzsche holds an ideology recognising agency and different qualities of individuals, tending to personify collectives like the Church or Je...  (展开)